The soprano Marina Rebeka and her husband, the sound engineer Edgardo Vertanessian, founded their record label, Prima Classic in 2018, and in the years since have built up an impressive catalogue. To coincide with the release of their latest project, Verdi's Simon Boccanegra, recorded live in Naples, they talk to Gramophone's James Jolly about what inspired them to create the label and how they approach developing their catalogue.

This podcast was made in association with Prima Classic, and all the music included in the podcast comes fom the Prima Classic catalogue.

The new recording of Simon Boccanegra features Ludovic Tézier in the title role, Marina Rebeka as Amelia Grimaldi, Francesco Melli as Gabriele Adorno, Michele Pertusi as Jacopo Fiesco, Mattia Olivieri as Paolo, and Andrea Pellegrini as Pietro with the Chorus and Orchestra of Naples's Teatro San Carlo conducted by Michele Spotti.

In this week's Gramophone Podcast, the last of 2025, we explore the life and music of Ludwig van Beethoven (1770-1827). Editor Emeritus James Jolly talks to Richard Wigmore – a long-standing contributor to our pages, and an expert on the music of the classical and early romantic periods – about this musical Titan. They discuss Beethoven's transformative role, through the three periods that have been applied to his creative life, in expanding the range, scale and ambition of pretty well every genre he tackled, from the symphonies and concertos, via his piano sonatas and chamber music, to his opera and choral works.

All the music on this podcast comes from the Sony Classical catalogue, including the Gramophone Award-winning sets of the complete piano sonatas and the Diabelli Variations played by Igor Levit, as well as the symphonies from Antonello Manacorda and Kammerakademie Potsdam, Murray Perahia with members of the English Chamber Orchestra and the Concertgebouw Orchestra and Bernard Haitink, the Juilliard Quartet, Yo-Yo Ma and Emanuel Ax, Christian Gerhaher and Gerold Huber, and, in Fidelio, Jeanine Altmeyer and Siegfried Jerusalem with the Leipzig Gewandhausorchester and Kurt Masur. All Sony Classical recordings.

As another year of preparing and publishing many hundreds of reviews draws to a close, the three team members most involved - Reviews Editor Gavin Dixon, Deputy Editor Tim Parry, and Editor and Publisher Martin Cullingford - take time out to discuss what lies behind the process, and how we decide which albums are named Gramophone Editor's Choices. And, after that, they celebrate their own personal pick of the year, explaining which recording they chose for our annual Critics' Choice feature, and why it so impressed and inspired them.

In this week's Gramophone Podcast we remember Alfred Brendel, one of the most significant and much-loved musical figures of age, in the company of his son, the cellist Adrian Brendel, who takes Editor Martin Cullingford around the pianist's library and studio and reflects on what his books, art and belongings tell us about him. He also talks about a very special event on January 5, at the Barbican in London, at which fellow artists and friends of Alfred Brendel will gather for a remarkable evening of music, to celebrate his life and also raise money for a cause very close to his heart.

In this week's edition of of the Gramophone Podcast, Editor Martin Cullingford is joined by the conductor and harpsichordist Christophe Rousset to talk about his new album of Christmas music by the 17th century composer Charpentier - called a Baroque Christmas - recorded with the Monteverdi Choir and English Baroque Soloists, and released on the ensemble's own label, Soli Deo Gloria.

We're joined for this week's Gramophone Podcast by composer Thomas Adès and two members of the Ruisi Quartet, violinist Alessandro Ruisi and viola player Luba Tunnicliffe, to talk about their recording of Növények, Adès's setting of seven Hungarian poems for mezzo-soprano and piano sextet. They explore this fascinating work with Gramophone Editor Martin Cullingford, which is newly released on the Platoon label along with Haydn's String Quartet in G Minor Op 20, No 3, and an arrangement of A legszebb Virág by Ligeti.

Hattie Butterworth is joined by pianist and historian Samantha Ege and author Leah Broad to discuss the life and music of composer Avril Coleridge-Taylor as the first recording of her orchestral music and piano concerto is released on Resonus

In May this year, the Concertgebouw – Amsterdam's legendary concert hall – played host to the 2025 Mahler Festival. Originally scheduled for 2000, the centenary of the first such event, but moved back by five years due to the pandemic, the Mahler Festival saw all of Mahler's symphonies performed chronologically over two weeks, and performed by a handful of the world's great orchestras. The Eighth Symphony fell to the local band, the Royal Concertgebouw Orchestra and their Chief Conductor Designate, Klaus Mäkelä, who gave two performances, both of which were recorded. And that recording has just been released by Decca – digitally worldwide, with a CD version available in Japan and Korea to coincide with the orchestra's first tour of Asia with Mäkelä before Christmas.

James Jolly caught up with Klaus Mäkelä to talk about the conductor's continuing fascination with Mahler's music, and particularly with the Eighth Symphony, the performances of which were clearly a highpoint in the conductor's career so far.