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The intricate plot, morally complex characters, and exploration of the human psyche in A COFFIN FOR DIMITRIOS (THE MASK OF DIMITRIOS) (1939) make it one of the first modern suspense thrillers. Eric Ambler paved the way for such writers as John Le Carré, Len Deighton, and Robert Ludlum. It’s one of TIME Magazine’s 100 best mystery and thriller books of all time.

Special guest Neil Nyren joins us to discuss the book. Check out the conversation starters below. Weigh in, and you might just get an on-air shoutout and a fab sticker!

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Neil Nyren is the former executive vice president (EVP), associate publisher, and editor in chief of G.P. Putnam’s Sons.

Neil is the winner of the 2017 Ellery Queen Award from the Mystery Writers of America and the 2025 Thriller Legend award from the International Thriller Writers.

Neil joins Tea, Tonic & Toxin to discuss A Coffin for Dimitrios (also published as The Mask of Dimitrios), a 1939 thriller by Eric Ambler.

You can read Neil’s many articles on Crime Reads here.

Among the writers of crime and suspense he has edited are Tom Clancy, Clive Cussler, John Sandford, C. J. Box, Robert Crais, Carl Hiaasen, Daniel Silva, Jack Higgins, Frederick Forsyth, Ken Follett, Jonathan Kellerman, Martha Grimes, Alex Berenson, Thomas Perry, Gerald Seymour, Ed McBain, and Ace Atkins. In all, he has edited more than 300 New York Times bestsellers.

Neil Nyren was awarded the 2017 Ellery Queen Award for “outstanding people in the mystery publishing industry” from the Mystery Writers of America. He also received the 2025 Thriller Legend award from the International Thriller Writers.

Besides still editing two of his longtime authors, he now writes about crime fiction and publishing for CrimeReads, BookTrib, The Big Thrill, and The Third Degree, among others. He is also a contributing writer to the Mystery Writers of America’s Anthony/Agatha/Macavity-winning How to Write a Mystery. He has spoken at conferences from Maine to Florida and from South Carolina to Hawaii.

The Opening

Neil, you wrote, “Eric Ambler’s heroes, especially in his between-wars novels (1936-1940), are ordinary people caught up in extraordinary circumstances. They’re often engineers, journalists, or writers who stumble into danger through a combination of bad judgment and bad luck and then have no choice but to try to dig themselves out of it … They are solidly middle class, raised in a world of black-and-white certainties that they discover has been completely obliterated by gray.”

Neil, you wrote, “Eric Ambler’s villains live in that gray. They’re criminals, conmen, governments, corporations, revolutionaries, spies, and corrupt officials. … They’re realists. They’ve calculated what it takes to succeed and are willing to do whatever is necessary to achieve that goal. If those acts are considered reprehensible by others, that’s not their problem.”

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Ten strangers, each with a dark secret, are lured to a remote island and drawn into a deadly game. As the body count rises, paranoia intensifies in this classic whodunit. Agatha Christie’s AND THEN THERE WERE NONE (1939) will keep you guessing until the very end. Check out the And Then There Were None notes below!

Special guest Ann Perramond joins us to discuss the best-selling crime novel of all time. Weigh in, and you might just get an on-air shoutout and a fab sticker!

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Justice Wargrave (good name) is described as looking cruel, predatory, and inhuman. He’s the logical choice for U.N. Owen, the man playing judge, jury, and executioner. How is the opening (and the narrator’s ability to dip in and out of all characters’ heads) a red herring? Were you misled?

Did you know anything about And Then There Were None before reading it? If so, did this impact your experience of the novel? (It reminded us of Knives Out. And the movie Clue!)

Who did you think the killer was before the identity is revealed? Was there anyone you suspected? Did you think someone was hiding on the island? (Sarah thought someone had to be hiking on the island.)

Suspense thriller author Dean Koontz says people are always living in a “constant state of suspense.” Do you feel that suspense is a fundamental part of human existence? Are people constantly wondering about the future, facing unknown situations, and dealing with uncertainty? PARANOIA

Did knowing the characters’ responsibility for the deaths of innocents impact how you felt when the characters themselves were murdered?

And Then There Were None notes about death order: Justice Wargrave arranges the deaths of the various characters in order of ascending culpability. “Anthony Marston and Mrs. Rogers died first, the one instantaneously, the other in a peaceful sleep.” Marston, I recognized, was a type born without that feeling of moral responsibility which most have. He was amoral–pagan. Mrs. Rogers, I had no doubt, had acted very largely under the influence of her husband.” Do you agree with his assessment of the characters’ relative guilt?

Incorporated into this is the level of guilt they felt about their crime. Wargrave gives Marston one of the easiest deaths. He killed two children he could barely remember and felt no remorse. Claythorne, who killed a child for love and felt remorse, has the worst death. This makes no sense. A lack of remorse feels more monstrous. Also, the general killed for revenge against the man sleeping with his wife behind his back. This feels again more understandable than Marston. Is Emily Brent really worse than Rogers, who committed actual murder? Both are witholders in some way. One withheld medicine. One withheld pity.

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David Morrell is the award-winning author of First Blood, the novel in which Rambo was created. He joins us to discuss Rogue Male (by Geoffrey Household) and First Blood.

He holds a Ph. D. in American literature from Penn State and was a professor in the English department at the University of Iowa. His many New York Times bestsellers include the classic spy trilogy that begins with THE BROTHERHOOD OF THE ROSE, the basis for the only television mini-series to premier after a Super Bowl. An Edgar, Anthony, and Macavity nominee, he’s the recipient of three Bram Stoker awards and the prestigious Thriller Master award from the International Thriller Writers organization.

Learn more about David Morrell below!

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David Morrell was born in Kitchener, Ontario, Canada. In 1960, at the age of seventeen, he became a fan of the classic television series, route 66, about two young men in a Corvette convertible traveling the US in search of America and themselves. The scripts by Stirling Silliphant combined action with ideas and so impressed Morrell that he decided to become a writer.

In 1966, the work of Hemingway scholar Philip Young prompted David Morrell to move to the United States, where he studied with Young at Penn State and received his M.A. and Ph. D. in American literature. There, he also met the esteemed science-fiction author William Tenn (real name Philip Klass), who taught Morrell the basics of fiction writing. The result was First Blood, a ground-breaking novel about a returned Vietnam veteran suffering from post-trauma stress disorder who comes into conflict with a small-town police chief and fights his own version of the Vietnam War.

That “father” of modern action novels was published in 1972 while Morrell was a professor in the English department at the University of Iowa. He taught American literature there from 1970 to 1986, simultaneously writing other novels, many of them international bestsellers, including the classic spy trilogy, The Brotherhood of the Rose (the basis for the only television mini-series to premier after a Super Bowl), The Fraternity of the Stone, and The League of Night and Fog.

Eventually wearying of two professions, Morrell gave up his academic tenure in order to write full time. Shortly afterward, his fifteen-year-old son Matthew was diagnosed with a rare form of bone cancer and died in 1987, a loss that haunts not only Morrell’s life but his work, as in his memoir about Matthew, Fireflies, and his novel Desperate Measures, whose main character lost a son.

David Morrell is a co-founder of the International Thriller Writers organization. Noted for his research, he is a graduate of the National Outdoor Leadership School for wilderness survival as well as the G. Gordon Liddy Academy of Corporate Security. He is also an honorary lifetime member of the Special Operations Association and the Association of Intelligence Officers.

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ROGUE MALE (1939) is an enduring masterpiece of mystery, adventure, suspense, and the sheer thrill of the chase. Described by author Geoffrey Household as a “bastard offspring of Stevenson and Conrad,” it’s “the best escape and pursuit story yet written, with lip-chewing tension right to the end.” –The Times (UK)

Special guest David Morrell, New York Times bestselling author of First Blood (the classic thriller that inspired the RAMBO movies) joins us. Check out the conversation starters below. Weigh in, and you might just get an on-air shoutout and a fab sticker!

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The NYT praised Geoffrey Household for developing suspense into an art form. The Times (UK) called it, “Simply the best escape and pursuit story yet written.”

What We Know About Geoffrey Household + the Narrator

A wealthy, well-known, unnamed Englishman, not yet 40, is a sportsman “who couldn’t resist the temptation to stalk the impossible.” He has no grievances and has a “sense of adventure.” He’s not an anarchist or fanatic. He becomes obsessed with stalking the biggest game of all, a European “great man” in a country near Poland. The country resembles Germany; the dictator, Hitler. He’s caught before the kill and pursued across Europe by Nazi assassins.

Geoffrey Household had a sales job for an ink manufacturer and loved his adventurous life (Europe, South America). Britain entered the war on 9/03/39. He served in British intelligence. He said his feeling toward Nazi Germany “had the savagery of a personal vendetta” (Against the Wind).

“The Almighty looks after the rogue male”

Geoffrey Household writes: “The behavior of a rogue may be described as individual, separation from its fellows appearing to increase both cunning and ferocity. These solitary beasts [are] found among all the larger carnivores and graminivores, and are generally male.”

PART I – ESCAPE / SURFACE – The Hunter Becomes the Hunted (AUGUST)

The narrator is tortured and thrown off a cliff. He walks, crawls, curses, and cries, slipping in and out of consciousness, doing rather than thinking, using the “reasoning of a hunted beast.”

“In these days of visas and identification cards it is impossible to travel without leaving a trail that can, with patience, bribery, and access to public records, be picked up.”

“It was a convenience to have no existence. Had I stolen a watch instead of stalking the head of a nation, my photograph would have been in all the police stations.”

He has a passport, maps, and money. He speaks the language well.

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Part memoir and part literary true crime, Tell Me Everything: The Story of a Private Investigation by Erika Krouse is the mesmerizing story of a landmark sexual assault investigation and the female private investigator who helped crack it open.

The book won the 2023 Edgar Award for Best Fact Crime, and it was a New York Times Book Review Editors’ Choice.

Erika Krouse is a writer of fiction and nonfiction. Her upcoming collection of stories, Save Me, Stranger, will be released in January 2025. Learn more about Erika below!

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Erika Krouse is a writer of fiction and nonfiction. Her recent memoir, Tell Me Everything: The Story of a Private Investigation (2022, Flatiron Books/Macmillan) is a Book of the Month pick, has been optioned by Playground Entertainment for TV adaptation, and received starred advance reviews from Publishers Weekly, Kirkus, Library Journal, and Bookpage.

Erika Krouse is also the author of Contenders (novel, Rare Bird, 2015), and Come Up and See Me Sometime (short stories, Scribner, 2001). Erika’s short fiction has been published in The New Yorker, The Atlantic, Ploughshares, and One Story, and has been shortlisted for Best American Short Stories, Best American Nonrequired Reading, and the Pushcart Prize.

Erika teaches at the Lighthouse Book Project at the Lighthouse Writers Workshop in Denver, and is a winner of the Lighthouse Beacon Award for Teaching Excellence. Her next book, Save Me: Stories (Flatiron Books/Macmillan) will be published in 2023 or 2024. www.erikakrouse.com.

Erika Krouse has one of those faces. “I don’t know why I’m telling you this,” people say, spilling confessions. In fall 2002, Erika accepts a new contract job investigating lawsuits as a private investigator. The role seems perfect for her, but she quickly realizes she has no idea what she’s doing.

Then a lawyer named Grayson assigns her to investigate a sexual assault, a college student who was attacked by football players and recruits at a party a year earlier. Erika knows she should turn the assignment down. Her own history with sexual violence makes it all too personal. But she takes the job anyway, inspired by Grayson’s conviction that he could help change things forever. And maybe she could, too.

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Georgia Jeffries joins Sarah and Carolyn to discuss The Younger Girl, a supernatural thriller based on a true crime.

Georgia is a writer of Emmy Award-winning drama and acclaimed noir fiction. Honored with multiple Writers Guild Awards, Golden Globes, and the Humanitas Prize, her work in film has been praised by the Los Angeles Times as “standing ovation television.”

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A DARK LABYRINTH OF FAMILY BETRAYAL

Based on a true crime, The Younger Girl, by trailblazing, award-winning writer Georgia Jeffries combines historical fiction and supernatural suspense to unravel a thrilling tale of family deception and long-denied redemption.

In 1933, Chicago tabloids trumpeted the death of twenty-year-old town belle Aldine Younger.

“HEIRESS SLAIN, MARRIED MAN HELD.”

In the aftermath of Aldine Younger’s tragic death, her grieving brother Owen suspects that their wealthy uncle orchestrated a sinister murder plot to cover up the theft of Aldine’s inheritance. Fast forward to 1996, when an aging Owen, burdened by the weight of the past, is compelled to discover the truth before he dies. His daughter, Joanna, becomes the key to unraveling the family’s twisted history.

Father and daughter journey back to Pontiac, Illinois, to claim Owen’s rightful bequest. They find themselves caught in a labyrinth of lies born of family greed and treachery crossing three generations. Amidst violent storms and dramatic revelations, Owen’s sanity teeters on the edge as he confuses Joanna with the sister he lost. Joanna, racing against time, unearths secrets that could shatter her world and discovers a psychic bridge linking past, present, and future. But at what cost? And who will survive the revelations?

Georgia Jeffries is a writer of Emmy Award-winning drama and acclaimed noir fiction. Honored with multiple Writers Guild Awards, Golden Globes, and the Humanitas Prize, her work in film has been praised by the Los Angeles Times as “standing ovation television.”

Born in the Illinois heartland, Georgia worked as a journalist for American Film before writing and producing the groundbreaking female-driven dramas Cagney & Lacey, China Beach, and Sisters. Her screenwriting career has been distinguished by extensive field research, from patrolling the mean streets of Rampart with the LAPD to crashing a Vegas bounty hunters’ convention to reporting from a Walter Reed Army Hospital surgical bay. Each investigation was the basis for one of her many docudramas and series pilots for CBS, ABC, NBC, HBO, and Showtime.

Her short stories have appeared in national suspense anthologies, including Mystery Writers of America’s Odd Partners and Sisters in Crime’s The Last Resort. She has also written biography and historical profiles for HuffPost, Los Angeles Review of Books, and University of California Press. A cum laude UCLA graduate, Georgia Jeffries is a professor at the USC School of Cinematic Arts, where she created the first BFA Television Thesis program at an American university.

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Shana Kelly began her career as a literary agent at the William Morris Agency in New York and London for 10 years. She currently works as a documentary screenwriter, book editor, writer, and publishing consultant. She also teaches at Denver-based Lighthouse Writers Workshop.

In 2024, Shana won an Emmy for writing A Towering Task: The Story of the Peace Corps, a historical documentary that aired on PBS in 2023. She is currently writing a historical documentary about the League of Women Voters.

Shana Kelly joins Tea, Tonic & Toxin to discuss Daphne du Maurier’s Rebecca. Learn more below!

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Reader Response: Did you enjoy Rebecca? Had you read it before, or was this your first time?

Gothic Setting

• Gothic fiction is characterized by an environment of fear, the threat of supernatural events, and the intrusion of the past upon the present (Je Reviens). Reminders of the past, like ruined buildings, signify a previously thriving world that’s decaying.
• In the narrator’s dream, Manderley is overtaken by unnatural growth: “Nature had come into her own again and … in her stealthy, insidious way had encroached upon the drive with long, tenacious fingers. The woods, always a menace even in the past, had triumphed in the end. They crowded, dark and uncontrolled, to the borders of the drive.”
• In the dream, she sees plants, once cultured. “No hand had checked their progress, and they had gone native now, rearing to monster height without a bloom.”
• Daphne du Maurier uses the weather to signal and even drive the events in the novel. The wind is often a friendly presence, and stillness brings with it a sense of doom. The fog plays a role in the shipwreck that exposes Rebecca’s boat and corpse. Many characters hope for rain throughout the book. There are repeated references to fire as well, which seems connected to Rebecca (as well at the color red, see below).
• They enter Manderley up a serpent drive (it reminds her of the forest path in a Grimm’s fairy tale, surrounded by bloodred rhododendrons (powerful monsters). There is no sense of beauty in this jungle growth. “That tangle of shrubs there should be cut down to bring light to the path. It was dark, much too dark. … The birds did not sing here.”
• How is Daphne du Maurier using Gothic tropes in the book? What are your thoughts about the sense of loss and physical/spiritual exile in the opening pages?

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We are beyond excited to be starting our fourth year, and to share with you the books we have on tap!

Give a listen and let us know what you think, or if we're leaving out pivotal content to the genre.

See the full book club list here!
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Tea, Tonic, and Toxin is a mystery and thriller podcast and book club for people obsessed with mysteries and thrillers. Each month, your hosts, Sarah Harrison and Carolyn Daughters, will discuss a game-changing mystery or thriller, starting in the mid-19th century onward. Together, we’ll see firsthand how the genre evolved.

Along the way, we’ll entertain ideas, prospects, theories, and doubts, along with the occasional guest. And we hope to entertain you, dear friend. We want you to experience the joys of reading the best mysteries and thrillers ever written.

We’ll read and explore ideas about the book and about ourselves. And we’ll start at the very beginning with “The Murders in the Rue Morgue” by Edgar Allan Poe.

We’re excited to read these books. And we’re excited that you’ll be reading these books. Please share your ideas early and often. We want to hear from YOU.

Follow us month to month or jump in anywhere you like. You’re our people, and we’re glad we found you (and vice versa). We’re thrilled to have you join us anywhere on this marvelous journey through the best mysteries, thrillers, and detective stories ever written.

On a final note, with your encouragement and support, we’re getting better at this podcasting adventure each and every day. Our goal: Make Tea, Tonic & Toxin a mystery and thriller podcast and book club that provides a forum for introspection, good conversation, and inspiration.

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