New Books in Sociology

De: New Books Network
Escúchala gratis

  • Resumen

  • Interviews with Sociologists about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
    New Books Network
    Más Menos
Ciencia Ciencias Sociales
Más Menos
Episodios
  • The Vote Gap: What’s Pulling Young Men and Women Apart?

    The Vote Gap: What’s Pulling Young Men and Women Apart?
    Apr 28 2025
    Why are young men leaning right while young women shift left? Hosts Nina dos Santos and Owen Bennett-Jones speak with NYU’s Scott Galloway, political analyst Sophie Stowers, and commentator Oliver Dean to explore the forces behind this growing divide. Whether it’s a broken social contract where young people no longer believe they will lead better, more prosperous lives than their parents or the work of algorithms that feed off rage and division, the implications are profound. This podcast was recorded live at NYU London, in front of an audience of students who are part of a generation searching for increasingly radical solutions to fix society. Guests Scott Galloway is a Professor of Marketing at NYU Stern School of Business where he teaches Brand Strategy and Digital Marketing to second-year MBA students. He is also a Bestselling author, professor and entrepreneur. Sophie Stowers - A Research Associate at UK in a Changing Europe. Her background is in British and European politics, and her research focuses on UK-EU relations, British politics and parties, and public opinion. She previously worked as a Parliamentary Assistant. Oliver Dean a political commentator with Young Voices UK. He studies History and Politics at the London School of Economics and Political Science where he is the Treasurer of the LSE Hayek Society. Producer: Pearse Lynch Executive Producer: Lucinda Knight Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
    Más Menos
    56 m
  • Television, Translation, and Algorithms on Netflix

    Television, Translation, and Algorithms on Netflix
    Apr 28 2025
    How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix’s original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen’s University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
    Más Menos
    56 m
  • Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)

    Randy Laist and Brian Dixon, "Figures of Freedom: Representations of Agency in a Time of Crisis" (Fourth Horseman, 2024)
    Apr 27 2025
    Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker’s conception in her 2022 book), or masculinized (Linda Zerilli’s idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner’s television series Mad Men, Don DeLillo’s Zero K, Jonathan Franzen’s Freedom, Ta-Nehisi Coate’s Between the World and Me, Colson Whitehead’s Underground Railroad, Pixar’s Toy Story films, Sam Esmail’s television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
    Más Menos
    50 m
adbl_web_global_use_to_activate_webcro768_stickypopup

Lo que los oyentes dicen sobre New Books in Sociology

Calificaciones medias de los clientes
Total
  • 4 out of 5 stars
  • 5 estrellas
    0
  • 4 estrellas
    1
  • 3 estrellas
    0
  • 2 estrellas
    0
  • 1 estrella
    0
Ejecución
  • 3 out of 5 stars
  • 5 estrellas
    0
  • 4 estrellas
    0
  • 3 estrellas
    1
  • 2 estrellas
    0
  • 1 estrella
    0
Historia
  • 5 out of 5 stars
  • 5 estrellas
    1
  • 4 estrellas
    0
  • 3 estrellas
    0
  • 2 estrellas
    0
  • 1 estrella
    0

Reseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.

Reseñas de Audible.com

Opiniones de Amazon
No hay comentarios disponibles