NEUROCINEMATIC EXPLORATIONS: Cinema creators in the act of creation.

Finnish film director Pia Tikka began studying the psychology and later the neuroscience of film making 25 years ago and is currently studying the experience and process of cinematographers and film editors.she talks about how writings of Soviet film maker and theorist Sergei Eisenstein has been particularly influential, particularly following his later interactions with neuropsychologist Luria, Gestalt psychologists and developmental psychologist Vigotsky. Pia talks about her concept of 'enactive cinema' and describes her current five year project studying cinematographers and film editors using microphenomenological and other methods. We also talk about the importance of narrative and the way stories work on us. After the main podcast I asked pia to talk about a contemporary multimedia art project invovling multi screen projection modified by psychophysical readings taken from the viewer, followed by a little more discussion of Eisenstein so stay listening for that...

Participants:

Pia Tikka, Research Professor, CINEMATIC MINDS, Baltic Film, Media, Arts and Communication School (BFM)

Centre of Excellence in Media Innovation and Digital Culture (MEDIT) Tallinn University, Estonia.

Ken Barrett, visual artist, writer and retired neuropsychiatrist: http://www.kenbarrettstudio.co.uk

To learn more about microphenomenolgy: https://www.microphenomenology.com/home

Opening and closing music: Prelude to the opera Brainland, composed by Stephen Brown.

Brainland the opera website: www.brainlandtheopera.co.uk

Sketch by KB.

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