SITC is back in the studio with this long-awaited episode covering the softcore juggernaut that is the Emmanuelle film franchise!

Expert Bryan Connolly joins Torie to dissect this smutty phenomenon which is SO expansive and SO diverse, it's basically an ecosystem. From Thailand to Africa, to Outer Space, Emmanuelle knows no bounds.

In the original EMMANUELLE (1974) starring Sylvia Kristel, we watch Emmanuelle the girl become Emmanuelle the woman thanks to a few trips to the Mile High Club and guidance from a mansplaining creep named Mario. We take a detour outside of official Emmanuelle "canon" with EMANUELLE AND THE WHITE SLAVE TRADE (1978), one of the many (and one of the best) ripoffs that make up the multifaceted Emmanuelle universe. Starring Laura Gemser, Emanuelle with One M is a slick and ambitious journalist with the savvy and sexual appetite to rival James Bond. We conclude our journey with the first installment of Emmanuelle's Skinemax/ straight-to-video era, EMMANUELLE: FIRST CONTACT (1994). Starring Krista Allen, Emmanuelle takes her sage-like knowledge of sex to outer space where she educates hunky alien Haffron and his brethren about the joys and politics of human sexuality.

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Bryan Connolly is a writer and filmmaker in Austin, TX. Thanks to a lifelong obsession with the Emmanuelle films, his encyclopedic knowledge has cemented him as a de-facto Emmanuelle expert. Bryan has contributed to Severin Films' Black Emanuelle Box Set, the Emmanuelle comic book series from Fantagraphics, and is currently writing a colossal tome covering every Emmanuelle movie ever made. Bryan's cinema expertise also extends well beyond the boundaries of Emmanuelle. He is the co-host of the podcast The Directors Wall alongside A.J. Gonzalez, the author of Destroy All Movies: The Complete History of Punks on Film, a feature filmmaker, and much more.

LINKS!

Listen to The Directors Wall podcast here!

Check out Bryan's feature film MAKE POPULAR MOVIES free on Tubi here!

Snag a copy of Bryan's book Destroy All Movies: The Complete History of Punks on Film on eBay for a mint here!

Torie and Maggie go full-on Siskel and Ebert for this special episode reviewing Nicole Kidman's latest in a series of steamy, psychosexual cinematic narratives, BABYGIRL.

Torie hated it and Maggie loved it but both ladies agree this flick with a feminist bent made a valuable contribution to the conversation around women, age and sexuality (aka debunking the myth that women become sexless empty vessels as soon as the baby farm closes).

PS - follow Torie on Letterboxd @Torie88 !!

Awards season is here is SITC is kicking off 2025 with our inaugural *AFTERGLOW AWARDS*!! With winners selected from the pool of every film covered on SITC to date, all winners of these prestigious awards have been carefully chosen by an esteemed panel of two (aka us). We also go into some long tangents around NOSFERATU, THE BRUTALIST, and movie theater hot dogs.

Check out the categories below and tune in to reveal the winners of ! -

• Best Sex Scene in a Motion Picture
• Hottest Actor in a Motion Picture
• Hottest Actress in a Motion Picture
• Hottest Couple in a Motion Picture
• Best Unconventionally Hot Sex Scene in a Motion Picture
• Best WTF Unsexy Scene in a Motion Picture
• Best Masturbation in a Motion Picture
• Best Full Frontal in a Motion Picture
• Best Orgasm in a Motion Picture
• Sexiest Sound in a Motion Picture

Happy Yule, cinephile freaks! This holiday season we're celebrating the Winter Solstice in this very special episode starring wonton, willful and wonderful witches!

Self help goes lethally awry in Anna Biller's ingenious meta-Technicolor treasure THE LOVE WITCH (2016). Sexploitation is style over substance in the VIRGIN WITCH (1972). Cinematic art finds a new masterstroke in the haunting, enigmatic (and f**king awesome) folk horror fable HAGAZUSSA (2017).

Trigger Warning: Please be advised this episode includes explicit discussion of sexual abuse and assault. This is a really tough one so tune out and take care if you need to <3

For the penultimate episode of 2024, we're kicking off our mini director retrospective series. Our first entry delves into modern cinema's ultimate Master of Macabre, David Lynch.

Baby talk reaches a new level of unacceptable foreplay in BLUE VELVET (1986). Nicolas Cage and Laura Dern burn hot in WILD AT HEART (1990). Naomi Watts has the ultimate career breakout role in the dreamlike hate letter to Hollywood, MULHOLLAND DRIVE (2001).

SITC is back with a new installment of Uncut and Unrated - extended "director's cuts" of some of our favorite episodes.

FRATBOY F**KERY, our episode discussing a trio of "boys will be boys" blockbusters, returns to manspread its dick tentacles all over the airwaves. The original cut of this episode was released in April 2024 but the collective ethos of these misogynistic trash fires is now distinctly timely.

Tune in for previously unreleased deep cuts about Doug Kenney and the birth of The National Lampoon, another cringeworthy tale about Torie's adolescent pervy playacting, and much more.

Keep your eyes peeled and your ears open for all-new episodes including the first installment of our Director Retrospective series and our upcumming holiday special!

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Trigger warning: this episode discusses themes of sexual and verbal assault, rape, and body shaming.

Welcome to the black hole of misogyny where "boys will be boys" and fratboy mentality reigned supreme to brainwash multiple generations.

Torie struggles to kill her darlings in the National Lampoon classic ANIMAL HOUSE (1978). Kim Cattrall is the only saving grace in the postulating butt boil that is PORKY'S (1981). Witness the birth of virtual assault and revenge porn in the generation-defining Y2K flick, AMERICAN PIE (1999).

SITC is back with the long-awaited second installment of our horror series just in time for Halloween. Hot or not? You decide.

Body horror brings on the heat thanks to Jeff Goldblum's insectile sex symbol Seth Brundle in David Cronenberg's classic remake of THE FLY (1986). Julie Christie and Donald Sutherland prove graphic sex can have narrative value in Nicolas Roeg's enigmatic meditation on grief DON'T LOOK NOW (1973). Mia Farrow gets down with the devil and suffers the ultimate perversion of pregnancy in Roman Polanski's legendary ROSEMARY'S BABY (1968).

Can AI offer humans genuine connection? Can AI be trusted? It is worth it to bang a bot?!? Tune in for SITC's most thought-provoking episode to date in which Torie and Maggie disagree A LOT.

Oscar Isaac's misogynist tech bro gets served by the scariest sexbot of all time in Alex Garland's masterfully character-driven psychological mindf**k EX MACHINA (2014). A mustachioed Joaquin Phoenix turns up the heat with Manic Pixie Dreambot Samantha in Spike Jonzes's insufferably twee but undeniably poignant romantic classic HER (2013). John Malkovich charms as a wacky, well-endowed robot in Susan Seidelman's darling diamond in the rough MAKING MR. RIGHT (1987).