Sug Daniels is a Delaware-born, Philadelphia-based singer-songwriter, ukulele player, and producer whose music blends folk, rock, and soul into heartfelt stories about love, identity, and connection. In this episode, she reflects on her journey from singing in church and forming bands in Delaware to finding her voice, and her purpose, in the thriving Philadelphia music scene.

Sug opens up about the challenges and triumphs of being a full-time independent artist, the influence of her upbringing and identity on her songwriting, and how meditation and introspection ground her creative process. She also shares the inspiration behind her debut studio album, I Believe in You, and what it means to build community through her ever-evolving “Chosen Family Band.”

Sug shares stories from the road touring with The Black Opry, and what she’s learned from sharing stages with artists like The Indigo Girls, Sarah Shook & The Disarmers, and Molly Tuttle. Plus, she shares a live performance of her uplifting song “Brand New Day.”

Sug’s music is as vibrant, heartfelt, and magnetic as she is, leaving an imprint long after the song ends.

Guest Links:

• Website
• Bandcamp
• Instagram
• Facebook
• Linkedin
• YouTube

In a heartfelt and candid conversation, singer-songwriter Jill Sobule reflects on the intersection of music and politics, her unique songwriting process, and the evolving challenges artists face in the music industry. Sharing candid stories from her remarkable career—including the groundbreaking ’90s hits “I Kissed a Girl” and “Supermodel,” her collaborations with legends like Neil Young and Cyndi Lauper, and her theatrical work, Jill offers rare insight into the life of a fiercely independent artist and storyteller. She also shares her thoughts on her iconic protest anthem “We Want Our America Back” and its enduring relevance today.

Born in Denver, Colorado, Jill’s three-decade career spans a dozen albums tackling topics from LGBTQ rights and mental health to social justice, all delivered with wit, intelligence, and emotional depth. Known for blending humor with pathos, Jill’s songs invite listeners to engage with complex issues through vivid portraits of human experience.

This interview was recorded shortly before Jill’s passing, making it one of her final interviews. We celebrate her enduring legacy and the powerful voice she leaves behind. Her music will continue to give us the courage needed to speak truth to power and to live authentically. Guest Links:

• Jill Sobule's Website
• The Jill Fund
• Jill's YouTube Channel

Every iconic TV moment owes something to the editor’s eye — the pacing of a breath, the cutaway that lands just right, the silence that says everything. Editors Timothy A. Good, ACE, and Emily Mendez know this better than most.

Tim and Emily open up about the choices and challenges behind some of television’s most talked-about episodes, unpacking everything from emotional restraint to the delicate choreography of cutting between performances. Whether they’re building battle scenes or slow-burning love stories, they approach every frame with intention, care, and trust in their collaborators. They also reflect on the pressure of fan expectations, their approach to character-driven editing, and the lessons they've learned through mentorship — both giving and receiving. It’s a rare peek into the edit bay for series like The Last of Us, where they worked together to shape episodes including the widely praised, Emmy-winning “Long, Long Time,” which received the Primetime Emmy for Outstanding Picture Editing for a Drama Series.

This is also a tale of creative partnership, blending Tim’s experience with Emily’s distinctive voice to shape powerful storytelling in the editing room. Timothy A. Good, ACE, is a veteran editor with over 25 years of experience shaping hit series like Fringe, The Umbrella Academy, The Resident, and The Last of Us. Known for his collaborative style and editorial intuition, he’s also an educator at UCLA and a dedicated mentor whose guidance has helped launch the careers of many editors — including Emily Mendez. Tim’s accolades include a Primetime Emmy for Outstanding Picture Editing for a Drama Series, the American Cinema Editors’ Best Edited Drama Series award, and nominations from the Hollywood Professional Association and the BFE Cut Above Awards for his work on The Last of Us. IMDB Instagram Emily Mendez is an accomplished, dynamic editor recognized for her ability to shape emotional, resonant scenes. After earning her MFA from the American Film Institute, she worked on Rosewood, Light as a Feather, and The Umbrella Academy. On The Last of Us, she rose from assistant editor to co-editor alongside Tim and now edits episodes independently, bringing her voice to some of the show’s most powerful and memorable moments. Emily has been awarded a Primetime Emmy for Outstanding Picture Editing for a Drama Series, a BFE Above the Cut Award, and received a nomination from the Hollywood Professional Association for her work on The Last of Us. IMDB Instagram