Grab your mops and get ready to clean up this town as Dan and Keith take on the Toxic Avenger! Way way back in the 1980s, b-movie titans Troma Films accidentally created a surprisingly mainstream franchise when bullies sent a neurodivergent janitor into a vat of toxic waste, creating mutant superhero the Toxic Avenger, who set out to clean up Tromaville with a mop, a mission statement, and a radar for evildoers... and, time permitting, deal with the mass-murdering bullies who tormented him. Just last year, after two years on a shelf, Troma released a new take on Toxie, with Peter Dinklage as a man, torn from his family, murdered in his prime, only to return to Earth resurrected as a super-strong, hard to kill toxic mutant, who takes on Kevin Bacon for the future of his city and stepson. A b-movie classic vs a modern remake that refuses to take itself seriously: which Toxic Avenger prevails? Find out!

At last, the Phantom Saga arrives at the most influential and successful adaptation of Gaston Leroux's doomed romance horror novel... Andrew Lloyd Webber. Dan and Keith are joined by musical theatre aficionado Colleen Bishop to break down Webber's adaptation of the story, and what happened when Joel Schumacher was tasked with bringing it to the big screen. But wait, there's more! Decades later, in place of seeing a therapist, Webber chose to work through some issues by writing a bizarre sequel where the Phantom runs a burlesque show, Raoul is a drunken gambler, and Christine was a fool for ever choosing the pretty rich guy over the soulful artist, Andy's doing fine you guys, he's doing SO fine. What makes the musical a classic? How did it survive its film adaptation? And how off the rails does Love Never Dies get? All this and more as the Phantom saga concludes!

Hollywood hasn't stopped remaking and rebooting the same stories over and over since we began this journey, and it was inevitable that at some point past topics would see new versions. Dan and Keith check in on the latest editions of iconic heroes, chocolatiers, or holiday-themed mass murderers. Timothée Chalamet pits whimsy against ruthless capitalism (while Keith questions if music makes you a musical), James Gunn takes the DCU up, up, and away, while a new Santa finds good uses for an axe. One delights, one is an argument, and one works much better than either host expected, find out which as Recovered Revisits.