Sam Jacob, dean of Die Angewandte in Vienna, has a great show on at the Hypha gallery in No. 1 Poultry, London. Tim spoke to him about the complex ways architecture and money relate and where ruins feature in this tangle of meaning.

In London a stellar cast joined Tim Abrahams and regular News Review contributor Vicky Richardson for some drinks and nibbles to reflect on the architectural highlights of 2025.

Peter Murray is a London institution himself, although he is also the founder of several. He spoke to Tim about his ongoing investigations into how City Architects are defined in successful cities around the world and how they could be reintroduced into the UK. He also shared some personal news.

Pete Collard is exhibitions curator at the RIBA; and the brains behind a new show held at RIBA North in Liverpool called Home Ground, the Architecture of Football. Tim spoke to him about an architectural typology that was developed in the home of football but increasingly found its apogee away in Europe.

With controversy lingering over his personal conduct, three major new museums designed by David Adjaye open this month. Tim Abrahams goes beyond the scandal to explore his commitment to Africa’s cultural and social transformation.

The Superurbanism News Review is back again! Tim sits down with our good friend Vicky Richardson, former Architecture Curator at the Royal Academy to discuss the latest events in the architecture world and reaction to them. Award season is upon us in the United Kingdom and we talk through the early responses to Witherford Watson Mann’s victory in the Stirling Prize and much more.

In the early 21st century, Olafur Eliasson helped define a new era of public art with works that took on nature for scale. Tim Abrahams met him at the new Oxford North development and asked him what he makes of his metier as a public artist in a new era when who the public might be is less clear and the idea of nature is unstable.

Tim heads out to Almaty in Kazakhstan to talk to Asif Khan about his work on the Tselinny; an incredibly painstaking transformation of a 1964 Soviet cinema into an arts centre, which he undertook with Kazakh wife the architect Zaure Aitayeva.