The Great Women Artists Podcast Por Katy Hessel arte de portada

The Great Women Artists

The Great Women Artists

De: Katy Hessel
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Created off the back of @thegreatwomenartists Instagram, this podcast is all about celebrating women artists. Presented by art historian and curator, Katy Hessel, this podcast interviews artists on their career, or curators, writers, or general art lovers, on the female artist who means the most to them.All rights reserved Arte
Episodios
  • Diane Apostolos-Cappadona on Mary Magdalene
    Apr 2 2026
    TODAY on the GWA Podcast: the esteemed scholar, author, and art historian DIANE APOSTOLOS-CAPPADONA on MARY MAGDALENE! Professor Emerita of Religious Art & Cultural History and Haub Director of the Catholic Studies Program at Georgetown University, and Distinguished Visiting Scholar in the Art History Program at The George Washington University, Apostolos-Cappadona has written extensively on art history. The author of Mary Magdalene: A Visual History (2023); A Guide to Christian Art (2020); Encyclopedia of Women in Religious Art (1996); Dictionary of Christian Art (1994); and The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19th-Century American Art (1995), and “In Search of Mary Magdalene: images and traditions” (2002)... Apostolos-Cappadona is one of the leading scholars in the world on religious art and, in particular, the image of Mary Magdalene. So - today - unlike in episodes where we deep-dive into a single artist, we will be taking an approach like we've previously done with Marina Warner on Eve, or Natalie Haynes on Medusa, and deep-diving into one of the most popular yet enigmatic figures in art: Mary Magdalene, who has been documented by artists in paint, sculpture, and more, for the past 16 centuries – and counting… and who seems to be portrayed differently every time. After all, Apostolos-Cappadona has referred to her as the most flexible figure in art. Look at images of her and you’ll see a reader, preacher, follower and witness; crying at the foot of the Cross, washing Christ’s feet or looking up to the heavens – repenting her sins with pearl-like tears – and too often conveniently exposing her chest. Sometimes identified by her jar of ointment or red robe (a contrast to the sanctified Virgin Mary’s blue), she is most popularly known, today, as Christ’s lover or a prostitute, despite no passage in the Bible describing her as such. Yet, the truth is we don’t know who she was, and it seems artists have adopted her in ways that coincide with their needs, and the needs of the time. THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Tory Peters and Nada Smiljanic. Music by Ben Wetherfield
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    54 m
  • Meryl Tankard on Pina Bausch
    Mar 31 2026
    TODAY on the GWA Podcast: choreographer Meryl Tankard on her mentor and friend, the legendary dancer and choreographer: PINA BAUSCH (1940-2009). Artist, choreographer, visionary, and trailblazer in bringing dance into the modern world, Pina Bausch – one of the most popular names when it comes to artists' influences – was hailed for her raw, haunting, experimental dances, and all-encompassing productions. The Foundation had some small edits; the Juilliard mention in para3 to explain why she went to NYC, and adding in the name of the new production at the end: TODAY on the GWA Podcast: choreographer Meryl Tankard on her friend, the legendary dancer and choreographer PINA BAUSCH (1940-2009) ✨✨ Artist, choreographer, visionary, and trailblazer in bringing dance into the modern world, Pina Bausch – one of the most popular names when it comes to artists' influences – was hailed for her raw, haunting, experimental dances, and all-encompassing productions. Born in 1940 in Germany in the midst of WW2, from an early age Pina took ballet and dance lessons. In the 1950s, a scholarship at Juilliard took her to NYC, a time of great artistic reinvention, and then back to Germany, where she founded Tanztheater Wuppertal and created her groundbreaking choreographies. While the group, at first, faced hostility, the crowd – and the world – soon realized her innovations. On the magic of dancing with Pina Bausch, Meryl told me:  "Every time we moved it had an emotion behind it ... that's what really shocked everyone at the beginning, because dance had always hidden the pain, hidden the insecurities; we had beautiful hair and costumes. And Pina went, 'let's forget all that. Let's talk about what you are really feeling'. She choreographed vulnerability. She choreographed all our insecurities, and she put music to it. People were just like, wow, that's me. They could see themselves." I meet with Meryl Tankard on the occasion of her creating a new encounter with Bausch's piece "Kontakthof", with “Kontakthof – Echoes of ‘78”, to be performed at Sadler’s Wells here in London (7–11 April). With nine of the original dancers returning to their roles, the production will integrate projections of archival footage from the original performance, reflecting the passage of time since its creation. And I can't wait to find out more! THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield "Kontakthof – Echoes of '78" https://www.sadlerswells.com/on-tour/current-productions/kontakthof-echoes-of-78/
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    44 m
  • Michaelina Wautier told by Katlijne Van der Stighelen (part 1) and Julien Domercq (part 2)
    Mar 25 2026
    I am so excited to say that my guests on the GWA Podcast is the esteemed scholar and curator, Katlijne Van der Stighelen, and Royal Acdemy senior curator, Julien Domercq! Part 1 – Katlijne Van der Stighelen Part 2 – Julien Domercq A professor at KU Leuven until 2024, who has published books on artist Anna Maria van Schurma, Katlijne is also a curator, having, in 1999, along with Mirjam Westen, curated the first ever exhibition on women artists in Belgium and the Netherlands. She is also the curator of Van Dyck l'Europeo: His Journey from Antwerp to Genoa and London', currently on view at the Palazzo Ducale in Genoa. But, the reason why we are speaking with Katlijne today is because she has, according to some news outlets, made the greatest artistic discovery of the 21st century - and no, we are not talking about Banksy. It was digging around in a museum basement just over 30 years ago that Katlijne stumbled upon the extraordinary work of Michaelina Wautier, then a totally obscure name not even known to 17th century specialists, active in the mid-1600s and at famed for her colossal paintings of mythological scenes, smaller meticulously rendered, almost breathable garlands of dazzling flowers, and portraits of strong female saints and characters, not unlike her Roman contemporary, Artemisia Gentileschi. But clearly something got lost upon the way – because until Katlijne’s work, Wautier’s name had been merely a footnote in art history. But now, thanks to decades of her tireless work, she is righting that wrong with Wautier’s first ever exhibition in the UK - following critically acclaimed shows at the Kunsthistorisches Museum, Vienna, MFA Boston, MAS-Museum in Antwerp, and more. Part one of this podcast will deep dive into this extraordinary artist – and story – and in the second half, we will walk around the exhibition with Royal Academy senior curator Julien Dormecq to transport you to London, and I can’t wait to find out more. ––– THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Tory Peters Music by Ben Wetherfield
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    1 h
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Each an every interview is a gem. I love hearing about the astounding lives these women have lived and the impressive contributions they have made to art. I’ve been listening to “an artist a day” and as a painter myself, find them inspiring and uplifting.
Katy is a master interviewer. She engages enthusiastically with each artist while bringing out the very best of them.
I can’t recommend this podcast enough to anyone who is an art enthusiast. It has expanded my concept of what is possible within the realm of art and in so doing has greatly enriched my life.
A million thanks, Katy.

A delightful eye opener

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Friendly conversations that bring women artists out of the background and into the spotlight they've always deserved. Katy Hessels passion for her mission is always on display, and you get excited that she's excited.

Revelatory

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