The lights dim. The curtains rise. A murmur passes through the room, the residual sound of a thousand voices going silent. The stage is set. A street from another century. A lamppost that would make Gene Kelly feel right at home. A series of storefronts with nothing behind them but a skeleton of two-by-fours. Then there he is, appearing as though by magic. Joaquin Phoenix. In his full Joker makeup. As he starts into a passionate musical number, bellowing his emotions to the back of the room and beginning a highly choreographed dance number, two thoughts cross your mind: 1) Joaquin Phoenix truly is one of the greatest performers of our generation and 2) What the hell is he doing in your kid's school play? Mr. Phoenix is definitely not out of place in Joker: Folie à Deux, Todd Phillips' follow up to his smash hit Joker, which took the box office by storm back in 2019, earning nearly $1 billion for Warner Bros. Joker 2? Let's say its contributions to Warner Bros.' portfolio were more... aspirational than financial. In a genre-bending twist, Phillips and Phoenix take superhero movies into a new realm with the help of Lady Gaga, introducing the world to the first musical superhero blockbuster movie of the modern era. Taking a sharp left turn from where most audiences thought about the trajectory of the character and world, the team behind the second Joker movie instead decided to try something completely different with the character and the genre. Whether or not that new direction worked for you (and based purely on box office numbers, odds are that it did not) is a matter of taste. Either way, Joker: Folie à Deux is nothing if not a bold vision, and your intrepid hosts at The Reel Film Chronicles have gallantly sallied forth to explore the deranged minds at the heart of of this film and the characters they've created on screen for our twisted amusement.

JOKER: FOLIE à DEUX (2024)

directed by: Todd Phillips

starring: Joaquin Phoenix - Lady Gaga - Brendan Gleeson - Catherine Keener

runtime: 138 minutes

Our Website: ⁠Reel Film Chronicles⁠

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episode 90

Never before would one have considered the inoffensive little cuckoo as a symbol of death, destruction, and parasitic infection. But thanks to writer-director Tilman Singer, now that's all you'll ever associate with them every time you think about those cute little birds, which I have to assume is at least once an hour. You know, like most normal people. Cuckoo is a movie that explores what it means to be part of a family as well as the potential consequences of what it might mean if another species of human beings evolved alongside our own. Two totally normal thoughts that most people grapple with at least once in the normal course of their lives. While historically, most people go cuckoo for Cocoa Puffs, in this episode your intrepid hosts go cuckoo for horror stuff, as the Reel Film Chronicles explores the meaning of life, the universe, and brood parasitism in our typically analytical and well-researched review of 2024's Cuckoo.

Nathan's Full Review on Cuckoo

CUCKOO (2024)

directed by: Tilman Singer

starring: Hunter Schafer | Jan Bluthardt | Marton Csokas | Jessica Henwick | Dan Stevens

runtime: 103 minutes

Our Website: Reel Film Chronicles

Our Letterboxd Profiles: Brian | Nathan

Nathan's Site: Feed the Voices

Letterboxd | IMDb

episode 89

For every action there is a reaction; for every yin, a yang; for every Casino Royale, a Quantum of Solace. And so in conjunction with our Top 10 of 2024 episode, we must also release our Bottom 5 of 2024, and so maintain balance in the universe and prevent the untimely destruction of existence due to a variance in the fabric of space time itself. It's all in good fun as the Reel Film Chronicles cover their picks for movies in 2024 that missed the mark despite lofty narrative ambitions, suffered from an excess of studio interference, or just seemed like they were put together for some kind of tax write off. These are merely the opinions of some casual movie fans, so as always, we recommend not taking any opinions offered herein as having any kind of authority whatsoever and invite you to make up your own minds. Reel Film Chronicles