| L E G E N D S: ICONS. | Podcast Por Three Initiates arte de portada

| L E G E N D S: ICONS. |

| L E G E N D S: ICONS. |

De: Three Initiates
Escúchala gratis

Obtén 3 meses por US$0.99 al mes

The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.

The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.

Thank you graciously for your time, consideration, understanding, and support. ^.^

To Donate Please Visit,please visit gofundme.com/thecomplexcolletive

TRIGGER WARNING!

⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️

This series contains adult content not suitable for children or under the legal age of majority.

Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.

The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.

The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.

All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.

The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.

[The Festival Project ™]

The Complex Collective ©

{Enter The Multiverse}

Copyright 2025 by Three Initiates
Episodios
  • [TJ Maxx.]
    Dec 6 2025
    JIMMY KIMMEL takes a long horn of a mysterious white substance up his nose. JIMMY KIMMEL You're right. That is good cocaine. Like really good. —only the best! JIMMY KIMMEL I'm going to bed now What?! JIMMY KIMMEL I've got to go to sleep. Are you serious?! JIMMY KIMMEL Very serious. You know. Mucho tired. Now excuse me. I don't understand. JIMMY KIMMEL passes out face down on the couch. {Enter The Multiverse} Lil bitz The jonas borthers made a christmas movie and at first I wasn't sure why, But then I thought about it harder, I was like “jonas brothers… Christmas…?” Oh, i get it– Like, “Ho, Ho, Ho!” …cause there's three of them. L. JONES DUM-DUM! YA LOOK RATCHET. BLŪ Omg why r u 18 feet tall. L. JONES YA LOOK CRUSTY. BLŪ I am crusty. L. JONES YA LOOK LOST. BLŨ. I am lost! L. JONES WHY I AINT GET MY WISH YET? HUH?! I'm not being Blū Tha Gürū right now. I'm just— [almost hit by a bus] L. JONES you simple bitch. BLŨ —blū. L. JONES What the hell that supposed to mean? BLŪ You came all the way to the lower realms just to be that tall. —Nah! Look, this is difficult. Can we just MERGE? BLŪ Nah uh— I already merged with— L. JONES Uhh-huh! —enough of you! Enough of you —“alumni” Enough of you already! Just. {Enter The Multiverse} Alright. We merged. Now where we at? I don't even know. Simple bitch. Molly with the suede suit, Black shirt Tan boots, Truth, King, Speak words— Design: leave earth Three times, I need Meanwhile, Three hursts, Three tries, The bullet doesn't miss twice, He hurts. Please, rehearse Get back in the beer bandit Here, bandit! (Hound dog) Heavy job, son— Him and all birds, All God, That's a strong heart— Let it blow out. Candle dust? Here and there. Set the box? Theatre office. Want a crumb? Want a whole number on a warred bat? This dimension's all that; This dimension's all that and then some! Clear to the agenda and a brick wall— I'll probably cut my head off I'll probably cut my head off— Before I cut my hair off; Lead ball? Medicine. Ten tall messages and massive planted evidence. Ten all autographs and all the fumbled balls caught; Penned down hens and reprimanded feeble horseradish, Course, cough, hold it back a second if you're strong, though— Sure, cross your heart inside of Molly in the bottle, I put the message down the river just a bit, But just a bit— But just a second, for the kids; The syndicate is dead, infact. I'm stuck inside your head, in fact— The President misread, in fact, The fractal our eyes mattered, Tip a hat to Mr. Random, On appealed ball fields, Diplomat and moral conduct, Struck before the clock forgot construct itself, Around and about, For here and for now, our— Missing hatred for negating, nothing said I And bitter here bats, and slaughtered hear hearts, For the never late the daughters eyes, For turning over Lilly leaves and parceled tongues, And tisk for tat, there were upon the Ace, her hands And slain in ink for our might. Therefore, to say, he hated her, Bearing him none and down the arm would flow the anchor, gallantly— Whispering cheery cherry blossoms in the hour I, For their time stands to nothing, Stands to none at all but thought forgotten Here for are, I And bare to one the number, Won the fight and mastered in the mortar, All the ashes flames and flit and flicker, tith the half, I, And fully weighed the anchor this and hither bate of fount, aye. And thou art my God; To stand and know and wither here under yet; brings us though nothing but thousand years longer, And nothing this time has yet passed us in all knowing, not keeping but feeling not seeking the band her; This waits you and I forage keep the heaping wate and grip that have I for your fortune, meadow tatter art, And ye, Ye shall not find me. Now I go. What?! She said she's leaving. IKNOWTHAT, L E G E N D S Red is the ram, Goes hard on the court; Ramshakle! Ramshakle! Full on the course; Coarse is the red jackal, Red suit and tie; Red is the sea, If you're willing to die, And I'd part it for neither and none, So come one and come all To the unknown dungeon, Of full feathered flowers. This thing is just festering— I've got to pop it. Not yet. I told you, there in his pocket— An advocate of the well known not-God, Sure was Chaos the done and the forest, Dark shadow! Dark shadow, Willing and honored. Forgiving and honest, brotherhoods— But who art thou? Keeping your tied and your triads as morals; Sacred for neither and loyal to none are, And art in her folds, so as one, We become our. Hours and ions and // Glitches// And circuit, Missed calls and mystics// [Intercepted] Hollow and all words And all worlds have gathered Beyond all our knowledge The all known has shattered. So sits beyond ...
    Más Menos
    1 h y 5 m
  • What Up Wednesday (“What Up” w-Ū.)
    Dec 4 2025
    Who left a whole box of corn flakes In a locker At the Equinox On Wall Street? I told you go to the one at The Rock. I told you, I'm not going on that block, like at all. {Enter The Multiverse} That's just my Karma, Ms. Nancy; I did a whole lot than just Thought about it More edits, More recognition that I—l couldn't stand it; The planet just seems to get smaller and smaller With less and less plants in it; I have your pants on, But shoes didn't fit I wrote a whole book and resenting But still not the movies, I meant it. Damn. She's just so much better than I am Head in a frying pan on high beforehand, And however damaged, It felt bad I know what I did I felt that Camera Obscura, for sure, you know But disconnect, Swallow badders, wha— t?! Get my peanut butter up; Why! I'm a circus monkey; Damn. I got karma faster Than I should have known I lost episodes And threw away the whole entire show I went running long And then I threw up on the subway I only like the one Sublime album (The one with wrong way.) You know? Cuh' I went the wrong way I fucked up on all my dollars I got karma back hard, yah Got a poem or prose or song on ol' Ms. Molly, too, (or two) I fall in love inside the tube, Truth is, though Teletubbies and teleportation Ain't so far off from where I come from Problem is, Opporsite world, I'm the story of the whole show; For sure dawg. —a situational Thought process. When the crack finally kicks in, Astounding the loss of my confidence I've gotten lost in a toxic land I got syndrome “talk to much” Not on the spectrum, nor diagnosable X's and O's on the tic tac toe board, Just an underhanded “I told you so” All the rockstars want —Subtle thoughts of suicide as the train approaches? Nah, Models and the other types of girls That never work at all, They just born at it. I got bored with it, But not the fourth one, Cross my first amendment, On my heart like catholic More like Bart Simpsons, Like art magic Cause I won't watch that show But love Matt Groening— Maybe I'm the type that just Love hating But hate loving with No way to I don't hate you; Yeah you're right, I'm off Take two. ((Good Luck Riding The J Home.)) Not a gym run, a different kind of cause, I guess I got so many plausible options, I guess I should call on one of them, Toss a number up, struck the dog on mathematics I can't let my lantern out of gas, We're not friends, are we? What a fiend! Are you offended? I just want to see my dreams relayed to me— Is that too much to ask? So I'm the asshole. What did I pack a bag for?! Picnic baskets. What did I leave this curse for? Nothing, Thanks for asking, Nance. I put a pilot on the presence of a whole color— phenomenon. I swallowed all my pride and presence just for an automaton. This automation algorithm— is it? Doesn't make a difference. I spilled blood inside my kitchen, Put deposits on a flicker, Tricked the treasure at a phantom, Phantom I want more but swallowed all my high pulp orange juice on knowledge of the only one; There's only God, There's only us— There's only cause+ effect, 6 more albums, note books and a couple novels that came out of that one. Squeeze em hard, ya'll. Don't let me love God. Don't let me talk back, I'm not about a rack. Tantrum, yes. Talk to my God. Please. Talk to me God. Now. Talk to my family one time. Now. Talk out me sideways— Now. Bring me a rebel. Now. I have a headache. Now. I got regrets son. Now I got a dead son, a dead daughter a ghost cat and George Jettson, Michael Jackson and George Zimmerman, all of my tabs open: I take a tab hoping I fall asleep on the cold ocean, Calm before storm comes Out on a surfboard Look at the full moon— Nobody can hear you so SCREAM. Now. For crying out loud, Take the knife out, For a second or thought, I'm a wife now; What back handed thought or a back and on blacklist— Your back room was only your conscious— Now I'm looking at my left side, Also catatonic, Not aboard the problem like you wanted, What an order form for border patrol, You want tall glasses of hard fortune, Work hard for it, or rosemary pork on sourdough. I'm in love with you, but in poverty— There the devil is. But oh, aren't we all familiar? Suit and tie hangs to the tide, I tie the knot with rope from which I die, And quickly crafting coffins, want to walk around before I go off, Diving board or world one antenna? Not to mention it, redirect the attention and energy into something other than consumptive— Everything I do and everywhere I go, I clutch this stone Or put inside my pockets knowing if I let it go Or it falls out and to the ground Not only will I float up, But the world will open And swallow us all whole ((Down.)) I live with the knowledge of criminal visions and masterpiece compilations, but as of today I owe a bank my very and entire existence ...
    Más Menos
    2 h
  • “What Up” Wednesdays (What Up w/-Ū.)
    Dec 4 2025
    —1313. Chroma111. Who left a whole box of corn flakes In a locker At the Equinox On Wall Street? I told you go to the one at The Rock. I told you, I'm not going on that block, like at all. {Enter The Multiverse} That's just my Karma, Ms. Nancy; I did a whole lot than just Thought about it More edits, More recognition that I—l couldn't stand it; The planet just seems to get smaller and smaller With less and less plants in it; I have your pants on, But shoes didn't fit I wrote a whole book and resenting But still not the movies, I meant it. Damn. She's just so much better than I am Head in a frying pan on high beforehand, And however damaged, It felt bad I know what I did I felt that Camera Obscura, for sure, you know But disconnect, Swallow badders, wha— t?! Get my peanut butter up; Why! I'm a circus monkey; Damn. I got karma faster Than I should have known I lost episodes And threw away the whole entire show I went running long And then I threw up on the subway I only like the one Sublime album (The one with wrong way.) You know? Cuh' I went the wrong way I fucked up on all my dollars I got karma back hard, yah Got a poem or prose or song on ol' Ms. Molly, too, (or two) I fall in love inside the tube, Truth is, though Teletubbies and teleportation Ain't so far off from where I come from Problem is, Opporsite world, I'm the story of the whole show; For sure dawg. —a situational Thought process. When the crack finally kicks in, Astounding the loss of my confidence I've gotten lost in a toxic land I got syndrome “talk to much” Not on the spectrum, nor diagnosable X's and O's on the tic tac toe board, Just an underhanded “I told you so” All the rockstars want —Subtle thoughts of suicide as the train approaches? Nah, Models and the other types of girls That never work at all, They just born at it. I got bored with it, But not the fourth one, Cross my first amendment, On my heart like catholic More like Bart Simpsons, Like art magic Cause I won't watch that show But love Matt Groening— Maybe I'm the type that just Love hating But hate loving with No way to I don't hate you; Yeah you're right, I'm off Take two. ((Good Luck Riding The J Home.)) Not a gym run, a different kind of cause, I guess I got so many plausible options, I guess I should call on one of them, Toss a number up, struck the dog on mathematics I can't let my lantern out of gas, We're not friends, are we? What a fiend! Are you offended? I just want to see my dreams relayed to me— Is that too much to ask? So I'm the asshole. What did I pack a bag for?! Picnic baskets. What did I leave this curse for? Nothing, Thanks for asking, Nance. I put a pilot on the presence of a whole color— phenomenon. I swallowed all my pride and presence just for an automaton. This automation algorithm— is it? Doesn't make a difference. I spilled blood inside my kitchen, Put deposits on a flicker, Tricked the treasure at a phantom, Phantom I want more but swallowed all my high pulp orange juice on knowledge of the only one; There's only God, There's only us— There's only cause+ effect, 6 more albums, note books and a couple novels that came out of that one. Squeeze em hard, ya'll. Don't let me love God. Don't let me talk back, I'm not about a rack. Tantrum, yes. Talk to my God. Please. Talk to me God. Now. Talk to my family one time. Now. Talk out me sideways— Now. Bring me a rebel. Now. I have a headache. Now. I got regrets son. Now I got a dead son, a dead daughter a ghost cat and George Jettson, Michael Jackson and George Zimmerman, all of my tabs open: I take a tab hoping I fall asleep on the cold ocean, Calm before storm comes Out on a surfboard Look at the full moon— Nobody can hear you so SCREAM. Now. For crying out loud, Take the knife out, For a second or thought, I'm a wife now; What back handed thought or a back and on blacklist— Your back room was only your conscious— Now I'm looking at my left side, Also catatonic, Not aboard the problem like you wanted, What an order form for border patrol, You want tall glasses of hard fortune, Work hard for it, or rosemary pork on sourdough. I'm in love with you, but in poverty— There the devil is. But oh, aren't we all familiar? Suit and tie hangs to the tide, I tie the knot with rope from which I die, And quickly crafting coffins, want to walk around before I go off, Diving board or world one antenna? Not to mention it, redirect the attention and energy into something other than consumptive— Everything I do and everywhere I go, I clutch this stone Or put inside my pockets knowing if I let it go Or it falls out and to the ground Not only will I float up, But the world will open And swallow us all whole ((Down.)) I live with the knowledge of criminal visions and masterpiece compilations, but as of today I owe a bank my very and...
    Más Menos
    2 h
Todavía no hay opiniones