Episodios

  • Andrew Boryga on Identity Politics in Publishing
    Oct 15 2025

    TW Creative Director John Vogel talks with Andrew Boryga, author of the satirical novel Victim. The two talk about the autobiographic backdrop to the novel, balancing creative time with parenthood, and the addictive and distancing natures of social media.

    Más Menos
    47 m
  • Sasha Wizansky's Juggling Act
    Oct 1 2025

    TW Community Manager Neva Talladen talks with visual artist and graphic designer Sasha Wizansky about her experience starting Pencil Magazine. The magazine, created entirely out of work made with pencil and paper, brings attention to the physicality of writing and drawing with pencil, as well as the slowing down that writing and reading handwriting can cause.

    Más Menos
    43 m
  • Athena Dixon's Highs and Lows of Writing
    Jun 24 2025

    In our last episode of the season, TW Creative Director John Vogel interviews author Athena Dixon, our first repeat guest for the podcast. A year and a half ago we released Neva’s interview with Athena, which focused on her book The Loneliness Files (Tin House, 2023). This time around, in January 2025, John asked her questions from his Perfect Recognition project focusing on intense aesthetic experiences and people’s life paths towards creativity. Fellow artists might find some resonance and solace in their open discussion about their own disillusionment surrounding artistic pursuit and how their lived experiences deviate from the more common narratives handed down to us.

    Más Menos
    1 h y 6 m
  • Steve Hoffman and the Art of Authentic Traveling and Writing
    Jun 4 2025

    TW proofreader Jess Barnett hosts award-winning Minnesotan food writer, Steve Hoffman, for a conversation about the unique joys and challenges of travel. Hoffman, a lover of French cuisine and culture, discusses traveling to the picturesque south of France, not as a tourist, skimming the surface of trending destinations, but as a humble guest, ready to immerse himself and his family in the cultural and culinary experience. In his recently published memoir, A Season for That: Lost and Found in the Other Southern France, Hoffman dishes out a humorous and layered perspective on marriage, parenting, and cooking in the small town of Autignac.

    Hoffman is a self-described Francophile and lifelong lover of literature. Like many aspiring writers, he relied on other industries for financial stability, working first in real estate before transitioning to tax preparation. Hoffman’s food writing career was launched during his family's extended stay in France in 2012. Upon returning, he wrote for the Minnesota Star Tribune about his experience abroad. His 2018 piece, “What is Northern Food?” earned Hoffman the James Beard MFK Fisher Distinguished Writing Award and propelled his career as a food writer.

    Hoffman describes his writing process as a decade-long reflection on “learning how to write a book, while writing one.” Stemming from journal entries during his time in France, he fashioned his writing after inspirational authors like John Updike and Jane Austen. Beyond a vivid depiction of the rural country and aromatic apprenticeship as a winemaker, he offers readers sincere vulnerability. Hoffman explores his imperfections and growth through professional coaching, caring but unvarnished feedback from his wife, and finding the balance in his writing between travel log and storytelling.

    Steve Hoffman continues to draw inspiration from shared experiences with his family. Following a recent house fire (thankfully no one was injured), Hoffman’s potential second book will focus on this unfortunate event as a “clarifying devastation.” As someone who closely links identity to physical place and space, he reflects on the skillful art of a simplistic lifestyle and carrying on the “minimal number of things you need to live graciously.”

    Más Menos
    36 m
  • Reimagining David and Bathsheba with Jeanne Blasberg
    May 15 2025

    TW Podcast Production Manager Sarah Tulloch interviewed author Jeanne Blasberg this past September. Jeanne Blasberg is an award-winning and bestselling author and essayist. The two discuss her latest book, Daughter of a Promise, a modern retelling of the story of David and Bathsheba, completing the thematic trilogy she began with Eden and The Nine.

    Más Menos
    37 m
  • Mary Carroll Moore: Finding Connection Through Fiction
    Apr 23 2025

    TW Creative Director John Vogel interviewed author Mary Carroll Moore this past November. Mary pursued a decades-long career as a food and cookbook writer before pivoting into writing instruction and self-releasing Your Book Starts Here in 2011. The two discuss her latest book, Last Bets, and her lifelong career as a creative with multiple mediums.

    Más Menos
    49 m
  • Nadia Pupa on the Publishing Process from Start to Finish
    Apr 9 2025

    TW’s Community Manager Neva Talladen talks to the CEO and Co-Founder of Pique Publishing. In 2022, she was inspired to launch The Editor's Half Hour podcast—a monthly podcast that focuses on the craft of editing, industry trends, and editorial resources for advanced editors. The two discuss Nadia’s move from book coaching to starting her own publishing company, where she and her team help authors take advantage of the best book production practices.

    Más Menos
    57 m
  • Laura Hartenberger: What's Wrong with Chatbot Writing?
    Feb 13 2025

    Last May, TW founder Martha Nichols spoke with Laura Hartenberger, author of the definitive 2023 essay “What AI Teaches Us About Good Writing” in Noema. Laura, who’s a lecturer in the Writing Programs at University of California at Los Angeles, is an essayist and fiction writer herself. When she spoke with Martha, they were both finishing up a turbulent spring semester that included protests for and against Israel at UCLA and Harvard. Here they confront big ethical questions surrounding AI and writing instruction. Are bots helpful tools for students or just another way of cheating? How and when should such tools be part of writing assignments? What qualities of voice and meaningful exposition are missing from chatbot writing? Can AI-generated work emotionally move readers?

    Más Menos
    45 m