In this episode we return to screenplay analysis. And we return with a good one. CASABLANCA, which in my humble opinion is the greatest screenplay ever written. Give this episode a listen and you'll find out why I think that.

For more details, including links to all the things mentioned in this episode, the Storylines analysis of CASABLANCA, and the script to this episode, visit:

https://storylanes.com

For the first time since before the pandemic, I directed actors and a crew in a film. This episode I talk about that experience, and how it affects DOMICIDAL.

As always, for more details, including links to my latest, see http://storylanes.com.

We all have unique talents that we usually use outside of movie-making. But how can we use those to help make a film? This episode, I talk about how being a professional software engineer translates into being a filmmaker. Enjoy - and check out the script of this episode at https://storylanes.com.

How making a movie sometimes means you spend all your time producing instead of writing and directing. Even if you got into filmmaking to write and direct.

And we've got a new title for the movie, and a new website. It's DOMICIDAL, and you can find us at http://domicidal-movie.com.

Plus, of course, check us out as usual at http://storylanes.com.

We're back! And ready to discuss holding a read-through for your script. For all the scoop, read the blog here: https://www.storylanes.com/episode-22-read-throughs/

The first thing you have to do to make a movie is you have to want it really really bad. This episode we talk about that and the challenges it provides.

Let's talk about business models - what they are, how they apply to films, what business models am I considering for SMART HOUSE.

As always, check out the episode on Storylines.com for some interesting links and the script of the show.

All about script feedback. Where to get it, how to receive it, how to use it, how to give it.

Check out the script and links at http://storylanes.com.