Sthal
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Sthal, the Marathi-language feature from debutante director Jayant Digambar Somalkar, is one of the best films of 2025.
It’s a deftly written, confidently shot, and expertly performed psychological drama about the commodification of women.
We discuss the anger at the film’s core, its bleak view of Indian society, and the catharsis it provides with an instant-classic climax.
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