Chris O'Reilly is the CEO of Presto Music, the UK's leading ecommerce site for classical and jazz recordings, sheet music, music books and musical instruments. With a background in music and musicology, Chris has run Presto Music since 2001. In this episode, he shared his observations of the changing tides of the classical recording industry, and musings on where things might head in future; as well as Presto's own streaming service, launched in 2023, which pays musicians fairly. (!!!) Chris also reflected on the time he wasn't accepted onto any postgraduate conducting programmes, his positive outlook on everything that has happened since then, and the importance of resilience.

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Presto Music:

Website

Instagram

X (formerly Twitter)

Facebook

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Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

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Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

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This podcast is also available to listen to via The Violin Channel

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The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Florence Lockheart is the editor of Classical Music Magazine, the only magazine and website dedicated to the classical music industry in the UK. A Classics graduate from Durham University, Florence has always had a strong interest in classical music, which she nurtured over the years through both choral singing and training as a solo singer. Editor of the magazine since late 2021, her passion for both the artform and the industry is palpable, and she continues to develop CM's role as a trusted resource for the classical music world.

In this episode, Florence spoke about what her role as an editor entails, and shared some insightful tips on how to conduct an interview (duly noted by yours truly). She also spoke about the joy she found in working on a cover feature about Maestro, the 2023 Bernstein biopic, and having difficult conversations involving the breaking of bad news to fellow creatives during the pandemic.

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Classical Music:

Website

Instagram

X (formerly Twitter)

Facebook

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Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

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The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Raffaello Morales is the founder and music director of the Fidelio Cafe in London, known and well-loved for their 'classical dinner-concert' series, comprising a one-hour concert by an established musician or ensemble, followed by a three-course menu specially curated for that evening's programme. Within the wider Fidelio project, Raffaello also conducts the Fidelio Orchestra, run as a charity with the intent of providing high-level orchestral experience for young musicians, with the likes of Angela Hewitt and Cedric Tiberghien on its roster of former collaborators.

In this episode, Raffaello talks about the role of the concert hall, and why he favours a less formal setting for live music; the adaptations the current classical music model might need to make in order to ride the waves of change; and the desire to bring classical music to as wide a public as possible without undervaluing the intimate live music experience.

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Fidelio links:

Website

Instagram

X (formerly Twitter)

Facebook

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Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

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The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

French pianist Pierre-Laurent Aimard is widely known as an authority figure in contemporary music, and also for shedding new light on music of the past. His international concert career has already spanned several decades, with an enormous discography to boot, all of which he has carried out alongside a dedicated commitment to teaching. In 1973, at the age of 16, he won first prize in the Messiaen Competition, and three years later was invited by Pierre Boulez to be the first solo pianist of the Ensemble Intercontemporain. In addition to Boulez, he has collaborated very closely with leading composers like Kurtag, Birtwhistle, Ligeti, and Messiaen, having given countless world premieres over the course of his career.

In this episode, Pierre-Laurent talks about his new recording of Schubert Ländler, what he learned from Ligeti and Messiaen, what we expect from performers as members of an audience, and why he’s not actually *that* taken with the piano world.

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Buy Pierre-Laurent's new release, 'Schubert: Ländler' here

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Pierre-Laurent's links:

Website

Instagram

X (formerly Twitter)

Facebook

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Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

--------------------

The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Alexandra Knight is the founder and CEO of classical music agency Knight Classical. After reading Music and then Law at Oxford University, Alexandra joined the artist management world, working first at Harrison Parrott, then at International Classical Artists - where she later became a Director at the age of 28 - before launching Knight Classical in January 2020. In her career so far, Alexandra has worked for renowned artists such as Janine Jansen, Neeme Järvi and Sir James Galway; built swiftly rising careers for artists including Alena Baeva and Joseph Bastian; and signed young prize-winning talents such as Anna Tsybuleva, amongst others.

In this episode, Alexandra talks about the role of an artist manager, and how the manager-artist partnership is much like a marriage; she reflects on the moment she realised she'd taken her first client from day one through to their debut with the New York Philharmonic; and she shares some thoughts on the psychological models that can often be found in high-level performers. She also talks very openly about dealing with imposter syndrome, and her experiences of sexism in the workplace.

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Knight Classical's links:

Website

Instagram

X (formerly Twitter)

Facebook

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Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

--------------------

The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Paul Wee is an internationally-acclaimed pianist with a love for celebrating the hidden gems of the piano repertoire. His recordings for BIS have been met with great critical acclaim, including being shortlisted for multiple Gramophone Awards. Not your average pianist, Paul also happens to be a very successful barrister; he was called to the bar by Gray's Inn in 2010, and currently practises from Essex Court Chambers in London. Paul performs around his professional commitments as a barrister, both in London and internationally, and will be making his Wigmore Hall debut in June 2024.

In this episode, Paul discusses fitting the piano around life as a barrister, and his reasons for recording the repertoire he has so far. He also talks about wondering whether the success of his earlier recordings were due to the 'novelty' factors, and shares just how difficult it was to adjust to the sudden change of path from music to law.

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Pre-order Paul's new album, Henselt & Bronsart: Piano Concertos (out May 31st)

Tickets for Paul's Wigmore Hall debut (June 15th)

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Paul's links:

Website

Instagram

X (formerly Twitter)

Facebook

-------------------

Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

--------------------

The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Timothy Ridout is one of today’s most sought-after violists, being a former BBC New Generation Artist, a Borletti-Buitoni Fellowship recipient and winner of the Royal Philharmonic Society Young Artist Award. As well as having performed with many major orchestras and conductors worldwide, Tim is a celebrated chamber musician, bringing programmes regularly to the likes of Wigmore Hall and the Concertgebouw Amsterdam. He records regularly for Harmonia Mundi, and his recording of Elgar's Cello Concerto (as transcribed by Lionel Tertis) and the Bloch Suite for viola and orchestra - with Martyn Brabbins and the BBC Symphony Orchestra - won the Gramophone Concerto Award in 2023.

In this episode, Tim speaks about his formative experiences with the viola and how he stays on top of his game amidst a hectic performing/travelling schedule. He also spoke about his long-standing relationship with Walton's Viola Concerto and the journey to his Proms debut in 2021, plus a little insight into his methods for blowing off steam in the face of frustration…

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Tim's links:

Website

Facebook

Instagram

YouTube

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Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

--------------------

The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Julian Lloyd Webber's musical life is remarkably varied. As a solo cellist, he has performed with many of the world’s finest orchestras and conductors, as well as every leading symphony and chamber orchestra in the UK. His discography includes his BRIT Award-winning Elgar Cello Concerto, conducted by Yehudi Menuhin, and ‘Variations’, a collaboration between him and his brother Andrew, which has sold over a million copies. Julian has premiered more than fifty works over his career and inspired composers such as Malcolm Arnold, Joaquín Rodrigo, and Eric Whitacre to write new music for the cello. He was also the London Underground’s first official busker, and he was also the only classical musician to perform at the Closing Ceremony of the 2012 Olympics.

Julian is a leading advocate for accessible music education, and has been throughout his whole career. Founded by Julian in 2007, the In Harmony programme has introduced the power of music to more than sixty thousand school children from the least privileged parts of England. He was also Principal of the Royal Birmingham Conservatoire for five years, a place at which he still holds the position of Emeritus Professor.

In this episode, we dig into the topic of music education, along with various issues the industry is facing at the moment. Julian also talks about working with Yehudi Menuhin, and the injury that forced him to retire from his cello career.

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Julian's links:

Website

Facebook

Twitter

-------------------

Follow The Classical Circuit on Instagram

Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*

No offence taken if not.

--------------------

This podcast is also available to listen to via The Violin Channel

--------------------

Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins

Performed by Daniel Lebhardt

--------------------

The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.