In the final episode of “The Art of Reconnection” series, co-host Daniela Naomi Molnar speaks with poet and ceremonialist Danielle Vogel about the scope, power, and possibility of language.

Danielle is an experimental poet who is committed to an embodied, ceremonial approach to poetics and relies heavily on field research, cross-disciplinary studies, inter-species collaborations, and archives of all kinds. Her installations and site-responsive works are often extensions of her manuscripts and tend to the living archives of memory shared between bodies, languages, and landscapes. She is an associate professor at Wesleyan University and the author of several poetry collections, including A Library of Light, Edges & Fray, and Between Grammars.

Daniela and Danielle’s conversation is an ode to the power of language — how the written and spoken word rings throughout the body, how it connects with extremely subtle forms of language both inside and outside our bodies, and how writing, editing, and reading become a ceremony.

Their conversation ranges from darkness to lightness, from cellular activity to glacial activity, from the personal to the collective. They celebrate the way language acts as a mediating agent between our material and immaterial worlds, allowing us to connect to and therefore mend our interior lives and our environments.

Daniela and Danielle invite us to wonder: How can language help us touch time? How do syllables and syntax carry memory in the same way a human body or a geologic body might? And how can becoming aware of the embodied nature of language help us connect across time, across lives, and across bodies?

This podcast series was produced by the Spring Creek Project, an initiative of the Patricia Valian Reser Center for the Creative Arts at Oregon State University. The series was created in collaboration with The Arts Center in Corvallis, Oregon.

In part three of “The Art of Reconnection,” series co-host Lee Running speaks with guest Ben Goldfarb to take us on an exploration of roads. Their conversation invites us to see these in-between places in new ways.

Ben is a conservation journalist and award-winning author. His writing has appeared in many outlets, including The Atlantic, National Geographic, and “The Best American Science and Nature Writing.” His first book “Eager: The Surprising, Secret Life of Beavers and Why They Matter” won the 2019 PEN/E.O. Wilson Literary Science Writing Award. And his latest book “Crossings: How Road Ecology Is Shaping the Future of Our Planet” was named one of the best books of 2023 by the New York Times.

Lee creates arresting objects using cast iron, enamel, glass, bone, and handmade paper. Her work intimately explores the impact of human-built systems on the natural world, often incorporating the bodies and bones of animals killed on roads. She invites her audiences to renew their sense of kinship with non-human beings.

Lee and Ben have each spent a great deal of time thinking about, walking along, and studying roads. Throughout this conversation, the two discuss this edge landscape, the species that live and die there, and how these arteries of civilization impact non-human beings and ways of life.

Their conversation invites us to wonder how systems designed to connect people and places actually function to separate us from place and from each other. And they talk about how their art and writing call on us to take notice, to see, hear, feel, consider, and connect to the places we speed past.

This podcast series was produced by the Spring Creek Project, an initiative of the Patricia Valian Reser Center for the Creative Arts at Oregon State University. The series was created in collaboration with The Arts Center in Corvallis, Oregon.

In part two of “The Art of Reconnection,” series co-host Daniela Naomi Molnar speaks with guest Marcia Bjornerud about the narratives, notions of time, and deep wisdom embedded within rocks.

Marcia is a writer and a structural geologist whose scientific research, which focuses on the physics of earthquakes and mountain building, has taken her around the globe. She is a contributing writer to The New Yorker, The Wall Street Journal, Wired, and the LA Times. She is also the author of the books “Timefulness: How Thinking Like a Geologist Can Help Save the World” and the recently published “Turning to Stone: Discovering the Subtle Wisdom of Rocks.”

Throughout Marcia’s scientific and academic career, she has learned to listen to landscapes. She and Daniela discuss how the Western fallacies of objectivity and stability may act as a barrier to our innate capacity to notice landscapes not only with our instruments and hypotheses but also with our senses, our lived experiences, and our inherent curiosities.

Daniela is a poet, artist, and writer who creates with color, water, language, and place. She makes large-scale abstract paintings with pigments she creates from plants, bones, stones, rainwater, and glacial melt. Gathered from specific biomes she has visited, these paints become palettes of place with which she investigates the earth’s site-specific capacity for both memory and resilience.

This conversation muses on the vast time scales of geologic change, the alienation and spiritual poverty of the modern Western world, and how careful listening to the slow-moving land may help rattle apart the cage of human exceptionalism that has plagued our current era.

Daniela and Marcia also invite us to wonder: What memory does the ground beneath you hold? How does connecting with that story change your experience of the place? And what might it mean for our collective future if we adopted a more geo-centric vision of the world and our place in it?

This podcast series was produced by the Spring Creek Project, an initiative of the Patricia Valian Reser Center for the Creative Arts at Oregon State University. The series was created in collaboration with The Arts Center in Corvallis, Oregon.