John and Craig flip the idea of motivation on its head and ask, what are your characters running from? Using examples across film and TV, they look at the psychological underpinnings of discomfort, and how to use avoidance as a driving force of character and story.

We've also been away for a minute, so there's a lot to catch up on! We follow-up on where the heck we've been, locked pages, a Scottish rap duo, and a new scientific answer for whether one page of script really equals one minute of movie. We also answer listener questions on the afterlife of residuals and writing with a significant other.

In our bonus segment for premium members, we go through their feedback on our first ever video podcast and announce our plans for the future of the show.

Links:

• Does one page of a screenplay really equal one minute of screen time? by Stephen Follows
• California Schemin' trailer
• Indistractable by Nir Eyal
• Explanation of Disbursement of Residual Payments After Death from the WGA West
• Parseword
• Frankenstein's Regrets by Ben Tarnoff for The Nation
• The AI Paradox: How to Make Sense of a Complex Future by Virginia Dignum
• Indigo Girls Tour featuring Jessie Mazin!
• Get your copy of the Scriptnotes book!
• Get a Scriptnotes T-shirt!
• Check out the Inneresting Newsletter
• Become a Scriptnotes Premium member, or gift a subscription
• Subscribe to Scriptnotes on YouTube
• Scriptnotes on Instagram and TikTok
• John August on Bluesky and Instagram
• Outro by James Ashley McLaren (send us yours!)
• Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli.

Email us at ask@johnaugust.com

You can download the episode here.

There's a brand new agreement between the WGA and the AMPTP! And since John was the co-chair of the negotiating committee, he's excited to share all the details of the 2026 MBA.

Links:

• The 2026 MBA agreement memorandum
• John August on Instagram and Bluesky
• Scriptnotes on Instagram and TikTok
• Scriptnotes is produced by Drew Marquardt

Email us at ask@johnaugust.com

You can download the episode here.

John and Craig connect the dots on transitions and how they can be just as important as the scenes themselves. They look at how to get your scenes flowing into one another, the many different types of transitions, when to use "CUT TO," and how to use your cuts to tell your story.

We also discuss those shots we no longer need to see in movies, and use a lawsuit filed by two GI Joe writers to examine some common issues created by prewriting.

In our bonus segment for premium members, the Olympics are coming to Los Angeles and we have conflicting feelings!

Links:

• Episode 89 – Transcript
• The 100th episode
• The Inebriati from That Mitchell and Webb Look
• Paramount & MGM Sued By 'G.I. Joe' Writers from Deadline
• Twenty Shots to Be Henceforth Retired from Film Vocabulary on Reverse Shot
• Good Times | Florida Breaks Down
• The Los Angeles Times on Studios donating film set materials to Habitat for Humanity
• Scandal Revealed, Episode 221
• Mistresses on ABC
• We're the Millers on Wikipedia
• LA28 Design Guide
• torched.la
• Get your copy of the Scriptnotes book!
• Get a Scriptnotes T-shirt!
• Check out the Inneresting Newsletter
• Become a Scriptnotes Premium member, or gift a subscription
• Subscribe to Scriptnotes on YouTube
• Scriptnotes on Instagram and TikTok
• John August on Bluesky and Instagram
• Outro by Matthew Chilelli (send us yours!)
• This episode was originally produced by Stuart Friedel. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli.

Email us at ask@johnaugust.com

You can download the episode here.