In this episode of Narrative Now we speak to Nikki Hennigham and Wajeehah Aayeshah about the ethical aspects and challenges of telling stories that are silenced, traumatic, or socially taboo. The discussion takes its starting point in Nikki and Wajeehah’s respective chapters in our recent book, Narrative Research Now but also goes beyond these chapters to touch on broader aspects that unite their two chapters. One thorny topic is ownership – who can tell whose stories – while another is the temporality of such stories, that is, are stories untellable for eternity or how do changing contexts also change how stories are viewed.

For this episode we speak to Tara Poole, Coordinator of Creative City Ballarat, and Trevor Coad, a project collaborator and survivor, from the Continuous Voices project. Framed as a project that connects trauma and creativity to stand for change and resistance against sexual assault and sexual abuse, Continuous Voices will result in a co-designed memorial to survivors of sexual abuse in the city of Ballarat. The project was unique in its long development time-frame and collaborative, art-based workshops bringing together council, artists, and survivors. We discussed creative collaboration, trauma-informed storytelling, and place-based narratives.

In this episode we speak to Dr Tyne Daile Sumner, a literary scholar at the Australian National University. Tyne is currently conducting an ARC-DECRA project called ‘Beyond Big Brother: New Narratives for Understanding Surveillance’ where she looks at how new forms of digital surveillance are represented in literature. We spoke to Tyne to hear more about this project and find out how classic literary narratives - such as George Orwell's 1984 - and new surveillance novels alert us to trends in the present and help us imagine the future