Episodios

  • Eleanor Paynter, "Emergency in Transit: Witnessing Migration in the Colonial Present" (U California Press, 2024)

    Eleanor Paynter, "Emergency in Transit: Witnessing Migration in the Colonial Present" (U California Press, 2024)
    Apr 26 2025
    Emergency in Transit: Witnessing Migration in the Colonial Present (University of California Press, 2024) by Dr. Eleanor Paynter responds to the crisis framings that dominate migration debates in the global north. This capacious, interdisciplinary open-access study reformulates Europe's so-called "migrant crisis" from a sudden disaster to a site of contested witnessing, where competing narratives threaten, uphold, or reimagine migrant rights. Focusing on Italy, a crucial port of arrival, Dr. Paynter draws together testimonials from ethnographic research—alongside literature, film, and visual art—to interrogate the colonial, racial logics that inform emergency responses to migration. She also examines the media, discourses, policies, and practices that shape lived experiences of migration well beyond international borders. Centering the witnessing of Black Africans in Italy, Emergency in Transit reveals how this emergency apparatus operates and posits a vision of mobility that refutes the notions of crisis so often imposed on those who cross the Mediterranean Sea. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    55 m
  • Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)

    Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)
    Apr 21 2025
    In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo’s caption, referencing the couple’s trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America’s sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States’ entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood’s silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini’s, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women’s suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini’s study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    1 h y 1 m
  • Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)

    Fernanda Gallo, "Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900" (Cambridge UP, 2024)
    Apr 20 2025
    Political Theorist Fernanda Gallo (Homerton College, University of Cambridge) has a fascinating new book, Hegel and Italian Political Thought: The Practice of Ideas, 1832-1900 (Cambridge UP, 2024), about how Georg Hegel’s philosophical thought made its way to Italy and how it was integrated into the various schools of thought within Italy. This is a fascinating exploration of the history of ideas, especially more recent thinking, tracing not only the ideas themselves, but the ways in which they were adapted by different theorists and cultural approaches. Gallo provides the reader with deep historical insights alongside the explication of complex theoretical understandings, noting how ideas travel across language, time, geography, and cultures. Gallo’s project here is to weave together history, politics, and ideas more fully to understand ideas in different spaces, providing a transnational perspective of Hegel’s thinking and how it evolved in other places, with other thinkers. Italy often finds itself the “forgotten stepchild” in political theory, even though it sits at the intersection of the global North and South, as well as the global East and global West, where ideas from different parts of the world intertwine with each other. The physical space where Italy is located provides this connectivity not only between geographical regions and ideas, but it is also where goods are exchanged alongside intellectual ideas. One of the key lines of interrogation in Hegel and Italian Political Thought is how Hegelian ideas were put into practice in different parts of Italy and what those ideas looked like in practice. For Italy, given the regional distinctions and the seven different states within the peninsula in the early 1800s, Hegel’s ideas contributed to a variety of paths towards nation and state building. Gallo examines the ways in which many of the Italian intellectuals during this period were also politicians involved in their respective states, and many of them looked towards Hegel’s considerations, mixing them with Italian culture, to rethink how Italy should be structured to function as a modern nation-state, or an array of states within the nation. Gallo and I have a great conversation about the interweaving of Hegel with Italian political thought. We also discuss the rise of the mafia in southern Italy during this period, and how this is connected to these broader ideas of the state’s monopoly on violence, issues of freedom and liberty, and how power and power vacuums contribute to the form of the state. This is a lively discussion of the history of ideas, the particular dimensions of Italy and Italian political thought and praxis, Hegel’s concepts that apply to the state, and what we can learn from how all of these components were woven together during the 19th century in the Mediterranean. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or find her at Bluesky @gorenlj.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    48 m
  • Andrew Wallace-Hadrill, "The Idea of the City in Late Antiquity: A Study in Resilience" (Cambridge UP, 2025)

    Andrew Wallace-Hadrill, "The Idea of the City in Late Antiquity: A Study in Resilience" (Cambridge UP, 2025)
    Apr 16 2025
    The city was one of the central and defining features of the world of the Greek and Roman Mediterranean. Challenging the idea that the ancient city 'declined and fell', Andrew Wallace-Hadrill argues that memories of the past enabled cities to adapt and remain relevant in the changing post-Roman world. In the new kingdoms in Italy, France and Spain cities remained a key part of the structure of control, while to contemporary authors, such as Cassiodorus in Ostrogothic Italy, Gregory of Tours in Merovingian Gaul, and Isidore in Visigothic Spain, they remained as crucial as in antiquity. The archaeological evidence of New Cities founded in this period, from Constantinople to Reccopolis in Spain, also shows the deep influence of past models. The Idea of the City in Late Antiquity: A Study in Resilience (Cambridge UP, 2025) reveals the adaptability of cities and the endurance of the Greek and Roman world. Sheds fresh light on one of the most important social and cultural developments in the transition from classical antiquity to the world of the Middle Ages Explores developments through the eyes of contemporary writers and documents as well as the archaeological record Of interest to all those concerned with how cities can adapt in a radically changing world ANDREW WALLACE-HADRILL is Emeritus Professor in the Faculty of Classics at the University of Cambridge and an Emeritus Fellow of Sidney Sussex College. He is a Roman cultural historian and his books include Suetonius: The Scholar and His Caesars (1983), Augustan Rome (1993), Houses and Society in Pompeii and Herculaneum (1994), Rome's Cultural Revolution (Cambridge, 2008) and Herculaneum: Past and Future (2011). Former Director of the British School at Rome, he has directed archaeological projects at Pompeii and Herculaneum. This book is the result of his project on the Impact of the Ancient City, which received funding from the European Research Council. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    1 h y 15 m
  • Enrico Fink, ed., "Shirat Hayam: The Song of the Sea" (Centro Primo Levi, 2023)

    Enrico Fink, ed., "Shirat Hayam: The Song of the Sea" (Centro Primo Levi, 2023)
    Apr 10 2025
    Curated by Enrico Fink, Shirat Hayam: The Song of the Sea (Centro Primo Levi, 2023) inaugurates the Erna Finci Viterbi Chàzanut Roundtable, a workshop and program series on Italian Jewish music and liturgy established by Centro Primo Levi in memory of a dear friend and board member whose love for tradition and dedication to learning have profoundly contributed to shape the center’s principles. This project aims at facilitating new recordings of Italian and Mediterranean cantorial music and circulating the existing ones. Publications, recordings and essays collected for this program are available through the Online Thesaurus of Italian Jewish Music (www.jewishitalianmusic.org) designed to provide tools to those interested in learning, practicing or simply enjoying this art, including scholars, musicians, cantors and bar/bat-mitzvà students wishing to include some of this beautiful music in their liturgical repertoire. The Thesaurus was created by Centro Leo Levi in collaboration with Centro Primo Levi, and the generous contribution of the Viterbi family of San Diego. It is being developed in collaboration with the Jewish Music Research Center of the University of Jerusalem and in partnership with the National Library of Israel, CDEC, and the Fondazione Beni Culturali Ebraici Italiani. Sharing and participating were among Erna’s most cherished values and she regarded them as an indispensable foundation of human relations and endeavors. For centuries, partaking in the communal prayer through the knowledge of its musical canons and variations has been an essential component of Jewish life. The repertoires that flourished in small communities throughout the Mediterranean reflect trade, travels and exchanges and resulted in a tapestry of sounds that, still preserved within local communities, can become an inspiration outside of their native environment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    1 h y 10 m
  • Stephen J. Campbell, "Leonardo da Vinci: An Untraceable Life" (Princeton UP, 2025)

    Stephen J. Campbell, "Leonardo da Vinci: An Untraceable Life" (Princeton UP, 2025)
    Apr 9 2025
    Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, in Leonardo da Vinci: An Untraceable Life (Princeton University Press, 2025) Dr. Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value. In this original and provocative book, Dr. Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Dr. Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    47 m
  • Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications, 2025)

    Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications, 2025)
    Apr 8 2025
    Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions. This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    47 m
  • Roland Mayer, "The Ruins of Rome: A Cultural History" (Cambridge UP, 2025)

    Roland Mayer, "The Ruins of Rome: A Cultural History" (Cambridge UP, 2025)
    Apr 7 2025
    The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal. Roland Mayer's The Ruins of Rome: A Cultural History (Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment. ROLAND MAYER is Emeritus Professor of Classics at King's College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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    1 h y 17 m
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