SvC 10|4 Gallipoli, World War 1: Part 1. The Raw Facts, Flow On Effects, & Film Recordings of the ANZACs Arrival at Gallipoli that Never Turned into Watchable Projector Reels.

Deiberately Incorrect Coordinates were sent to the ANZACs for the Attempt to Get Ashore at Gallipoli, Turkiye (Turkey) During WW1, by personnel from the French military.

People from the USA, France, and Turkiye, colluded on it, before ANZAC troops were sent to attempt to get ashore at Gallipoli. It can be assumed that some of the perpetrators of that collusion thought that it would be unlikely any ANZACs made it ashore alive.

They set up Film Cameras behind the chosen Turkish Army machine gun positions, to attempt to film the ANZAC's arrival in full, at the deliberatey wrong coordinates. The USA (Air Force) personnel there took some time about it, including discussions about camera positions behind the Turkish guns, and hand gestures like film directors. There were even clapper boards. They treated it like a movie shooot, with real war scenes, was what was going to be filmed.

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All the USA personnel involved were captured by ANZACs on field missions on site at Gallipoli, when attempting to leave the site with the raw footage in cannisters. In some cases they were dragging small carts on wheels with other items in them, including souvenirs.

All raw footage was consfiscated, without exception. All the captured USA personnel involved wre executed after interrogation, without exception. Butchered after death may be a more accurate description, where appliccable.

Impersonations of the USA personnel captured by ANZACs, trying to explain themselves during interrogation before their execution, is NOT an impersonation of ANZACs trying to get ashore at Gallipoli, or in trenches, etcetera. Including urinating in the pants.

There were NEVER any developed projector reels made from the raw footage that had watchable details. A small amount of raw footage survived the chemical bath destruction of all the original raw reels, and was dried out and developed to check it.

The resulting developed footage was a basically blank screen, when developed to ensure there was no film available from the raw reels. Some had barely discernable scratch mark like interference silhouettes left, which were reminiscent of someone operating a machine gun. That footage can be seen on "You Tube", spliced together with the 1906 Australian Film "The Story of the Kelly Gang". If you ignore the film, and focus on the repeating intereference, it looks a bit like a machine gun being used during WW1. Barely visible though.

"Australians" never got a look at any developed projector reels with cinema news reel like watchable details, either.