In our final episode of season 7, Lisa interviews Joan Ellison, songstress and revivalist of the Great American Songbook. Joan is known internationally for her restoration and revival of Judy Garland’s repertoire from her golden Hollywood years, live concerts, studio recordings, and television shows. Joan shares how she became a part of the “Judy Garland Family” and reflects on the importance of musical places in her own musical journey, from Judy Garland’s childhood home to Severance Hall. Co-host George Blake picks up the themes of musical place in Joan’s conversation within the fabric of the concepts of “home” and “away” in “There's No Place Like Home” and “Over the Rainbow” in The Wizard of Oz.Thank you to our audio engineer Davey Berris, Lead Digital Video Specialist at MediaVision at CWRU for his work as audio engineer on this podcast. We’re grateful to CWRU PhD student Lauren Hodgson for her work behind the scenes with editing transcripts. Thanks to CWRU Music Dept. chair Nate Kruse for his departmental support. Gratitude to CWRU for supporting this season of Parenting Musically.

Joan’s Website

Joan’s Facebook and Instagram

Joan’s Touring Schedule

Joan Ellison sings “Over the Rainbow”

Joan Ellison Sings "Chicago" in the National Concert Hall in Dublin

James Rhodes Parenting Musically podcast episode (discussed in Episode 51)

Joining Lisa this week is daughter-father duo Theresa J. May and James May. Theresa is a professional trumpeter, educator, and advocate from Shaker Heights, Ohio. James May is a native Clevelander and was the founder, music director and bandleader of Gabriel’s Horns®, a 21-piece inter-generational community jazz-praise big band from 2002 -2023. Theresa and James discuss the importance of joy in musicking, Theresa’s work with Afrofuturism, and reflect on mentoring young musicians. Season 8 co-host George Blake expands on themes of autonomy, fun, and blossoming brought up in the interview.Mid-episode music credit: “Afrofuturism: Black Lives Will Exist in the Future,” performed by Theresa J. May and Megan Denman, composed by Shanyse Strickland. Additional performance credits listed at link. Link: https://www.youtube.com/watch?v=1luwWjOISvQ

Theresa’s website

Theresa’s Facebook and Instagram

Youtube video of Theresa’s Afrofuturism project

Accompanying context on Afrofuturism project

Gabriel's Horns performs at Trinity Cathedral (Cleveland, 2021)

Cleveland.com article about Gabriel's Horns and the Salvation Army

Gabriel’s Horns Facebook page

In Episode 49, Lisa interviews Jason Patrick Meyers, Cleveland-based singer-songwriter, music liaison to Cleveland’s Brite Winter Festival and radio host of NEORocks on WJCU 88.7 FM. Jason shares stories of key musical places in his artistry, from stage to hospital to festival to radio. We also explore ways to be engaged in music that go beyond the expected. Season 7 co-host George Blake extends the reflections with context on musical places such as the Grog Shop and the Beachland Ballroom. Together we discuss the power of music-evoked autobiographical memories.

Jason’s Website

YouTube video of Jason’s song NICU (And I See You)

Brite Winter Festival - February 21, 2026

Roots of American Music - Cleveland

Jakubowski & Ghosh (2021) article “Music-Evoked Autobiographical Memories in Everyday Life”

Joining Lisa this week is Talise Campbell, Associate Professor of Music at Oberlin College & Conservatory and Executive Founding Artistic Director and Choreographer of Djapo Cultural Arts Institute. Djapo Cultural Arts Institute is a professional performing arts company specializing in the preservation and understanding of African diasporic works through performances, school assemblies, residencies, and workshops. In today’s episode, Talise reflects on the theme of musical place through her artistic work as a dancer, choreographer, teacher, and leader. Season 7 co-host George Blake provides context on musical influences and places Talise describes. He also connects Talises’s insights about the importance of broadening children’s and family’s musical exposure to the ideas of musical hopes and dreams in parenting musically.

Mid-episode music credit: “Sandia: Of the Blood” performance, created by Talise Campbell and Weedie Braimah, performed by Djapo Cultural Arts Institute Company. Recorded by Ideastream Public Media. Link: https://www.youtube.com/watch?v=mzU5xEstS60

Episode 48 Shownotes

Djapo Cultural Arts Institute website

Youtube, “How dances are created at Cleveland’s Djapo Cultural Arts Institute to honor West Africa”

Youtube, Talise Campbell - "Talent is nothing without character"

Karamu House Archives housed @ CWRU

The Cultural Arts Center @ Disciples Christian Church (Cleveland Heights)

In Episode 47, Lisa is joined by Beata Begeniova-Fedoriouk and Alexander Fedoriouk. They are two members of the ensemble Harmonia, which is a Cleveland-based ensemble presenting Eastern European folk music through concerts, festivals, workshops, media appearances, and recordings. Beata is the vocalist of the group and Alexander specializes in the cimbalom. In their interview, Beata and Alexander speak about the people and places central to their artistic journeys as well as reflecting on the role of musical place in their performances today. Season 7 co-host George Blake discusses the power of musical connection and provides further context on some of the instruments featured in the ensemble Harmonia..

Harmonia’s website

Youtube video featuring Alexander Fedoriouk on cimbalom

Youtube video featuring Beata Fedoriouk’s vocals

Harmonia recordings

Harmonia Facebook page

In Episode 46, Lisa interviews Mari Sato, a Cleveland-based violinist who has enjoyed a rich and varied career as a solo, orchestra and chamber musician. Mari shares her reflections on the role of musical place in her career as well as thoughts on how being a professional musician influenced her parenting. In the second half of the episode, Season 7 co-host George Blake sets the stage for our exploration of musical place this season. He also provides further context on composer John Luther Adams and his work with musical place.

YouTube video of performance of John Luther Adams’s work “The Wind in High Places”- No Exit New Music Ensemble String Quartet with special guest Mari Sato

YouTube video of performance of Margaret Brouwer’s work “All Lines Are Still Busy” for solo violin and narrator

Join us for a Bonus Episode with singer/songwriter Garreson! Garreson shares reflections on the role of songwriting in his musical and personal journey, along with the profound impact of caring adults on a child’s creative development. We also celebrate Garreson’s brand new album, Monte. Katurah Christenury, senior lecturer of music therapy in the Hayes School of Music at Appalachian State University, responds by connecting Garreson’s perspectives on songwriting to her clinical work and research on the role of songwriting in music therapy with children and adolescents.

Spotify link to stream Garreson’s music

Garreson’s Youtube channel

Garreson’s website

Katurah Christenbury’s research

American Music Therapy Association

Songwriting apps and sites: Garage Band, Groove Pad, Chrome Music Lab, Groove Pizza, Spectrogram, etc

Announcing Season Seven of Parenting Musically! Parenting Musically is supported by Case Western Reserve University. Season seven is co-hosted by Dr. Lisa Huisman Koops and Dr. George Blake, faculty members at Case Western Reserve University.