In this episode, editor-in-chief Arielle Angel speaks with filmmaker Sarah Friedland and feminist scholar and activist Lynne Segal about aging through a feminist lens, on the occasion of the digital release of Friedland’s award-winning film Familiar Touch. The film follows cookbook author Ruth Goldman (Kathleen Chalfant) as she transitions to a memory care unit in an assisted living facility and struggles with a shifting sense of self and a different relationship to dependence and care.

Friedland was inspired to tell this story by watching the fiercely independent women in her grandmother’s Jewish Communist milieu as they aged, as well as by Segal’s book Out of Time: The Pleasures and Perils of Ageing—particularly its description of how aging renders the elder at once “all ages and no age,” and capable of experiencing time in less linear ways. Angel, Friedland, and Segal discuss what it would mean to embrace, rather than fear, the experience of aging; to center a politics of care and interdependence over a neoliberal idea of self-sufficiency; and to allow for elder desire.

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

Media Mentioned and Further Reading

Out of Time: The Pleasures and Perils of Ageing by Lynne Segal

Lean on Me: A Politics of Radical Care by Lynne Segal

The Care Manifesto: The Politics of Interdependence by The Care Collective

“How the 'One Big Beautiful Bill' Impacts Older Adults,” AARP

The Moosewood Cookbook by Mollie Katzen

Sarah Friedland’s speech about Gaza at the Venice Film Festival

“Why We, 18 Elder Jewish Women, Chained Ourselves to the White House,” Jewish Voice for Peace

“Exodus From Now,” Arielle Angel, Jewish Currents

Transcript forthcoming.

In this episode, editor-at-large Peter Beinart speaks to children’s television star Rachel Griffin Accurso, better known to her fans as Ms. Rachel, about her advocacy for Palestinian children in Gaza, tens of thousands of whom have been maimed or killed by Israel over the last 22 months, with many more enduring a relentless campaign of starvation. Ms. Rachel, who has been called this generation’s Mister Rogers, began speaking out in May 2024, when she participated in a Save the Children fundraiser for kids in conflict zones, including Gaza. The backlash from the pro-Israel camp was so pronounced that Ms. Rachel soon posted a teary video discussing the bullying she was facing. The Zionist backlash has continued, with the doxxing outfit Stop Antisemitism formally requesting in April that the Department of Justice investigate Ms. Rachel to determine if she was “being remunerated to disseminate Hamas-aligned propaganda to her millions of followers.” But Ms. Rachel has not stopped insisting that Palestinian children, like all children, deserve safety and care. In May, she invited a three-year-old double amputee from Gaza named Rahaf onto her show. Beinart spoke to Ms. Rachel about her advocacy for Palestinian children and the pro-Israel backlash, the role faith and prayer have played in her decision to speak out, and why more celebrities haven’t followed suit.

This conversation first appeared on The Beinart Notebook on Substack.

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

Media Mentioned and Further Reading

“Pro-Israel group asks DoJ to investigate Ms. Rachel over posts on Gaza children,” Joseph Gedeon, The Guardian

“Ms. Rachel’s emotional plea for the lives of Palestinian children,” Christiane Amanpour, CNN

Ms. Rachel’s fundraising page at the Palestine Children’s Relief Fund

“A year of tears: 12 months of war on children,” UNICEF Report

Transcript forthcoming.

In 2020, Jewish Currents editor-in-chief Arielle Angel and University of Washington professor of Sephardic studies Devin Naar, both descendants of Ladino speakers from Salonica (Thessaloniki) in Greece, had a conversation about what meaningful Sephardic representation might look like in the wake of near-total erasure. In this week’s episode, Angel and Naar join community leader and singer of Arab Jewish music Laura Elkeslassy and professor of Hebrew literature and Mizrahi studies Oren Yirmiya to deepen the discussion about Sephardi and Mizrahi reclamation work. What are the practical entry points to this identity today? What is the use of catchall caucuses that bring together Sephardi and Mizrahi Jews from many different countries and linguistic lineages, and does this identity have to homogenize in order to survive? What does it mean to do this work amid the genocide in Gaza? And how do we make sure reclamation work is not only backward-looking, but responsive to the present?

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

Media Mentioned and Further Reading

“Are We Post-Sepharadim?,” Arielle Angel in conversation with Devin Naar, Jewish Currents

Ya Ghorbati: Divas in Exile by Laura Elkeslassy, live in concert and the artist’s reflections in Ayin on the songs she performs

Shirei Yedidut, book of Moroccan piyyutim and bakashot

Translations of the writings of Hayyim Ben-Kiki by Moshe Behar and Zvi Ben-Dor Benite in Modern Middle Eastern Jewish Thought: Writings on Identity, Politics, and Culture 1893–1958

“Before the Law,” Franz Kafka

“Going Out on a Limb: Joha,” Jane Mushabac

The story about Djohá and the land can be found in Bewitched by Soli­ka and Oth­er Judeo-Span­ish Tales by François Azar.

Devin Naar discusses Djohá in his introduction to the Moabet column in Ayin.

Transcript forthcoming.