I

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"East Coker," the second of T.S. Eliot's Four Quartets, was first published in the UK in the Easter edition of the New English Weekly in 1940 and in the US in the Partisan Review's May 1940 issue. Copyright for "East Coker" and the other poems in Four Quartets is held by T.S. Eliot's estate.

Ithaka.by C.P Cavafy

As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithakas mean.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: C. P. Cavafy, "The City" from C.P. Cavafy: Collected Poems. Translated by Edmund Keeley and Philip Sherrard. Translation Copyright © 1975, 1992 by Edmund Keeley and Philip Sherrard.

Matilda told such Dreadful Lies,
It made one Gasp and Stretch one's Eyes;
Her Aunt, who, from her Earliest Youth,
Had kept a Strict Regard for Truth,
Attempted to Believe Matilda:
The effort very nearly killed her,
And would have done so, had not She
Discovered this Infirmity.
For once, towards the Close of Day,
Matilda, growing tired of play,
And finding she was left alone,
Went tiptoe to the Telephone
And summoned the Immediate Aid
Of London's Noble Fire-Brigade.
Within an hour the Gallant Band
Were pouring in on every hand,
From Putney, Hackney Downs, and Bow.
With Courage high and Hearts a-glow,
They galloped, roaring through the Town,
'Matilda's House is Burning Down! '
Inspired by British Cheers and Loud
Proceeding from the Frenzied Crowd,
They ran their ladders through a score
Of windows on the Ball Room Floor;
And took Peculiar Pains to Souse
The Pictures up and down the House,
Until Matilda's Aunt succeeded
In showing them they were not needed;
And even then she had to pay
To get the Men to go away,
It happened that a few Weeks later
Her Aunt was off to the Theatre
To see that Interesting Play
The Second Mrs. Tanqueray.
She had refused to take her Niece
To hear this Entertaining Piece:
A Deprivation Just and Wise
To Punish her for Telling Lies.
That Night a Fire did break out-
You should have heard Matilda Shout!
You should have heard her Scream and Bawl,
And throw the window up and call
To People passing in the Street-
(The rapidly increasing Heat
Encouraging her to obtain
Their confidence) - but all in vain!
For every time she shouted 'Fire! '
They only answered 'Little Liar! '
And therefore when her Aunt returned,
Matilda, and the House, were Burned.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Poem © 'Matilda, Who Told Lies and was Burned to Death' by Hilaire Belloc from Cautionary Tales for Children (© Hilaire Belloc 1907)