Episodios

  • Dreaming Multiple ‘Dream’s
    Jun 18 2024
    Artist, author, and illustrator Gary Andrews (Finding Joy, Drawing on Shakespeare, Daisy the Littlest Zombie) is directing A Midsummer Night's Dream for the fifth time and making brand new discoveries in this most popular of Shakespeare's comedies. Gary reveals the Victorian inspiration behind his current production; how he finds unexpected comedy in the scenes between Theseus and Hippolya, and draws on his Welsh heritage; the other Shakespeare plays he would love to return to, and characters he'd love to play for the first time); the danger of over-politicizing the script; the importance of navigating the play's multiple endings (more than Return of the King!); and resolving the ultimate question: Who doesn’t love a cuddly Bottom? (Length 22:47) (PICTURED: Eloise Wynn-Jones as Puck in A Midsummer Night's Dream, directed, photographed, and wearing makeup designed by Gary Andrews.)
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    23 m
  • Ruining Father’s Day
    Jun 10 2024
    Mark Nutter and Tom Wolfe bring their special blend of comedy and music to an evening entitled “Another Father’s Day Ruined,” part of the Solo Sunday series held at Mrs. Murphy & Sons Irish Bistro. Mark and Tom discuss their 30-plus-year partnership and reveal their collaborative – for want of a better word – "process;" the ways in which neither of them are Mick Jagger; the time Tom opened for Bill Hicks; a history of ruining other things, like opera and Gershwin; memories of writing and filming the Chris Farley and Matthew Perry comedy Almost Heroes; and almost dying while researching Wild Men, their early-90s parody of Robert Bly’s Iron John. (Length 21:36)
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  • Daniel Breaker’s ‘Judgment’
    May 28 2024
    Daniel Breaker (Billions, Girls5eva) is appearing in Judgment Day in its world premiere at Chicago Shakespeare Theater in a production starring Jason Alexander. Daniel (above left, opposite Alexander) talks about discovering the fun and function of the role in the room, and how he loves experimenting in the science lab of comedy; then shares his love for the next great American play; his surprising inspiration for Donkey, the role he originated in Shrek The Musical; the important distinction of being raised Baptist rather than Catholic; how and why he found so much humor playing Aaron Burr in Hamilton on tour and Broadway; and the relaxed pleasure of sitting in “the Adirondack chair of acting”. (Length 17:54) (Photos by Liz Lauren)
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  • Hamid Dehghani’s ‘English’
    Jun 3 2024
    Sanaz Toossi’s Pulitzer Prize-winning play English, a powerful, warm-hearted, and surprisingly funny play about four adult students in Iran studying for the Test of English as a Foreign Language (TOEFL), is getting an extraordinary production from director Hamid Dehghani that runs this summer at the Goodman Theatre in Chicago and the Guthrie Theatre in Minneapolis. Hamid discusses how amazingly personal Toossi's play is and the extraordinary theatrical conceit at the heart of it; how both the play and the production embrace questions of identity through humor; the difficulty of being as funny in English as you are in Persian; how the incredibly specific becomes wonderfully universal; and how working on this script with these actors allowed Hamid to clarify his truest artistic self. (Length 19:16) (PICTURED: Shadee Vossoughi and Nikki Massoud in the Goodman Theatre and Guthrie Theatre co-production of Sanaz Toossi's English, directed by Hamid Dehghani. Photo by Liz Lauren.)
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  • Liz Allen’s ‘Mother’
    May 21 2024
    Improviser, improv coach, and "ensemble whisperer" Liz Allen discusses her one-person show Tonight, I Am My Mother, her darkly comic exploration of her mother’s alcoholism, in which Liz plays multiple roles (seamlessly). Liz talks about moments of discovery in her childhood; reveals her script's inspiration; shares stories of working with comedian Mike Birbiglia on his film, Don't Think Twice; marvels over her show's Shakespearean levels; confesses the importance of taking creative license; and celebrates the rewards of bringing a complicated family member back to life. (Length 24:39)
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  • Filming ‘Lookingglass Alice’
    May 14 2024
    Scott Silberstein, the co-founder and executive producer of HMS Media, talks about filming Lookingglass Alice, the signature work of Chicago’s Tony-winning Lookingglass Theatre Company, and so beautifully capturing the circus-like energy of the live theatre experience. Scott reveals the importance of responding accurately and honestly to the story being told onstage; how his team are not only great technicians but also great improvisers; the inevitability of filming a concert on your phone and missing the experience not once but twice; how to keep the live element and not spoil the surprise; how you can stream Lookingglass Alice via the PBS Passport and Digital Theatre Plus streaming services; and the definitive answer to the question of whether it's more difficult to film live theatre or live sports. (Length 17:44) (PICTURED: Molly Hernandez as Alice [photo by Liz Lauren] in the Lookingglass Theatre production of Lookingglass Alice, directed by David Catlin.)
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    18 m
  • Screwed-Up Teenagers
    May 7 2024
    Scott Bailey’s new book Romeo, Juliet, and Other Screwed-Up Teenagers: An Irreverent Guide to Introducing the World’s Most Staggeringly Inappropriate Play to a Classroom Full of Confused Freshmen is a funny and frank look at Shakespeare’s arguably most popular play, and a great resource for educators, students, and even professional actors. Scott reveals his Shakespeare background, both onstage and for almost 30 years in the classroom; how his Renaissance Faire origin story coincides with the early days of the RSC; the surprise of taking a year off and discovering you have a book in you; and finally, the wonder of constantly discovering new things about a 400-year-old play. (Length 22:47)
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    23 m
  • Ondřej Pšenička’s Magic
    Apr 29 2024
    He's fooled Penn & Teller three times, and now Ondřej Pšenička is fooling audiences every week at the Chicago Magic Lounge in his new show 52 Lovers. Ondřej reveals surprising secrets (but not all of them!) about how he builds his tricks; the difference between being a manipulator and being a conductor; how comedy can enhance the magic when it doesn’t accidentally ruin it; how his theatre background made him a better magician; the crucial importance of audience management; and magic’s inherent promise to bring audiences back to a place of wonder. (Photo by Martin Vecera.) (Length 21:24)
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    21 m