Sarum use or rite? Where did it come from? How was it governed? What's unique about the ceremonial? How does the chant sound? What's the deal with all the processions? Can one celebrate the Sarum rite now?

Learn all about the medieval English rite in this episode with Dr. Christopher Hodkinson.

More information and registration about our Spanish-language online workshops: https://catholicinstituteofsacredmusic.regfox.com/talleres-virtuales-primavera-2026

More information and registration for the Catholic Institute of Sacred Music's Summer Chant Camp for singers ages 8–17: https://catholicinstituteofsacredmusic.regfox.com/chant-camp-2026

Join us as we tackle some of the tough questions that inform how church musicians can help their parishioners love the Church's beautiful treasury of sacred music. Dr. Margaret Hughes, a tutor at Thomas Aquinas College in Massachusetts, joins us to discuss whether beauty is something superficial and ultimately distracting from the things that really matter for the Christian, whether beauty is really a transcendental property of being, and whether it's possible to make a wrong judgment about the beauty of a piece of music.

RSVP for Dr. Hughes' lecture on Thursday, April 18th here: https://www.eventbrite.com/e/lecture-how-listening-to-music-with-friends-points-us-to-beatitude-tickets-1977339170688

Dr. Christopher Berry, Assistant Professor at the Catholic Institute of Sacred Music, joins us to discuss why we should learn to make up our own chant accompaniment, how to determine the course of an organ building project, and how to fundraise for said project.

Learn more about Dr. Berry here: https://catholicinstituteofsacredmusic.org/faculty#berry

Learn more about summer graduate study with Dr. Berry at CISM here: https://catholicinstituteofsacredmusic.org/summer-courses/

Breath support, dynamics, tremulous notes, VIBRATO? How can we best sing the Church's chant with beauty, elegance, reverence, and good technique? Dr. Rosemary Heredos breaks it all down in the context of learning to sing through a semiological approach to chant, navigating working with different teachers, and transitioning to chant from singing opera.

Learn more about Dr. Heredos's class, "Advanced Seminar in Gregorian Chant: Vocal Technique and Semiological Performance Practice," June 29 to July 3 here: https://catholicinstituteofsacredmusic.org/summer-courses/

Applications for non-degree-seeking students remain open until May 1st.

Have you ever wondered how sacred music programs in America were run and what kind of music they sang in the 19th and pre-Vatican II 20th century?

Salvatore Basile, author of Fifth Avenue Famous: The Extraordinary Story of Music at St. Patrick's Cathedral, joins us to discuss how sacred music sounded in New York, especially as St. Patrick's. We discuss the impact of Pius X's motu proprio, Tra le Sollecitudini, the influence of operatic music on repertory and choice of voices, the incorporation of chant and polyphony, and the development of the music department from parochial backwater to "America's parish" in a cultural and financial world capital.

Buy Basile's book here: https://a.co/d/0haXk4DJ

Learn more about summer graduate classes at the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/summer-courses/

Join Archbishop Cordileone for a Lenten reflection especially for church musicians and those who love the Church's sacred music. The reflection is followed by the recitation of a scriptural rosary.

For more information on other upcoming events at the Catholic Institute of Sacred Music, visit https://catholicinstituteofsacredmusic.org/events/

For access to texts to use to pray the scriptural rosary, visit: https://scripturalrosary.org

Dr. Charles joins us to bridge the gap between monophonic and polyphonic music through the practice of improvising choral music based on chant melodies. We talk about early techniques and how-to treatises from the 9th century, all the way through Baroque fauxbourdon, as well as the changes in notation that these practices prompted, and the composers in whose music one can hear training in these practices.

For more information on the class Dr. Weaver is teaching on this practice of improvising polyphony on chant, "cantare super librum," July 27–31 at the Catholic Institute of Sacred Music, visit: https://catholicinstituteofsacredmusic.org/summer-courses/

To attend the March 7th conference at St. Vitus in Northridge, California, visit https://www.zeffy.com/en-US/ticketing/music-for-worship-and-leisure

To sign up to attend Archbishop Cordileone's Lenten online "retreat" for musicians and admirers of sacred music, visit https://www.eventbrite.com/e/online-lenten-retreat-with-archbishop-cordileone-for-church-musicians-tickets-1982364153547

Martin Baker, a distinguished choral conductor and organist, joins us to share insights on his improvisation at the organ, from his time as a young child, through his winning of the Tournemire Prize at the St. Alban's Competition and his time at Westminster Cathedral, through his current work as a concert organist and composer.

To learn more and apply for the July 20-24, 2026 Organ Improvisation class Baker is offering at the Catholic Institute of Sacred Music, visit https://catholicinstituteofsacredmusic.org/summer-courses/