Interview with Desmond P. Ryan – S. 11, Ep. 8 Podcast Por  arte de portada

Interview with Desmond P. Ryan – S. 11, Ep. 8

Interview with Desmond P. Ryan – S. 11, Ep. 8

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My guest interview this week on the Crime Cafe podcast is with crime fiction author Desmond P. Ryan. Check out our discussion about Toronto and the experiences in law enforcement that have informed his fiction. You can download a copy of the transcript here. Debbi Mack (00:07): Hi everyone. My guest today is a former police detective with the Toronto Police who draws on his experiences to write two very distinctive series, the Mike O'Shea series of gritty police stories, reminiscent of Joseph Wambaugh, so definitely gritty stuff. And also a series called A Pint of Trouble, which is closer in tone, apparently to the Thursday Murder Club books by Richard Osman. So I find that just a fascinating dichotomy of series there. Way not to get pigeonholed. It's my pleasure to have with me today, the author Desmond P. Ryan. Hi Des, how are you doing today? Desmond Ryan (00:54): I'm doing great, Debbi. How about yourself? Debbi Mack (00:57): Quite well, thank you. I just got through wrapping on my first film. I directed a film a week ago. It was a short film. It's a short film. Yes. Desmond Ryan (01:12): I'll bet that's a lot of work. Debbi Mack (01:14): Oh boy. It was a lot of work and it was a very, very interesting and eye opening, just kind of an experience I'll never forget. Desmond Ryan (01:24): What's the film about? Debbi Mack (01:25): It's about a priest who has a dark, somewhat dangerous past who has to face the consequences of what he's done. Desmond Ryan (01:36): Okay. Debbi Mack (01:37): I'll leave it at that. I don't want to spoil anything. Desmond Ryan (01:40): And where will we be seeing this film? Debbi Mack (01:42): I hope to have it somewhere online eventually. Somehow I think that the company that I was associated with, the nonprofit called Charm City Filmmakers helped make this happen. They basically teach new directors how to be directors, what's involved and who does what on the set, that kind of thing, and what your role is. And you'd be surprised how much work the first AD or assistant director does. It's just this amazing process that, it requires you to be really paying attention for one thing. Desmond Ryan (02:32): So it's not all magic? Debbi Mack (02:35): It's magic, but it's magic that looks invisible. I mean, the best magic does not reveal its tricks. Right? Desmond Ryan (02:44): That's true. Debbi Mack (02:45): But it's funny. People go behind the scenes all the time and see the tricks, so it's interesting, but it's a magic that we willingly buy into. Something like that. Desmond Ryan (02:56): Yes, you're going to have to let us know when it's going to be [inaudible] I'm already excited. Debbi Mack (03:03): Thank you. I feel like I've kind of hijacked this interview with you here. Just mentioning that film. My God, the film was really just a great experience and I'll probably talk about it more on a YouTube channel, so I'm on YouTube as Debbi Mack if you want to find it there. Desmond Ryan (03:22): We will. Debbi Mack (03:23): Okay, awesome. Let's see. You have the Mike O'Shea Series and the Pint of Trouble series. It's interesting. They're so very different. I love that you're writing though focuses on the diversity of Toronto's neighborhoods. I'm just fascinated with neighborhoods and how cities are made up of neighborhoods often. Tell us about the neighborhoods in Toronto and in particular, Cabbagetown, which I never knew about until I found out you were there, looked it up and has a very interesting entry on Wikipedia. Desmond Ryan (04:03): Yeah. Well, Debbi I'm born and raised in Toronto, and so I take a lot of it for granted, and it would take me hours and hours and hours to explain the diversity of Toronto. I believe it is the most diverse city in the world, not just because Des says so, but I think in whoever measures all of that stuff out it is. And it's made up of little neighborhoods, and a lot of the neighborhoods are based on culture and ethnicity,
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