We conclude our current season on A.I. and technofear, going down the rabbit hole into the deepest reaches of cyberspace, reaching across planes of reality and into the depths of depravity. To do this, we discuss Lana and Lily Wachowski’s era-defining Sci-Fi masterpiece The Matrix, and a recent film that really blew us away, Pascal Plante’s dark psychological thriller Red Rooms (01:17:10). We end with Honourable Mentions of films (and TV shows) that further warp the boundaries between reality and the online world (02:26:50).

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Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

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We're back from a little break with a round-up of the best of 2025. We count down our Top 10 horror and Sci-Fi films of the year, along with some other Honourable Mentions, discovered older classics, and our favourite TV shows of the year.

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Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

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We continue our current season looking at A.I. and technofear, exploring the malevolent forces lurking in our computers and the dark (possibly haunted?) depths of cyberspace. Joining us this episode is Brogan Morris, writer, journalist, and programmer for Distorted Frame Film Club, to discuss Joseph Sargeant’s 1970 techno-thriller Colossus: The Forbin Project (12:35) and Kyoshi Kurosawa’s 2001 Internet horror Pulse (01:02:34). We end with some Honourable Mentions of other films where technology is used for destructive and sinister purposes (01:58:38).

Content Warning: our discussion of Pulse contains references to suicide.

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Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

Visit our website: https://rss.com/podcasts/scifrights/

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In this episode we discuss representations of robot children and the relationships between robots and children. Here we see examinations of how technology affects the family and ideas around parenthood and our responsibility towards both human children and our artificial creations. Is there even much difference between the two? To answer this question, we discuss Steven Spielberg's (by way of Stanley Kubrick) sci-fi fairy tale A.I. Artificial Intelligence (02:20) and B-movie horror satire M3GAN (01:17:03). We finish by listing some Honourable Mentions of other films that explore the many implications of the development of child robots (01:48:23).

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Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

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We spent our August Bank Holiday weekend at Frightfest, indulging in 5 days of non-stop horror movies. We give you a rundown on what we saw and survey some of the recurring themes we noticed (our biggest takeaways - beware of demons, witches and shamans, and always check that you don't double book that Airbnb, folks!).

Films covered: Salt Along the Tongue, Five, Mother of Flies, Serpent's Skin, Dog of God, Transcending Dimensions, Redux Redux, Cogn-AI-tive, The Home, Jimmy & Stiggs, The Red Mask, Bone Lake, Daughters of Darkness, Malpertuis, The Descent, The Toxic Avenger, The Degenerate: The Life and Films of Andy Milligan, and The Fairy Moon.

Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

Visit our website: https://rss.com/podcasts/scifrights/

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In this episode we welcome our first guest, film critic Travis Johnson, to rank all six Terminator films from worst to best. We discuss what makes some of the films modern classics and why other films in the franchise get it so wrong. We explore how the films express anxieties about A.I., what makes Sarah Connor such an enduring action icon, how Arnold Schwarzenegger's performances change from film to film and try to untangle the very complicated rights issues that were happening behind-the-scenes. We also discuss how the Terminator has expanded into TV, comics, and videogames and pitch our own ideas for future films.

Timecodes:

Film 6 (16:57)

Film 5 (30:20)

Film 4 (41:30)

Film 3 (57:21)

Film 2 (1:10:20)

Film 1 (1:23:01)

Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

Visit our website: https://rss.com/podcasts/scifrights/

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In this episode we discuss Liam’s most anticipated film of the year – and a film that set the box office on fire over the weekend – Zach Cregger’s Weapons. We start with a spoiler-free conversation about the film’s influences, structure, style, and scares, before getting into spoiler territory (from 24:50) going deep into the film’s villain and the societal implications of its themes.

Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

Visit our website: https://rss.com/podcasts/scifrights/

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This episode’s topic explores how direct relationships develop between humans and A.I., leading to questions about the nature of consciousness and the nature of love, sexuality, human emotion and bodily autonomy. Firstly we have a discussion about whether there are differences between robots and A.I. and survey some key examples of robots/A.I. throughout cinema history (01:33). Then we go on to explore one woman’s nightmare of A.I. domination in Demon Seed (24:44) and Alex Garland’s examination of human/A.I. relations (and possible robot liberation) in Ex Machina (01:01:05) . We end with some Honourable Mentions of other films about robot/computer/human relations (01:33:24).

Content Warning - this episode discusses depictions of sexual assault.

Hosted, produced, and edited by Liam Dunn and Lindsay Hallam

Music composed and performed by Damo Alexander and Rosie Gilbey

Artwork by Millie Hallam

Visit our website: https://rss.com/podcasts/scifrights/

Email us at scifrightspodcast@gmail.com

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