Episodios

  • Demakes Decoded at PAX East 2024
    Mar 28 2024
    This past Sunday, for the first time since before the pandemic, I had the opportunity to share a panel with attendees of PAX East! Demakes Decoded: From HD to 8-Bit In an age of HD remasters, demakes buck the trend by reimagining a modern game for a more primitive console. Ever wanted to play Silent Hill 2 on the NES, Disco Elysium on Game Boy, or Portal on N64? Now you can! But how much of a game’s core gameplay is dependent on technology? What features are important to preserve, and how do you adapt the rest? Is it really the same game — and do the original copyright owners think so? We’ll chat with four demake devs about their projects, inspirations, and challenges, exploring how they balance modern innovation, technical constraints, and retro nostalgia. Featuring: Ken Gagne (he/him/his) [Editor, Juiced.GS]James Lambert (he/him/his) [Developer, Portal 64] Jasper Byrne (he/him/his) [Designer, Superflat Games] Colin Brannan (he/him/his) [Developer, Disco Elysium: Game Boy Edition]Animal Planet (they/them) [Developer, PicoWars] The audio from this panel is presented as a bonus episode of the otherwise defunct IndieSider podcast. Stream it below or from Apple Podcasts, YouTube Music, Pandora, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, or RadioPublic, and click past the jump for a written transcript. Transcript Ken Gagne: Welcome to the last day of PAX East 2024. Thank you for waking up before the crack of noon to join us for Demakes Decoded: From HD to 8-Bit. My name is Ken Gagne, pronouns he/him. Very excited to be sharing with you a panel of amazing developers today. A little bit of introduction and information before we get started. First, I want to start with a blank slide, land acknowledgment saying that we are residing on the ancestral and unceded lands of the Massachusetts people whose name was appropriated by this Commonwealth. We pay respect to the Massachusetts elders post and present. We acknowledge the truth of violence perpetuated in the name of this country and make a commitment to uncovering the truth. So this panel is about Demakes Decoded: From HD to 8-bit. And first, how many people here have no idea what a demake is? We got one person, two, three, four, five. Excellent. So for those five people, let’s establish what a demake is. A demake is not Resident Evil 4. That would be a remake. We’ve had some amazing, wonderful, very enjoyable and highly received and acclaimed remakes in the last few years. Resident Evil 4, Super Mario RPG, that weird game by Square that nobody thought would ever come back. And of course, Final Fantasy VII: Rebirth. So those are all remakes. A remake is re-imagining an older game for a newer system. It’s not just applying a new coat of graphics like The Last Of Us. It’s such a technological leap that they are actually almost going back to the drawing board and making a new game inspired by the original game. A demake, what we’re talking about today, is just the opposite. It’s re-imagining a newer game for an older system going backwards in time. And we have four developers here today who I’m about to introduce. So first, who remembers Portal? Yeah. Portal came out in 2007, 17 years ago, for Windows and Xbox 360. 11 years before that the Nintendo 64 came out, and James here has ported it, has ported Portal to the N64. And this is what it looks like. James, say hello! James Lambert: Hi, I’m James Lambert. Yeah, and I ported Portal to the N64. And I guess I just repeat what he said. It took me about two years to get to this point. And then the YouTube channel, if you want to check it out, you can see kind of the progress in the videos. And unfortunately you can’t get the ROM for me right now because Valve told me to take it down. But I’m sure if you searched online, you would be able to find it somewhere, but not just from me. Ken Gagne: Yeah, it’s like the Streisand Effect. The more you remove it, the more visible it becomes. James Lambert: Of course, yeah. Ken Gagne: Where are you coming in from for the panel? James Lambert: Yeah, I’m from Utah. That’s it. Ken Gagne: Well, thank you for coming all this way. James Lambert: And nobody else is. Ken Gagne: Another game that is actually going in both directions right now, a remake is coming for Silent Hill 2, which was originally released for the PlayStation 2 in September of 2001, where, speaking of James, James Sunderland is trying to find his dead wife, who he mysteriously received a letter from. And even more mysteriously, the game has been ported to the 8-bit Nintendo called Soundless Mountain 2. And the master of that thesaurus would be Jasper Byrne here. Hello, Jasper. Jasper Byrne: Hi there. Yeah, I made this one in 2008, so it’s quite a long time ago now. But it was originally for a competition for demakes run by The Independent Game Source, or TIGSource. It was a forum where a lot of indies used to post back in those days. And to my surprise, actually ...
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    1 h y 2 m
  • The Return of Couch Play at PAX East 2019
    Apr 10 2019

    The tenth annual PAX East was held last month, and I was honored to host two panels of brilliant speakers. One, “The Art of Craft: Inspiring Game Creations”, can be seen and heard on the Polygamer podcast. The other was “The Return of Couch Play”, looking at offline multiplayer as an alternative to online games such as Fortnite, PUBG, and Tetris 99.

    Steam, PS+, and Xbox Live make it easier than ever to get matched online — yet gamers are increasingly rediscovering the appeal of local, offline play. What are the unique challenges and opportunities of taking a game offline? How do you design a game for competitive or cooperative gameplay on the same screen? We’ll look at how to innovate this ancient tradition and design a game that makes the most of couch play.

    Featuring:

    • Ken Gagne [Digital Content Developer, Gamebits]
    • Tanya X. Short [Creative Director, Kitfox Games]
    • Christoffer Holmgård [Director, Die Gute Fabrik]
    • Danny Silvers [CEO, Lantana Games]
    • Zachary Johnson [Code / Design, Space Mace LLC]
    • Tommy Sunders [Art / Design, Space Mace LLC]

    Watch the video above, or download the audio edition below or from Apple Podcasts, YouTube Music, Pandora, Spoke, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, or RadioPublic.

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    1 h y 2 m
  • IndieSider #61: CRYPTARK by Alientrap
    Jul 5 2017
    CRYPTARK is a 2D sci-fi roguelike twin-stick shooter in which players pilot mechs charged with salvaging alien technology from derelict spaceships. Technological defenses remain active on these procedurally generated abandoned hulks, and players must shut them down and shoot the core if they hope to escape with enough artifacts to sell and fund their continuing expeditions. CRYPTARK is available from Alientrap for PS4 and Steam (Mac, Windows & Linux). In this interview, I speak with Alientrap creative director Jesse McGibney about this game’s artistic departure from Alientrap’s previous game, Apotheon, which was based on Greek mythology and pottery. We also chat about CRYPTARK’s two-player co-op mode and the lack of online play; how the game fared in early demos at PAX East 2016; the challenges of creating a game with procedurally generated levels; and the CRYPTARK’s time in Steam Early Access — a first for Alientrap — and the one-week delay between its Steam release and its arrival on PlayStation. Watch the video above, or download the audio edition below or from Apple Podcasts, YouTube Music, Pandora, Amazon Music, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, RadioPublic, or the Internet Archive. Links mentioned in this episode: CRYPTARK by AlientrapApotheonGamasutra – Game Design Deep Dive: Visualizing Cryptark’s 2D sci-fi worldCRYPTARK soundtrack by by Ryan Roth & Ryan Henwood“A richly strategic shmup” — Marsh Davies of Rock, Paper, Shotgun This is the final episode of IndieSider. My thanks to everyone who listened!
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    26 m
  • IndieSider #60: Old Man's Journey by Broken Rules
    Jun 21 2017

    Old Man’s Journey is a 90-minute puzzle through the hero’s memories. After receiving a letter, he sets out on a journey across rolling landscapes that the player can reshape, allowing the old man to leap from foreground to background, making his way across obstacles. At the end of each level, he reminiscences about his past, unraveling a tale of love, hope, and regret. Old Man’s Journey by Clemens Scott and Felix Bohatsch of Broken Rules is available for iOS, Android, and Steam.

    In this podcast interview, I chat with creative director Clemens Scott about how two young developers felt qualified to tell and old man’s story; whether the game should make us feel bold or hesitant to make life-changing decisions; how the gameplay could be a metaphor for the narrative; and if a game’s marketability influences its game design.

    Watch the video above, or download the audio edition below or from Apple Podcasts, YouTube Music, Pandora, Amazon Music, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, RadioPublic, or the Internet Archive.

    Links mentioned in this episode:

    • Old Man’s Journey by Broken Rules
      • Broken Rules on Twitter
      • Clemens Scott on Twitter
    • Old Man’s Journey wins Apple Design Award 2017
    • GDC Vault – Happy Inside the Box: The Art of Old Man’s Journey

    A review copy of this game was provided by the developer for the purpose of this interview.

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    30 m
  • IndieSider #59: Kona by Parabole
    Apr 19 2017

    Kona from Parabole is a first-person exploration game set in the cold northern reaches of Canada in the 1970s. A private investigator has been hired to investigate some petty crimes but soon stumbles into a larger mystery hidden in the supernatural cold. What secrets lie within in this chilly interactive tale?

    In this week’s IndieSider, I speak with Jean-François Fiset, community manager for Parabole. We discuss how Kona evolved from a snowmobile simulator to an episodic adventure to its current form; why mystery games seem to be set before the advent of cell phones; how one builds community around an adventure game; the use of the term “walking simulator” as a pejorative; whether Firewatch‘s success influenced Kona’s development; how to communicate a delay to one’s Kickstarter backers; and how to survive working at the same company as your brother.

    Watch the video above, or download the audio edition below or from Apple Podcasts, YouTube Music, Pandora, Amazon Music, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, RadioPublic, or the Internet Archive.

    Kona is available for Steam, GOG, PS4 & Xbox One. A review copy was provided for the purpose of this interview.

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    30 m
  • IndieSider #58: Future Unfolding by Spaces of Play
    Apr 5 2017
    Future Unfolding is a top-down exploration game set in a pastoral world. Without direction or tutorial and with very little written text, the game invites players to go whichever direction they wish as they discover secrets in the woods, make friends and foes of the fauna, and solve puzzles. A rustic palette, rich mythology, and soothing soundtrack complete the ensemble. In this week’s IndieSider, I speak with Andreas Zecher, one-third of the development team Spaces of Play. We discuss the poem from which the game draws its name; the benefits of developing their own game engine over using Unity; the melding of procedural generation and hand-crafted design; the ways in which Future Unfolding is inspired by The Legend of Zelda and Journey; and how sales of their previous game, Spirits, informed the release strategy for Future Unfolding. Watch the video above, or download the audio edition below or from Apple Podcasts, YouTube Music, Pandora, Amazon Music, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, RadioPublic, or the Internet Archive. Links mentioned in this episode: Future Unfolding by Spaces of PlayDevelopment blogAndreas Zecher on TwitterThimbleweed ParkPolygamer #48: Gillian Smith on procedural generationLet’s Play The Legend of Zelda: Breath of the Wild
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    34 m
  • IndieSider #57: Open Sorcery by Abigail Corfman
    Mar 22 2017
    Open Sorcery is a cyberpunk hypertext adventure. You play as BEL/S, a fire elemental who has been bound by C++ code to serve as a firewall. Your job is to scan the local environment and detect any other elementals or poltergeists who could be interfering with your creators or neighbors. As you identify their material and motive, you will learn more about the world around you and gain sentience — possibly posing a threat yourself. In this episode of IndieSider, I chat with Abigail Corfman about her first published game. We talk about how she used Javascript to expand the Twine game engine used in Open Sorcery; how the game evolved from open source to mobile to Steam, and the code bases she merged to make it happen; why hypertext is a natural evolution of text-parser adventure games; the difference in exhibiting at GaymerX East vs. PAX East; why Abigail’s games, despite having dark qualities, focus on emotional connection and gentleness; the emotions she was experiencing that led her to create both this game and her webcomic, A Moment of Peace; and what we can expect from the game’s sequel, Open Sorcery: Sea++. Watch the video above, or download the audio edition below or from Apple Podcasts, YouTube Music, Pandora, Amazon Music, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, RadioPublic, or the Internet Archive. A complete transcript is provided after the shownotes. Links mentioned in this episode: Abigail Corfman on TwitterOpen Sorcery SteamiOSAndroidInteractive Fiction DatabaseTwitter TwineInterview with Abigail Corfman by Leonardo Faierman of Black Girl NerdsA Moment of Peace webcomic Transcript [Announcer] Welcome to IndieSider, where we go beyond the game and meet the developers behind today’s indie hits. [Ken Gagne] Hello, and welcome to the IndieSider podcast, where I play indie games and then interview the developer. I’m your host, Ken Gagne, and this week on episode number 57, I’m playing Open Sorcery, by Abigail Corfman of Open Sorcery Games. This game was released on February 22nd for Steam, that’s Mac, PC and Linux, for $3.99, and previously was released for Android and iOS for $2.99. Open Sorcery is a point-and-click text adventure based on Twine, an open-source text adventure game engine. In Open Sorcery, you play as a Fire Elemental, one of those living embodiments of nature that you often find in Dungeons and Dragons-type settings, except you are a Fire Elemental who has been enslaved to serve as a computer firewall. This game is set in some sort of modern-day melange of Dungeons and Dragons, and Shadowrun, and cyberpunk. So you are a living firewall, charged with scanning certain areas of the network, and identifying other Elementals who may have invaded the area. You have to pay attention to the clues and deduce which of six Elements it is: just earth, fire, wind, water, light or dark. And then you have to deduce what their motive is. Are they here to instill order or chaos? Life or death? Once you have identified the Elemental, you are given a variety of menu-based options, such as should you speak to the Elemental, and convince it to leave the area? Should you cleanse it with fire, the substance of which you are made? Or more. As you have these interactions, what impact does it have on your own consciousness as you start to learn more about the world around you? Will you, eventually, yourself become a threat? The game has a Spartan aesthetic: it has white text on a black background, and any text that appears in red, you can click on with you mouse and choose that option, or to see what branch, either permanent or short-diversion, it takes you on. At occasional points in the game there is some background music, but mostly it is silent. There is no voice acting. However, what the game does have a lot of are words. 90,000 words, that’s 9-0, 0-0-0. That’s a lot of text, and a lot of different endings. You’re not expected to play the game all in one sitting, you can save to one of multiple slots and load and restore, so if you come to a choice and you’re not sure which one to take, just like the old choose-your-own-adventure games, you can stick your finger on that page, see where the path takes you, and then go back and try again. I really dug this game, because I felt like I got to know the inhabitants of this world. There are only four locations that you are constantly scanning, and you get to meet their inhabitants and see how they go about their day-to-day lives. And as you interact with them, you develop relationships with them, which are graded on a scale from zero to a hundred. As they get to a certain point, you can actually use those relationships in some of the decisions that you make later on, as those colleagues, partners and friends become available to you. And so, in this episode of IndieSider, I’ll be speaking to the game’s creator, Abigail Corfman, at whose website, abigailcorfman.com, you can find Open Sorcery. You can also find links to...
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    47 m
  • IndieSider #56: Circles by Jeroen Wimmers
    Mar 8 2017
    Circles is an abstract puzzle game for Mac and PC that uses only mouse control. Each level consists of circles that behave in different ways but all of which must be avoided to reach the level’s end. As the game uses no written or spoken language and offers no tutorial, it is up to the player to decipher each level’s mechanics to manipulate and navigate the shapes. In this podcast, I spoke with Jeroen Wimmers of Illusive Games, the sole developer of Circles. After working on the Adult Swim game Westerado, Wimmers spent years creating Circles and responding to feedback he received at PAX East and Gamescom. I asked him about the hardest part of developing Circles; whether he toyed with adding written words, and the benefit to not doing so; why the game was developed for mouse input and not touch; how much code he was able to repurpose for the game’s free online demo; how working on his own compared to working on a team; and the indie game dev scene in the Netherlands. Watch the video above, or download the audio edition below or from Apple Podcasts, YouTube Music, Pandora, Amazon Music, Overcast, Spotify, Pocket Casts, iHeartRadio, TuneIn, RadioPublic, or the Internet Archive. Links mentioned in this episode: CirclesSteamHumble StoreJeroen Wimmers of Illusive GamesWesterado by Ostrich BanditosEllipsis on IndieSider #38
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    24 m