In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland is joined by the novelist and critic Redfern Jon Barrett and the reader and reviewer Nileena Sunil. They discuss those novels that feel too short or not long enough: what's behind that feeling we have that a text is lacking something, or that it's overstretched? And how can we meet works of fiction on their own ground?

Redfern's review of If the Stars Are Lit by Sara K. Ellis

Nileean's review of Orphan Planet by Madeehah Reza

Celebrating 25 Years with The Strange Horizons Editorial Collective

In this special episode of Strange Horizons at 25, Senior Podcast Editor Kat Kourbeti and Editor Michael Ireland welcome current members of the Strange Horizons Editorial Collective for a series of interviews to give you a glimpse behind the curtain of each department and to celebrate 25 years of this pioneering speculative fiction magazine.

A big thank you to Arturo Serrano, Proofreader; Dan Hartland and Aisha Subramanian, Senior Reviews Editors and hosts of Critical Friends; Hebe Stanton, Senior Fiction Editor; Romie Stott, Administrative Editor and Senior Poetry Editor; and Gautam Bhatia, Co-Ordinating Editor and Senior Articles Editor, for joining us for these interviews. Happy 25 years, one and all, and here's to many more!

In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Malda Marlys' 'Of Flowing Stone, of Liquid Gold, of Justice, Ash, and Battle' read by Emmie Christie.

You can read the full text of the story, and more about Malda Marlys ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Subscribe to the Strange Horizons podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠

Content Warning:

• Disregard for personal autonomy
• Blood
• Body transformation
• Death/dying
• Dysphoria
• Murder
• Violence/combat

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland is joined by the literary reviewer Sneha Pathak and the host of the Going Rogue podcast, Tansy Gardam. They discuss the kinds of text which many don’t find worthy of criticism at all: books or movies or TikTok reels that might be termed popular, populist, or popcorn. What are we doing when we spend time with a text which—perhaps only at first—exhibits few pretensions?

Sneha Pathak's review of The Blaft Anthology of Gujarati Pulp Fiction, edited by Rakesh Khanna, translated by Vishwambhari S. Parmar

Tansy Gardam's review of Jurassic World: Rebirth

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland speaks with writers and critics Octavia Cade and M. L. Clark about writing in hard times. How and why is speculative friction written in contexts of defeat, despair, or decay? They discuss climate change and artificial intelligence, systems political, biological, and economic—and how SF might be, and yet sometimes isn't, a key tool in opening up new modes of understanding during a time that Octavia suggests might best be termed the Necrocene.

M. L. Clark's review of Ray Nayler's Where The Axe is Buried.

Octavia Cade's review of Vanessa Saunders's The Flat Woman.

In this episode of Strange Horizons at 25, editor Kat Kourbeti chats to author Debbie Urbanski about her 2018 Strange Horizons publication and the 13 years of submissions it took to get accepted, writing in the gray areas between genres, and what it means to be artistically honest in your work.

Links and things:

• Want to leave us a happy birthday message? Click ⁠here to record an audio message⁠, and ⁠here for video⁠.
• Join our ⁠Patreon⁠ for early episode access, or donate through any other way to hear your name and message in our next episodes.
• Want to meet the team? Podcast editors Kat and Michael will be at Seattle Worldcon! Come to our Table Talk on Wednesday morning, or to our live episode recording on Friday evening, grab a ribbon, and tell us about your favourite Strange Horizons stories, poems, or special issues.

Episode show notes:

• Read Debbie Urbanski's story, Some Personal Arguments in Support of the BetterYou (Based on Early Interactions)
• Visit her website, or follow her on Instagram and Substack
• Buy her book, After World, or her short story collection Portalmania
• Read Andy Sawyer's Strange Horizons review of After World
• Find more links to her work and other things mentioned throughout the transcript page on our website.

In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Angela Liu's 'Time is an Ocean' read by Emmie Christie.

You can read the full text of the story, and more about Angela Liu ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Subscribe to the Strange Horizons podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠

In this episode of Strange Horizons at 25, editor Kat Kourbeti talks to Mary Robinette Kowal about the fractal nature of story structure, , and writing to please the teenaged version of you.

Links and things:

• Want to leave us a happy birthday message? Click ⁠here to record an audio message⁠, and ⁠here for video⁠.
• Join our ⁠Patreon⁠ for early episode access, or donate through any other way to hear your name and message in our next episodes.
• Want to vote for Strange Horizons in the Hugos? We have two poems, a novelette, and the magazine all on the ballot! Get your WSFS and/or virtual Seattle Worldcon membership on their website, and you can cast your vote now.
• Want to meet the team? Kat and Michael will be at Seattle Worldcon! Come to our Table Talk on Wednesday morning, or to our live episode recording on Friday evening, grab a ribbon, and tell us about your favourite Strange Horizons stories, poems, or special issues.

Episode show notes:

• Read Mary Robinette's work in our archives.
• Listen to the audio of the Portland Strange Horizons 10th Anniversary Reading event on her website.
• Buy The Martian Contingency and pre-order Apprehension/Red Star Hustle (part of a Saga Double with Sam J Miller)
• Follow Mary Robinette on Instagram or visit her website to sign up for her monthly newsletter, The Mary Robinette Gazette. Both places abound with talking cat content!
• Find more links to her work and other things as you read the transcript below.