
Shouldn't Standard Pitch be Standard?
No se pudo agregar al carrito
Solo puedes tener X títulos en el carrito para realizar el pago.
Add to Cart failed.
Por favor prueba de nuevo más tarde
Error al Agregar a Lista de Deseos.
Por favor prueba de nuevo más tarde
Error al eliminar de la lista de deseos.
Por favor prueba de nuevo más tarde
Error al añadir a tu biblioteca
Por favor intenta de nuevo
Error al seguir el podcast
Intenta nuevamente
Error al dejar de seguir el podcast
Intenta nuevamente
-
Narrado por:
-
De:
Acerca de esta escucha
There’s good news this week for voice artists who speak languages other than English, as Netflix continues its push for content globalization. Upwork releases a study that claims that 10 years from now, the majority of American workers will be freelancers, and the IBC profiles two visual effects studios using cloud computing and remote collaboration to push the limits of their art.
- Netflix is making shows for international audiences using localization
- Upwork releases Freelancing in America 2017 study
- Creative services are making use of remote working too
In today’s topic for discussion, come down the rabbit hole with me. I’m looking at the history of the 440Hz “standard pitch”…and why anyone should care.
Further reading:
- Concert pitch
- Scientific pitch
- A440 (pitch standard)
- “A brief history of the establishment of international standard pitch” by Lynn Cavanagh
- The Proms
- Support me! com/alisonpitt
- Email me! info@alisonpitt.com
- Follow me! @alison_pitt
adbl_web_global_use_to_activate_webcro805_stickypopup
Todavía no hay opiniones