Episodios

  • Disco's "Latin Tinge"

    Disco's "Latin Tinge"
    Aug 19 2025
    In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 h y 1 m
  • Manuel Barcia, "The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade" (Yale UP, 2020)

    Manuel Barcia, "The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade" (Yale UP, 2020)
    Aug 9 2025
    As we now know, epidemics and pandemics are not new phenomena. In her new book The Yellow Demon of Fever: Fighting Disease in the 19th-Century Transatlantic Slave Trade (Yale University Press, 2020), Manuel Barcia offers a striking rendition of the diseases that swept through the illegal slave trade Atlantic World. In fact, Barcia argues that the history of disease and the story of continuing traffic in enslaved people despite the abolition of the slave trade are processes that must be understood together. Barcia demonstrates that in the 19th century Atlantic, quarantines were politicized, sworn enemies were forced to work together to combat disease, and the medical expertise of enslaved people often prevailed despite efforts to silence or ignore it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    49 m
  • César Brioso, "Last Seasons in Havana: The Castro Revolution and the End of Professional Baseball In Cuba" (U Nebraska Press, 2019)

    César Brioso, "Last Seasons in Havana: The Castro Revolution and the End of Professional Baseball In Cuba" (U Nebraska Press, 2019)
    Aug 4 2025
    Today we are joined by César Brioso, author of the book Last Seasons in Havana: The Castro Revolution and the End of Professional Baseball In Cuba (University of Nebraska Press, 2019). Blending the love for baseball fans in Cuba had during the 1950s with the political upheaval that led to Fidel Castro’s rise to power in 1959, Brioso weaves a fascinating tale. Brioso focuses on the last two seasons of the Havana Sugar Kings of the International League (1958-1959) and the last three seasons of the Cuban League (1958-1961). In the 1950s, Havana was a city teeming with rabid baseball fans, swanky hotels, luxurious casinos, and warm, tropical weather. Influential baseball men in Cuba like Bobby Maduro believed Havana was on the short list to earn a major league franchise when baseball expanded. But what happened politically signaled the death knell for those dreams. Castro may have been a big sports fan, but political events in Cuba would take “a sinister turn” as he and the Communists in his regime tightened their grip on the Caribbean island. Brioso’s extensive research, plus more than 20 interviews with former players, Maduro’s son, and even a man who spent a year as the batboy for the transplanted Sugar Kings in Jersey City, New Jersey, gives the reader a unique perspective about Cuba. Former major leaguers interviewed included Orlando Peña, Pedro Ramos, Cookie Rojas and Luis Tiant. Bob D’Angelo was a sports journalist and sports copy editor for more than three decades and is currently a digital national content editor for Cox Media Group. He received his master’s degree in history from Southern New Hampshire University in May 2018. He is the author of Never Fear: The Life & Times of Forest K. Ferguson Jr. (2015), reviews books on his blog, Bob D’Angelo’s Books & Blogs, and has reviewed books for Sport In American History. Can be reached at bdangelo57@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    43 m
  • Dan-el Padilla Peralta, "Classicism and Other Phobias" (Princeton UP, 2025)

    Dan-el Padilla Peralta, "Classicism and Other Phobias" (Princeton UP, 2025)
    Jul 30 2025
    Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people. Dan-el Padilla Peralta is professor of classics at Princeton University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    51 m
  • Phil Tiemeyer, "Women and the Jet Age: A Global History of Aviation and Flight Attendants" (Cornell UP, 2025)

    Phil Tiemeyer, "Women and the Jet Age: A Global History of Aviation and Flight Attendants" (Cornell UP, 2025)
    Jul 11 2025
    Women and the Jet Age: A Global History of Aviation and Flight Attendants (Cornell University Press, 2025) is a global history of postwar aviation that examines how states nurtured airlines for competing political and economic goals during the Cold War. While previous histories almost exclusively stress US and Western European aviation progress, Dr. Phil Tiemeyer examines how smaller, poorer states in socialist Eastern Europe and in the postcolonial Global South utilized airlines of their own to forge rival pathways to modernization. Part of this modernization involved norms for working women. Stewardesses at airlines around the globe encountered novel threats to their dignity as the Jet Age approached. By the late 1960s, stewardesses endured harsh objectification: High hemlines, tight uniforms, and raunchy marketing were touted as modern and liberated. These women, whether from the West, East, or South, forged their own pathways to achieve greater dignity at work. In Women and the Jet Age, Dr. Tiemeyer's global account of the rise of air travel and of early feminist strivings among stewardesses is one of the first histories to place such developments—political, economic, and feminist—in dialogue with each other. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    52 m
  • Paul R. Beckett, "An Anatomy of Tax Havens: Europe, the Caribbean and the United States of America" (de Gruyter, 2023)

    Paul R. Beckett, "An Anatomy of Tax Havens: Europe, the Caribbean and the United States of America" (de Gruyter, 2023)
    Jun 30 2025
    Tax havens in offshore lands like Switzerland, the Cayman Islands and the Bahamas were once considered a rarity, the preserve of the super-rich. Today, they are big business available to the masses. Their goal? To avoid any form of accountability. Own nothing. Possess everything. Be answerable to no one. Where are these tax havens? What forms can they take? What future lies in store for them, and why should we care? An Anatomy of Tax Havens: Europe, the Caribbean and the United States of America (de Gruyter, 2023) answers these questions, and more, in the first comparative study in one volume of European, Caribbean and United States tax havens. It examines their simple origin to the extreme forms some take today, delving into the murky subculture that has deliberately made them impenetrably obscure. Uniquely, it combines detailed technical expertise (regulatory regimes, financial crime, legal and equitable structuring) with an analysis of their impact on domestic and global political, economic, environmental and social concerns. An Anatomy of Tax Havens is a fascinating, informative read for a broad readership; from legal, accountancy and tax practitioners to compliance regulators, law enforcement agencies, and students and researchers interested in business studies, taxation, and crime. Paul R. Beckett is a Lawyer and Academic, specializing in company, commercial and trust law; banking and fund management; cryptocurrencies and the blockchain. He practices on the Isle of Man. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 h
  • Maya J. Berry, "Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons" (Duke UP, 2025)

    Maya J. Berry, "Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons" (Duke UP, 2025)
    Jun 25 2025
    In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry’s feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    1 h y 25 m
  • Ana Hebra Flaster, "Property of the Revolution: From a Cuban Barrio to a New Hampshire Mill Town" (She Writes Press, 2025)

    Ana Hebra Flaster, "Property of the Revolution: From a Cuban Barrio to a New Hampshire Mill Town" (She Writes Press, 2025)
    Jun 16 2025
    Ana Hebra Flaster was six years old when her working-class family was kicked out of their Havana barrio for opposing communism. Once devoted revolutionaries themselves but disillusioned by the Castro government’s repressive tactics, they fled to the US. The permanent losses they suffered—of home, country, and loved ones, all within forty-eight hours—haunted her multigenerational family as they reclaimed their lives and freedom in 1967 New Hampshire. There, they fed each other stories of their scrappy barrio—some of which Hebra Flaster has shared on All Things Considered—to resurrect their lost world and fortify themselves for a daunting task: building a new life in a foreign land.Weaving pivotal events in Cuba–US history with her viejos’—elders’—stories of surviving political upheaval, impossible choices, and “refugeedom,” Property of the Revolution: From a Cuban Barrio to a New Hampshire Mill Town (She Writes Press, 2025) celebrates the indomitable spirit and wisdom of the women warriors who led the family out of Cuba, shaped its rebirth as Cuban Americans, and helped Ana grow up hopeful, future-facing—American. But what happens when deeply buried childhood memories resurface, demanding an adult’s reckoning?Here’s how the fiercest love, the most stubborn will, and the power of family put nine new Americans back on their feet. Ana Hebra Flaster has written about Cuba and the Cuban American experience for national print and online media including The Washington Post, The Wall Street Journal, The New York Times, and the Boston Globe. Her commentaries and storytelling have aired on NPR and PBS’s Stories from the Stage. Ana writes about the ongoing struggle for freedom and human rights in Cuba in her popular Substack, CubaCurious. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
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    59 m