This week, on The ABR Podcast, Felicity Plunkett reviews Fear Less: Poetry in perilous times, by former US Poet Laureate Tracy K. Smith. In a cultural moment when language is often ‘weaponised to cultivate division and fear’, Smith proposes a more audacious alternative: to live otherwise, refusing to succumb to ‘hot takes and livid tirades’. Smith’s call for ‘urgent compassion’, Plunkett writes, positions poetry as a means of fostering ‘careful listening and mutual respect’. Poetry insists, Smith writes, that ‘your life must be as important to you as mine is to me’.

Felicity Plunkett is the ABR Poetry Editor and a poet and critic. Her latest work, A Kinder Sea, is published by the University of Queensland Press. Here is Felicity Plunkett with ‘Urgent compassion: Paying courageous attention’, published in the April issue of ABR.

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This week, on The ABR Podcast, Eleanor Spencer-Regan reflects on Melbourne poet Chris Wallace-Crabbe’s poetic career. Wallace-Crabbe made the poem ‘a space for thinking in public’, she writes. In his work, poetry is treated ‘less as statement than as real-time event: a site in which ideas are tried out rather than asserted’. His most enduring legacy, Spencer-Regan suggests, lies in the intellectual capaciousness of this approach: one that is ‘curious, plural, generous, and ever alert to contingency’.

Eleanor Spencer-Regan is an Honorary Senior Fellow in the School of Culture and Communication at the University of Melbourne and the Principal of Janet-Clarke Hall, Australia’s first residential college for women. Here is Eleanor Spencer-Regan with ‘Thinking in public: The vulpine poetry of Chris Wallace-Crabbe’, published in the March issue of ABR.

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This week on The ABR Podcast, we feature a special commentary by Simon Tedeschi on writers’ festivals. At the level below headlines, writers’ festivals have in recent years undergone a more subtle but pernicious shift, he argues. Whereas they were once sites of complex dialogue and genuine exchange, now ‘both political and literary language ... functions to perform reassurance and calibration’. Tedeschi reflects on a broader ‘societal impatience with ambiguity’ and asks us to consider: ‘What specific cultural function is a writers’ festival intended to perform?’

Simon Tedeschi won the ABR Calibre Essay Prize for his essay ‘This Woman My Grandmother’, and he is the author of Fugitive (2022). Here is Simon Tedeschi with ‘“Suppose I am wrong?”: On writers’ festivals, reassurance, calibration, and risk’, published in the April issue of ABR.

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