Episodios

  • Playwright's Spotlight with Evelina Fernandez
    Apr 14 2026

    Send us Fan Mail

    Support the show

    Más Menos
    1 h y 4 m
  • "Tends to be" Structures, Crazy Spaces, and Giving Characters What They Want - Playwright's Spotlight with Olivia Dufault
    Apr 7 2026

    Send us Fan Mail

    Olivia Dufault took time to sit under the Playwright's Spotlight before the opening of her latest play - "For Want of a Horse." In this discussion, we unpack her introduction and journey into playwriting, learning from past influencers, learning through evolution and gaining focus yet learning from lack of collaboration. We explore her path of starting new work, entering the flow state and giving characters what they want, her impetus of learning structure and the lessons of overwriting, writing in "crazy spaces" and achieving the suspension of disbelief. We delve into the influence and tapping into Greek tragedies, the concept of "Tends to Be" structures vs unconventional approaches, motivation through music as well as keeping outlandish characters real. We wrap things up sharing her experience finding fellowship opportunities and the benefits of them being in-person, the time for being comfortable to share, creating your own group, and building your own community. These are only a few topics amongst others that playwrights of all levels will benefit from. Enjoy!

    For Want of a Horse opens at the Echo Theater Company in Atwater Village in Los Angeles on April 18 thru May 24. For tickets, visit - https://echotheatercompany.ludus.com/index.php

    Olivia Dufault is a playwright, screenwriter and comic book writer. Her plays include Year of the Rooster and The Tomb of King Tot, both named “Critic’s Pick” by The New York Times, and The Messenger. Her plays have been performed at the Ensemble Studio Theatre/Youngblood, the Flea Theatre, the Marin Theatre, the 52nd Street Project, the Theater for the New City, UpStart Theater, and the Stray Dog Theater, among others. In addition to the Venturous Playwrights Fellowship, she is the recipient of a Playwrights of New York Fellowship, a Sloan Commission, the David Colicchio Emerging Playwright Award, the Lipkin Playwriting Award, and three Harle Adair Damann Playwriting Awards.

    To watch the video format of this episode, click - https://youtu.be/iI_QnnUkB0s

    Links to sites and resources mentioned in this episode -

    The Pony Playwriting Contest - https://www.equusippe.com

    Youngblood Theatre - https://www.ensemblestudiotheatre.org/youngblood

    Echo Theater Company - https://www.echotheatercompany.com

    Socials for Olivia Dufault -

    IG - @livdufault

    Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions

    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight

    Playwriting services through Los Angeles Collegiate Playwrights Festival
    www.losangelescollegiateplaywrightsfestival.com/services.html

    Support the show

    Más Menos
    1 h y 2 m
  • Agitating a Nerve, the Need to Overwrite, and Writing the "Impossible" - Playwright's Spotlight with Gabriel Rivas Gómez
    Mar 26 2026

    Send us Fan Mail

    Gabriel Rivas Gómez dropped into the Playwright's Spotlight a week before the opening of his latest play Level Up! We discussed his origin story falling into playwriting, his journey into finding his voice and telling a story, and the lessons of agitating a nerve. We also dove into overcoming obstacles and elemental struggles, the need to overwrite and cutting scenes, character driven vs plot driven pieces as well as lies vs truths and how to reveal the latter. We unpack writing and passing off the "impossible", looking vs feeling real, the "Top Ten List" approach, and other tricks for a playwright's toolbox, the artist vs editor's mindset, "fixing" a blank page, journeys and arcs and how to achieve them, the benefits of smart actors, overcoming the urge to compete, and how design may affect changes to the script. Gabriel offers a wealth of insight that every playwright can absorb and apply right away. I hope you find his experience useful. Enjoy!

    For tickets to Level Up!, please visit - https://www.latinotheaterco.org/levelup

    Gabriel Rivas Gómez received his M.F.A. in Dramatic Writing from USC in 2007, where he was mentored by Oliver Mayer, Velina Hasu Houston, and Luis Alfaro. His plays, including Chasing Monsters, Circus Ugly, Swarm Cell and Scar Tissue have been produced in various Los Angeles theaters. Scar Tissue was subsequently published in “The Best American Short Plays of 2010-2011.” He developed his play, Carnivores, as an inaugural member of the Latino Theatre Alliance Writer’s Circle. He is tenured faculty at Glendale Community College.

    To watch the video format of this episode, visit - https://youtu.be/_GeAXFS_TVA

    Links to sites and resources mentioned in this episode -

    Latinos Alliance/Writers Circle - https://howlround.com/latino-theater-alliancelos-angeles-writers-circle

    New Play Exchange - https://newplayexchange.org/get-started

    Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions

    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight

    Playwriting services through Los Angeles Collegiate Playwrights Festival
    www.losangelescollegiateplaywrightsfestival.com/services.html

    Support the show

    Más Menos
    1 h y 4 m
  • "Pale for Weariness", Balancing Life vs Art, and Why Today's the Day -Playwright's Spotlight with Andy Batt
    Mar 10 2026

    Send us Fan Mail

    After an enthusiastic recommendation from former guest, Cameron Scott, Andy Batt streamed into a late night EDT interview of Playwright's Spotlight, and, as always, what an insightful and inspirational conversation it was. In this interview, we discuss the origins and evolution of Andy's own playwriting and how it influenced the development of the MadLab theatre company and venue. We breakdown MadLab's themes and schedule, premises and rhythms as well as the market of Columbus, Ohio. We also discuss the the draw of original works, submission requirements, mistakes, details, process, and rejections, the importance of format (or lack there of) in addition to physical and dramatic action. We wrap our conversation with criticisms or love of the classics and absurdists, simplicity vs complexity, and advice for taking that "leap".

    Andy Batt started in theatre in 1997 with no experience, training, and have never even thought about
    doing a play before, and after a couple years of the acting bug, his best friend and mentor brought him over to MadLab, a non-profit organization where they started producing original work together. Now, almost 30 years later, he has done almost every job there is to do in theatre - from acting, directing, and playwriting. In 2009, he was able to shepherd MadLab through the process of buying its own space in downtown Columbus, OH. Each year they produce five to seven original productions including "Theatre Roulette", the longest-running shorts festival in Ohio.

    For tickets to MadLab's 2026 Theatre Roulette season visit - https://ci.ovationtix.com/35811

    To view the video format of this episode, visit the link below - https://youtu.be/g65kmGtSrI0

    Links to sites and resources mentioned in this episode -

    MadLab - https://www.madlab.net/index.html

    Lenaea High School Theatre Festival - https://www.lenaea.org/

    Play Submissions Helper - https://playsubmissionshelper.com/

    Websites and socials for Andy Batt and MadLab Theatre -

    www.madlab.net

    Facebook - https://www.facebook.com/andy.batt.18
    IG - https://www.instagram.com/andypbatt/

    Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer


    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions


    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight


    Playwriting services through Los Angeles Collegiate Playwrights Festival
    www.losangelescollegiateplaywrightsfestival.com/services.html

    Support the show

    Más Menos
    1 h y 12 m
  • Site-Specific Plays, The Secret Sauce, and Opening Doors to Success - Playwright's Spotlight with Patrick Gabridge
    Feb 24 2026

    Send a text

    I stumbled upon Patrick Gabridge on the World Wide Web, and he was kind enough to come on to the Playwright's Spotlight after reaching out to him. If there was a playwright who has been in the spotlight who might have a pathway to success, it would be Patrick Gabridge. With a non-traditional approach to writing, Patrick focuses on site-specific plays that are staged in non-traditional stages. Before we delve into this, we speak about marketing and his networking group - Playwright Submission Binge - and how the market has dwindled and changed over the years and how it has affected non-equity theatre. We discuss his development of Plays in Places and its historical accuracy and use of creative license, how it's opened doors to success, the Secret Sauce, and pitching to non-traditional venues. We also breakdown approaching Youth Plays as an older playwright, writing competition plays, what constitutes high drama and whether or not there is a formula. We wrap things up with achieving exposition in a 10-minute play, experiencing poor productions of one's work, advice for finding/developing a writers group, and networking with playwrights. This is a fascinating conversation that should present any playwright with phenomenal opportunities. I'd love to how things transpire if anyone listening takes this path. Enjoy!

    Patrick Gabridge is a playwright whose work includes Blood on the Snow, Chore Monkeys, Lab Rats, Distant Neighbors, Fire on Earth, Flight, Constant State of Panic, Pieces of Whitey, Blinders, and Reading the Mind of God, which have been staged in theaters across the country. His plays can found in Playscripts, Brooklyn Publishers, Heuer, Smith & Kraus and various“Best of” anthologies.
    He assisted is creating Boston’s Rhombus Playwrights writers’ group, the Chameleon Stage theatre company in Denver, the Bare Bones Theatre company in New York, the publication Market InSight… for Playwrights, and the on-line Playwrights’ Submission Binge. He’s also a member of the Dramatists Guild, StageSource, and a board member of the Theatre Community Benevolent Fund. In 2013, he co-founded the New England New Play Alliance and still serves as its coordinator.

    To view the video format of this episode, visit the link below - https://youtu.be/wkpI3jR_Or0

    Links to sites and resources mentioned in this episode -

    Playwright Marketing Binge - https://groups.io/g/playwrightbinge

    Seven Devils New Play Foundry - https://www.sevendevils.org

    Mid America Theatre Conference - https://matc.us

    The O'Neill - https://www.theoneill.org

    Plays in Place - http://playsinplace.com

    Brooklyn Publishers - https://www.brookpub.com

    Heuer Publishing - https://www.hitplays.com

    Socials for Patrick Gabridge and Plays in Place -

    FB - https://www.facebook.com/patrickgabridge
    IG/Threads - @patrickgabridge
    YouTube - ⁨@pgabridge⁩

    FB - https://www.facebook.com/profile.php?id=61558727695681
    IG/Threads - @plays_in_place

    Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions

    Playwright's Spo

    Support the show

    Más Menos
    1 h y 14 m
  • Pansters and Plotters, Establishing Suspense Through Language, and the Secret of the First 25 Pages - Playwright's Spotlight with Travis Williams
    Feb 10 2026

    Send a text

    Fan, Follower, and Fellow Playwright Travis Williams, dropped into the Playwright's Spotlight after a random and serendipitous meetup in public. In this conversation, we discuss his origin into playwriting and the possibilities of being a "living" playwright and a playwright's success, his lessons from living in Chicago and learning the order of character, narrative, and theme, and playing with timelines. We also delve into directing and performing your own work as well as active and practical sets and props, the evolution of his play To Each Their Own while in Chicago and the accessibility of the Windy City's market. We compare the midwest market to L.A., the influence of Stephen King on Travis' writing and the horror genre, the secrets of suspense in playwriting, keeping stasis, and using language to heighten suspense. We wrap things up stage directions in the horror genre, the implementation of stage directions and foley in other mediums in the horror genre, the use of playwriting in other mediums, the recycling of devices, ensuring a good ending lands, and the secret of revisiting the first 25 pages. It's an encapsulating discussion that won't disappoint. Enjoy!

    Travis Williams is a playwright, radio dramatist, screenwriter, and actor. He is a five time finalist and 2016 winner of WildClaw Theatre’s Deathscribe - The International Festival of Horror Radio Plays, with his plays The Wall, Strange Weather, Back in Baby's Arms, The Quake (2016 Winner), and Creatures of Circumstance. His play Chicago Collage was a winning script at Fire-Works: Gun Control Short Play Competition, through Manhattan Theatre Works. His commissioned piece: Circle Be Unbroken inspired by Mavis Staples, premiered in Theatre Seven of Chicago production Unwilling and Hostile Instruments.

    Links to sites and resources mentioned in this episode -

    Chicago Dramatists - https://www.chicagodramatists.org

    Art Crush L.A. - https://www.artcrush.la

    Strawdog Theatre Company - https://www.strawdog.org

    Dayton Playhouse - https://www.daytonplayhouse.com

    The Road Theatre Company - https://roadtheatre.org

    Atwater Village Theatre - http://www.atwatervillagetheatre.org

    WildClaw Theatre Company - http://www.wildclawtheatre.com

    Gather by the Ghostlight - https://www.gatherbytheghostlight.com

    Website and socials for Travis Williams -

    www.traviswilliams.info

    IG - @travisdmw

    Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer


    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions


    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight


    Playwriting services through Los Angeles Collegiate Playwrights Festival
    www.losangelescollegiateplaywrightsfestival.com/services.html

    Support the show

    Más Menos
    59 m
  • Rings of Connection, Center the Work, and Building Trust and Sharing the Why - Playwright's Spotlight with Adrienne Torf and Raymond O. Caldwell
    Jan 27 2026

    Send us Fan Mail

    Playwright, pianist, and composer along with her collaborator Raymond O. Caldwell who is a director, producer, and artistic director of The Fountain Theatre in Los Angeles, CA, stopped by the studio to discuss their latest project - Poetry for the People: The June Jordan Experience. While our conversation did have a few technical setbacks, we were able to get back on track about their budding relationship, Adrienne's personal and collaborative relationship with June, building the team that would encapsulate the life and poetry of June as well as her importance to society and her concept of the "rings of connection." We unpack the process of combining conflicting visions in collaboration, the importance of trust and sharing a vision, and centering on the work. We also discuss introducing new elements durning the last few weeks of rehearsal, the evolution of different iterations, surprise revelations, unconventional storytelling, creating a through line from unconnected sources, and the secret to smooth transitions. It's wonderful back-and-forth that becomes a little silly at the end, but the whole conversation is insightful and entertaining. Enjoy!

    For tickets to Poetry for the People at the Fountain Theatre in Los Angeles from January 27th through March 29th, visit - https://www.fountaintheatre.com/events/poetry-for-the-people

    Adrienne Torf, is a playwright, pianist, and composer. In 2022, Adrienne co-devised the theater piece Poetry for the People: The June Jordan Experience with Raymond O. Caldwell at Theater Alliance in Washington DC. The show was awarded the 2023 Helen Hayes Theater Washington Award for Outstanding New Play or Musical Adaptation and enjoyed a second run in 2024. It is slated to run at the Fountain Theatre in Los Angeles in early 2026.Also set for production in 2026 is For Women Serving Time, an extended poem/opera for which she composed the score, with text by Fatemeh Keshavarz, produced by IN Series Opera in Washington, DC. Her community-collaboration performance piece The Awesome Difficult Work of Love, which was produced in Madison WI (2008), San Francisco (2012) and Sedona, AZ (2022), and will be produced in Flint, MI in Spring, 2026.

    Raymond O. Caldwell has written and adapted new works for Theater Alliance and the Kennedy Center, including Look Both Ways: A Tale Told in Ten Blocks from the book by 2024 MacArthur recipient Jason Reynolds. Prior to joining the Fountain Theatre he was the artistic director at Theater Alliance for six seasons where he directed, developed, and produced. He expanded the company’s digital footprint during the pandemic, developing, directing, and producing new works from emerging local artists.

    Links to sites and resources mentioned in this episode -

    www.fountaintheatre.com

    Socials for Adrienne Torf and Raymond O. Caldwell -

    www.adriennetorf.com
    IG - @adriennetorf
    FB - https://www.facebook.com/adriennetorf

    www.raymondocaldwell.com
    IG - @raymondocaldwell
    FB - https://www.facebook.com/raymondocaldwell

    Websites and socials for James Elden, Punk Monkey Production,s and Playwright's Spotlight -

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -


    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight


    Support the show

    Más Menos
    1 h y 14 m
  • Awards, AI, Adjusting for Casting, and Always Maybe - Playwright's Spotlight with Catherine Butterfield
    Jan 13 2026

    Send us a text

    After an excruciating knee-tweak, Catherine Butterfield streamed into the Playwright's Spotlight being laid up on the couch. Proof that playwrights will go above and beyond, so we were unable to do the originally planned in-person interview. In this episode, we breakdown layering stories in the same location throughout different eras, when it's time to share and direct one's work, and "stumbling" upon commissions and opportunities. We also delve into New York being a musical theatre bastion, the effect of AI on creativity, receiving, achieving, and the benefits of awards, and seeking out competitions. We dive into major city and smaller markets, the pros and cons of Equity Theatre, never locking decisions down, multiple drafts and plot twists, and adjusting for casting. If there are layers in playwriting, there are definitely layers to this interview. Enjoy!

    Catherine Butterfield is a playwright, screenwriter, and director. Her play Joined at the Head won the George E. Oppenheimer/New York Newsday Award for outstanding play by a first-time playwright. She has also received the Kennedy Center-American Express award for outstanding promise as a playwright; the Kaufman & Hart Award for best new American comedy for her play The Sleeper; and the Davie Award for best new play in regional theater for Life in the Trees. Her play Top of the World was a semi-finalist in the 2018 Eugene O'Neill playwriting competition and has been optioned for production in New York. Other plays include Electra, Revisited, include Life Expectancy, It Has to Be You, The Sleeper, Where the Truth Lies, Snowing at Delphi and Life in the Trees published by Dramatists Play Service, Samuel French and Playscripts, Inc.

    Her play Brownstone opens January 24th and runs through February 28th at the Atwater Village Theater in Los Angeles, CA. For tickets, visit - https://openfisttheatre.my.salesforce-sites.com/ticket#/events/calendar

    Website and Socials for Catherine Butterfield -

    www.catherinebutterfield.com

    IG - @catherine.butterfield
    FB - https://www.facebook.com/catherine.butterfield.129
    Bluesky - @cbutterfield.bsky.social

    Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

    Punk Monkey Productions -
    www.punkmonkeyproductions.com

    PLAY Noir -
    www.playnoir.com

    PLAY Noir Anthology –
    www.punkmonkeyproductions.com/contact.html

    James Elden -
    Twitter - @jameseldensauer
    IG - @alakardrake
    FB - fb.com/jameseldensauer

    Punk Monkey Productions and PLAY Noir -
    Twitter - @punkmonkeyprods
    - @playnoirla
    IG - @punkmonkeyprods
    - @playnoir_la

    FB - fb.com/playnoir
    - fb.com/punkmonkeyproductions

    Playwright's Spotlight -
    Twitter - @wrightlightpod
    IG - @playwrights_spotlight

    Playwriting services through Los Angeles Collegiate Playwrights Festival
    www.losangelescollegiateplaywrightsfestival.com/services.html

    Support the show

    Más Menos
    1 h