Nothing gets between a party and a group of teenagers… except the Kokogi. A night of fun takes a dark turn in Algonquin territory.

Thank you Kristen and Hayden for letting Spooked visit Kitigan Zibi, and for sharing your stories with Spooked.

Scouted and produced by Elliot Lightfoot, original score by Lalin St. Juste.

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Late watch on a Coast Guard cutter and Jordan’s picking up some high strangeness in his night vision goggles. Plus, we’ll buy you a drink at the Condor Club, but don’t dance on the piano.

STORIES

Coast Guard Haunts

It’s midnight in the middle of the Atlantic ocean and Jordan is standing watch on board a Coast Guard cutter ship, scanning the dark, starry horizon with a pair of night vision goggles. He’s looking for hazards in the water and other ships. But nothing can prepare him for what he’s about to see.

Jordan, thank you, for sharing your story with Spooked!

Produced by Zoë Ferrigno, original score by Lauryn Newson.

The Show Must Go On

When the Spooked team found out that there was a haunted strip club right in their own backyard, we had to check it out in person. Producer Zoë Ferrigno reports from the Condor Club, where local history lives on…

Big thanks to Rachel for sharing her story with us. Thank you as well to the wonderful staff at the Condor Club!

Want to learn more about the history of the Condor Club and the woman who put it on the map? Check out this awesome documentary: Carol Doda: Topless at the Condor.

Produced by Zoë Ferrigno, scouted Paulina Creque. Original score by by Doug Stuart, performed by Doug Stuart and Casey Butler.

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A young rodeo star settles down in a doublewide on his own piece of ranch land in the shadow of the mountains in Montana. All is quiet until he butts heads with a local Blackfoot legend: The Goatman.

Thank you, Colden, for sharing your story with Spooked! We first heard about Colden’s story on Lodge Tales, a podcast hosted by Rod Williamson, where indigenous folks from across the country share their own experiences with the supernatural.

Scouted and produced by Elliot Lightfoot, original score by Doug Stuart.

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