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The Cinematography Podcast

The Cinematography Podcast

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Art, Business, Craft and Philosophy of the Moving Image2026 Arte
Episodios
  • James Whitaker: Good Luck Have Fun Don’t Die’s visual chaos

    James Whitaker: Good Luck Have Fun Don’t Die’s visual chaos
    Mar 6 2026
    The Cinematography Podcast Episode 349: James Whitaker, ASC Good Luck, Have Fun, Don't Die DP James Whitaker, ASC played with different genres, with over 70 setups a day in the Norm's diner set. He used LED walls and projectors to cast real, interactive light on the characters in the film’s climax, and swapped to a different camera system for certain scenes to play up the glow of cell phones. Key Podcast Highlights: -Shooting the opening sequence of the film in a set replica of Norm’s Diner -How director Gore Verbinski’s complex, hand-drawn storyboards allowed the crew to maintain a "ballet-like" precision during Rockwell's complex physical performances. -Using LED walls and projectors to cast real, interactive light on the characters in the film’s climax -Swapping to a Sony Venice 2 when the cell phone light source wasn’t strong enough in some scenes Find James Whitaker: Instagram @jameswhitaker_dop See Good Luck, Have Fun, Don't Die in theaters See James' most recent series, DTF St. Louis, on HBO Max See Patriot on Amazon Prime Hear our recent interview with Nicole Whitaker: https://www.camnoir.com/ep338/ SHOW RUNDOWN: 02:05 Close Focus 12:14-01:00:49 James Whitaker Interview 01:01:30 Short ends 01:06:46 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
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    1 h y 11 m
  • Danny Cohen, BSC: Slow Horses ‘dirty London’ cinematography

    Danny Cohen, BSC: Slow Horses ‘dirty London’ cinematography
    Feb 27 2026
    The Cinematography Podcast Episode 348: Danny Cohen, BSC DP Danny Cohen, BSC, reveals how he crafted the "dirty London" look of Slow Horses through motivated lighting, high ASA grain, and the grit of Slough House. Key Podcast Highlights: -How Slow Horses ditches the typical block shooting system, with one DP and one director to create the entire season’s visual look. -Using camera settings to bake in noise and deep, inky blacks for that signature London grit. -Shooting with 2–3 cameras, which allows for weird, accidental angles that a single camera would never catch. -Why Danny bans traditional backlighting and soft fill to keep his characters trapped—and embedded—in their murky environments. - A look at the multi-story Slough House sets that let actors and cameras move through floors without ever hitting a fake wall. Find Danny Cohen: http://wwwb.co.uk/ See Slow Horses on Apple TV. SHOW RUNDOWN: 02:23 Close Focus 13:41-51:27 Danny Cohen Interview 51:53 Short ends 01:03:18 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
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    1 h y 11 m
  • Into the Dark Ages: the gothic vision of The Dreadful

    Into the Dark Ages: the gothic vision of The Dreadful
    Feb 20 2026
    The Cinematography Podcast Episode 347: director Natasha Kermani and DP Julia Swain In the medieval horror film The Dreadful, director Natasha Kermani and cinematographer Julia Swain transport audiences to the brutal landscapes of the Dark Ages. The independent film shot in Cornwall, England over 17 winter days. Key Podcast Highlights: -Development: Kermani spent years crafting the folkloric tale, prioritizing a "gothic storybook" aesthetic that blends historical iconography with psychological dread. -The Power of Partnership: Kermani and Swain have collaborated on several projects. Early on, they worked together to map out the film’s framing, lens choices and color story. -Practical Immersion: The crew built a practical cottage set on location, allowing for seamless camera movement between the interior hearth and dark forest. -Embracing the Elements: Filmed in the dead of winter, the production utilized the low December sun and natural ambiance to create an authentic, oppressive atmosphere without the use of hard, artificial lighting. Find Natasha Kermani: Instagram @natakerm Find Julia Swain: Instagram @juliaswain See The Dreadful in theaters and on VOD now. SHOW RUNDOWN: 01:59 Close Focus 14:23-01:03:57 Natasha Kermani and Julia Swain Interview 01:04:43 Short ends 01:09:24 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
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    1 h y 11 m
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