This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Kimberly Blockett, who teaches in the Department of Africana Studies at University of Delaware. Along with a number of scholarly articles in prominent journals, she has published two books - Race, Religion and Rebellion in the Nineteenth-Century Travels of Zilpha Elaw, Black Woman Evangelist (2023) and a scholarly edition of Memoirs of the Life, Religious Experience, Ministerial Travels and Labours of Mrs. Zilpha Elaw, an American Female of Colour (2021) In this conversation, we discuss the importance of recovering lost voices in a multidisciplinary approach to history, the place of religion in Black study, and the exciting, productive, and imaginative messiness of Black Studies research.

This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Antoine Williams, a multidisciplinary artist and assistant professor of drawing in the expanded field in the School of Art and Art History at University of Florida. His work has been exhibited across the United States and he’s held numerous fellowships and residencies in the arts.His interactive, multimedia, site-specific installation with Josiah Golson titled “Go to the tree and get the pure sap and find out whether they were right” is being exhibited at the Birmingham Museum of Art through early-July 2026. In this conversation, we discuss roots of his concern with Black life, the relationship between study and creative production, and the place of the arts in the Black Studies project.

This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today's conversation is with Angela Simms, Assistant Professor of Sociology and Urban Studies at Barnard-Columbia. She studies the political economy of suburban Black middle-class suburbs, and her forthcoming book Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbia (Russell Sage, February 2026) asks why majority-Black suburbs that work hard to build stable, thriving communities still face financial barriers that make this harder than it is for their white counterparts.