Spoilerpiece Theatre  Por  arte de portada

Spoilerpiece Theatre

De: Evan Crean Megan Kearns and David Riedel
  • Resumen

  • Boston film critics Evan Crean, Megan Kearns, and David Riedel help you decide what to watch by sharing spoiler-filled reviews of the latest blockbusters and independent films, across genres, including films by women, nonbinary, LGBTQ+, and BIPOC filmmakers. Opening music: "My Life as a God" by Augean Stables. Closing music: "Pants Party" by Oilhead. Show edited by Otto Klammer. Logo design by Rita Csizmadia.
    Copyright CJR Productions 2022
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Episodios
  • Episode 518: "Tuesday" and "Outstanding: A Comedy Revolution"
    Jun 14 2024

    This week Megan and Dave check out writer-director Daina O. Pusić’s TUESDAY (1:57), starring Julia Louis-Dreyfus as a mother reckoning with her daughter’s imminent demise when Death arrives - literally - in the form of a size-shifting, talking bird. We had mixed feelings about it, but one of us liked it more than the other. Then Evan joins Megan and Dave for OUTSTANDING: A COMEDY REVOLUTION (21:46), a Netflix documentary exploring the history of LGBTQ+ comedy and featuring some of its biggest names, including Lily Tomlin, Tig Notaro, Suzy Eddie Izzard, and Joel Kim Booster (and a lot more). Over on Patreon, we talk about John Carpenter’s CHRISTINE, because why the hell not?

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    50 m
  • Episode 517: "This Closeness" and "Jim Henson Idea Man"
    Jun 7 2024

    Welcome the wacky world of Spoilerpiece! Why wacky? Because for our first film, Megan and Dave watched Kit Zauhar's THIS CLOSENESS (2:33), one of the most indie films to ever indie, and we’re not sure it’s a good movie…but it’s not bad, either? And the ending is…we’re not sure also? And every character in it is an assbag, but that’s OK? Good sound work, by the way... WTF is this movie, exactly? Hey, if you see it, you tell us. Then Evan, Megan, and Dave watched JIM HENSON IDEA MAN (23:21), Ron Howard’s Disney+ documentary that goes in-depth-ish on Henson, his early partnership with his wife, his early experimental films, and how that experimentation showed up in lots of projects throughout the rest of his career. On Patreon, we talk about Spike Lee’s CROOKLYN, which turned 30 this year.

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    58 m
  • Episode 516: "The Dead Don't Hurt" and "Backspot"
    May 31 2024

    What a week for movies! Megan and Dave watched writer/director/composer/co-star Viggo Mortensen’s THE DEAD DON’T HURT (2:30), a bittersweet drama set in the 1860s. Viggo (the only actor Dave permits being called by first name, because it’s fun to say “Viggo”) is Olsen, a Dane, and Vicky Krieps is Vivienne, a French-Canadian, who meet in San Francisco, fall in love, and make a life together in a tiny Nevada town. TDDH is Vivienne’s movie, as it traces her tough, tender, and resilient character from childhood to adulthood. It’s a dense story with lots of twists and turns (and too much to get into in this description) and superior performances by Viggo and especially Krieps, and Megan and Dave loved it. Then Evan, Megan, and Dave talk director D.W. Waterson's BACKSPOT (28:56), a drama about a high school cheerleading team with a cutthroat coach (Evan Rachel Wood) and a squad that will do almost anything to prove themselves. Riley (Devery Jacobs), the squad’s backspotter, thirsts for the coach’s approval, putting a strain on all of her relationships, especially with her girlfriend, Amanda (Kudakwashe Rutendo), who’s also a teammate. We had divergent opinions on this one. And over on Patreon, Ang Lee’s THE WEDDING BANQUET won our May poll! If you’re a patron, you can listen here (and if you’re not a patron, you can become one!).

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    1 h y 5 m

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