The Adelaide Show Podcast Por Auscast Network arte de portada

The Adelaide Show

The Adelaide Show

De: Auscast Network
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A weekly podcast recorded in Adelaide that puts South Australian passion on centre stage with a featured guest who joins us each week as a co-presenter to share how they're pursuing their passions. We venture across topics as diverse as history, wine, food, art, music, relationships, critical thinking, health, news, interviews, chat and quizzes. Every single interview, every single show, unlocks insights into what drives people to be doing what they're doing and what keeps them striving. The Adelaide Show is produced by Steve Davis and Nigel Dobson-Keeffe. Please subscribe to our In Crowd list; you get an email each Friday (when we have published a new episode) with an overview of that week's show. Plus, consider joining our Inner Circle; a small group of passionate South Aussies who allow us to pick their brains and gain interviewee suggestions. This podcast began life as Another Boring Thursday Night In Adelaide from episodes 1-79.2025 Auscast Network Arte Ciencias Sociales Política y Gobierno
Episodios
  • 423 - Do The Liberals Have No Chance Of Winning This Forthcoming South Australian Election?

    423 - Do The Liberals Have No Chance Of Winning This Forthcoming South Australian Election?
    Nov 20 2025
    Political commentator Robert Godden returns to The Adelaide Show with a thesis that cuts to the bone: The South Australian Liberal Party has no realistic chance of winning the forthcoming election. But his essay raises an even more unsettling question: can they realistically ever win another one? This episode doesn’t feature an SA Drink of the Week, allowing more time for a forensic examination of what’s gone wrong with liberalism itself, and the party that bears its name. In the Musical Pilgrimage, Steve shares “Spring Gully Road”, his song chronicling four generations of the Webb family’s beloved pickle company, from Edward McKee’s small brown onions in 1946 to the recent appointment of administrators, drawing a tenuous but poignant parallel to the Liberal Party’s own decline. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Do The Liberals Have No Chance Of Winning This Forthcoming South Australian Election? 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:05:07 Robert Godden Before diving into party politics, Steve and Robert tackle a fundamental question: what is liberalism itself? Drawing on American political philosopher Patrick Deneen’s work (as sampled from the glorious podcast, Econtalk, episode July 9, 2018), they explore how liberalism originally meant self-governance within community, where individuals held themselves accountable within the framework of church and society. Deneen argues that modern liberalism, both classical and progressive, has fractured into two economic camps: classical liberals claiming government interferes with freedom, and progressive liberals arguing that economic inequality prevents people from achieving liberty. Robert offers his working definition: liberalism has always been about “the bigger pie theory”. Classical liberals like John Locke, Adam Smith and John Stewart Mill championed free markets as the path to prosperity for all. But as Robert notes, these philosophers wrote their treatises while people lived in gutters within ten miles of them, suggesting their definitions had blind spots about who they actually represented. The conversation turns to neoliberalism, which Robert describes as taking the apple of classical liberalism and focusing on its core: free market capitalism, fiscal austerity, individual responsibility, and globalisation. The problem? Many neoliberals benefited from generous government support before pulling up the ladder behind them. As Robert puts it, they’re “more like a wild jackal in a wolf’s clothing”, presenting themselves as something more palatable whilst pursuing fundamentally conservative ends. When Steve asks about the overlap between liberalism (lowercase L) and the Liberal Party (uppercase L), Robert’s answer is stark: “The Venn diagram of liberalism and the Liberal Party is not a perfect circle. It’s more like a third overlap.” John Howard’s famous declaration that the Liberal Party is “a broad church” marked both the high point and the beginning of the end. Where Howard allowed diverse opinions united by shared values, today’s party demands conformity. Robert observes you could “literally interchange” Angus Taylor with five other Liberal members and several Nationals, they’ve become so ideologically uniform. Robert shares a revealing personal story from his childhood in Whyalla. At age 12 or 13, he wagged school to attend a lunch where Malcolm Fraser was speaking. After enduring mumbled warnings about Bill Hayden, young Robert lined up afterwards and asked the Prime Minister where he could find out what the government would actually do if re-elected. The dismissive response and perfunctory policy booklet were Robert’s first disillusionment with political rhetoric over substance. This leads to a broader discussion about accountability’s erosion in ...
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    1 h y 24 m
  • Algal Bloom Beach Witness Johanna Williams

    Algal Bloom Beach Witness Johanna Williams
    Oct 25 2025
    For months, as an algal bloom wreaked havoc on the South Australian coast, most residents steered clear but not Johanna Williams. She’s been down to Glenelg Beach daily, ruler and phone in hand, methodically tracking the carnage. What started as a small, concerned step by a self-described occupational therapist soon transformed into a citizen science project with over 10,000 observations of dead and dying marine life, offering a grim, close-up view of the ecological disaster. Johanna’s commitment, though personally confronting, gives scientists and the community essential data and a crucial human perspective. This episode does not feature the SA Drink of the Week segment. The show concludes with a Musical Pilgrimage that connects directly to the episode’s urgent environmental theme. We hear Steve Davis & The Virtualosos’ “While the Ocean Died,” a lyrical and sonic reflection on the collective pain and political complexities surrounding the algal bloom event. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Algal Bloom Beach Witness Johanna Williams 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:02:55 Johanna Williams Arriving home from a holiday to find Glenelg Beach “covered in dead fish” , Johanna Williams had a choice: unpack and write an angry Facebook post, or take action. She chose the latter, inadvertently becoming one of the state’s most dedicated, non-professional "marine biologists". Initially hoping the algal bloom would be a “transient, short-term event,” the surreal extent of the death spurred her to use the citizen science platform iNaturalist to upload her observations, believing this crucial “coalface” data would reach qualified scientists and government bodies to “formulate responses”. Her daily 500-metre trek between Pier Street and the Jetty has revealed a tragic yet fascinating marine diversity. What she’s documenting—now over 10,000 observations—includes rare deep-sea fish like the long snout boar fish and warty prowl fish, species scientists rarely encounter alive. This wealth of data is heartbreakingly significant, as it allows researchers to collect, age, and perform genetic and toxicological testing on specimens that could never be found otherwise, highlighting the deep reach of the bloom into the ecosystem. The work is intensely confronting, involving more than just dead fish. Johanna describes a traumatic encounter with a still-alive, spiky globe fish whose eyes were “really gazing and tracking” her. This and finding a paralysed silver gull due to toxic effects highlight the profound emotional toll and moral dilemmas faced by citizen scientists, such as whether to “prolong its death by putting it back in the water”. Johanna discusses how a supportive network of friends and a new community, including people from the university, has helped her “channel that energy” and despair into empowerment and meaningful data collection. This environmental disaster also casts a shadow over the Glenelg foreshore, with Johanna noting a ripple effect of reduced foot traffic and the closure of local businesses, a “double whammy” alongside local tram disruptions. For listeners wanting to help, Johanna suggests starting with iNaturalist uploads, or connecting with projects like the SA Marine Mortality Project 2025 to assist with collecting fish for testing or contributing to local rehabilitation efforts, such as making oyster beds (wind chimes) to help filter the water. Great Southern Reef WebsiteMission: “Our mission is to inspire and empower society to protect and sustain Australia’s Great Southern Reef by promoting recognition, stewardship, and sustainable actions through impactful education, community engagement, and collaborative science.”Janine Baker OzFish Unlimited WebsiteDescription: OzFish Unlimited is a ...
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    49 m
  • 421 - Semaphore Workers Strike Up The Music

    421 - Semaphore Workers Strike Up The Music
    Sep 20 2025
    The red stage of the Semaphore Workers Club provides the backdrop for conversations that capture the essence of community-driven music culture. Festival director Debra Thorsen explains how she’s become a “mother” to the music scene, connecting emerging artists with opportunities that change their careers. The festival spans multiple venues across Semaphore, creating what participants describe as a “love fest” where friendships form naturally over shared musical experiences. With no SA Drink of the Week this episode, focus remains entirely on the music and community connections that define this seaside suburb’s cultural heartbeat. Although, “Green Death” does get a mention. The extended Musical Pilgrimage becomes an intimate exploration of songwriting craft with Don Morrison, featuring two of his compositions alongside stories of guitar-making, touring with Midnight Oil and Bo Diddley, and the creative process behind songs that capture Grand Junction Road’s gritty poetry. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Semaphore Workers Strike Up The Music 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:04:24 Debra Thorsen, Don Morrison, Sally Mitchell Our three guests take us deep into different parts of Semaphore’s musical DNA. The Semaphore Music Festival Debra Thorsen’s eyes light up when describing a recent moment that encapsulates her role in Adelaide’s music ecosystem. A young musician approached her at Don Morrison’s fundraising show, wrapping her in a grateful hug after she’d connected his duo with booking agent John Howell. That introduction led to their first interstate gig at the Echuca Moama Blues Festival. “He put his arms around me, gave me the biggest hug, and said, ‘we think of you like a mother,'” Thorsen recalls, her voice catching slightly at the memory.This nurturing approach has shaped the Semaphore Music Festival‘s character over 21 years. Rather than simply booking acts, Thorsen cultivates relationships that extend far beyond single performances. The festival operates across multiple venues throughout Semaphore, creating what has been described as “the joy of going from one venue to the next with your friends and catching up with people along the way.”Don Morrison, observing from his perspective behind the scenes, notes the festival’s uniqueness lies in its sprawling, community-integrated format. “We get to play all over Semaphore, you know, and Debra’s organising it and organising all these venues all over the place,” he explains, acknowledging the massive coordination effort required. The Semaphore Workers Club Sally Mitchell arrives mid-conversation, bringing with her the institutional memory of the Semaphore Workers Club‘s transformation from exclusive yacht squadron to community music hub. The venue’s journey mirrors broader social change, she explains, describing how a dying men’s club was revitalised by members who prioritised music and inclusion over tradition.The club’s unique positioning becomes clear through Mitchell’s description of its diverse patronage. “We have people who travel here regularly from the likes of Mallala and Clare to come here for shows,” she notes, before adding the observation that captures the venue’s spirit: “People come from all walks of life, all political persuasions, all economic backgrounds, but they come here because of the music and the place that it is.”This levelling effect extends to behaviour expectations. Steve then teases out a discussion about Geoff Goodfellow’s birthday party story, where “crooks, poets and federal court judges” mingled naturally, with a poet lighting her cigarette from a coal provided by a judge managing the barbecue. The poet’s comment, “isn’t it good to have friends in high and low places,” could serve as the...
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    1 h y 30 m
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