Grieving is a uniquely human emotion – or is it? Is the apparent attachment of elephants or orcas to the bodies of dead relatives a sign of grief, or simply an instinctive behaviour without emotional implications? Why do some people seem able to handle grief so much better than others? And how close are we to finding a pharmaceutical ‘cure’ for grief…and if we find it, should we use it?

This lecture was recorded by Professor Robin May on the 21st of January 2026 at Barnard’s Inn Hall, London

Professor of Infectious Disease at the University of Birmingham, and (interim) Chief Scientist at the UK Health Security Agency, Robin May was appointed Gresham Professor of Physic in May 2022. Between July 2020 and September 2025 he served as Chief Scientific Adviser at the Food Standards Agency (FSA).

Professor May’s early training was in Plant Sciences at the University of Oxford, followed by a PhD on mammalian cell biology at University College London and the University of Birmingham. After postdoctoral research on gene silencing at the Hubrecht Laboratory, The Netherlands, he returned to the UK in 2005 to establish a research program on human infectious diseases. He was Director of the Institute of Microbiology and Infection at the University of Birmingham from 2017-2020.

Professor May continues his work on Infectious Disease at the University of Birmingham. A Fellow of the Academy of Medical Sciences, Wolfson Royal Society Research Merit Fellow and Fellow of the American Academy of Microbiology, Professor May specialises in research into human infectious diseases, with a particular focus on how pathogens survive and replicate within host organisms.

As the FSA’s Chief Scientific Adviser, Professor May provides expert scientific advice to the UK government and plays a critical role in helping to understand how scientific developments will shape the work of the FSA, as well as the strategic implications of any possible changes.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/why-grieve

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Website: https://gresham.ac.uk
X: https://x.com/GreshamCollege
Facebook: https://facebook.com/greshamcollege
Instagram: https://instagram.com/greshamcollege
Bluesky: https://bsky.app/profile/greshamcollege.bsky.social
TikTok: https://www.tiktok.com/@greshamcollege
Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Support the show

Constable’s painting The Cornfield celebrates its bicentenary in 2026. How has it aged? This is a landscape that has acquired iconic status – a marker of national identity -- as a representation of typically English countryside. How has that Englishness been constituted in the painting? And how does The Cornfield (a view of a partly working landscape) speak to current ideas about relationships and tensions between the natural world and the human presence, especially in our age of environmental anxieties?

This lecture was recorded by Malcolm Andrews on 20th January 2026 at Barnard’s Inn Hall, London.

Malcolm Andrews is Professor (Emeritus) of Victorian and Visual Studies, University of Kent. He was the Editor of The Dickensian, the journal of the Dickens Fellowship, and a past President of the Dickens Society of America.

The transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/watch-now/constable-200

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/

Website: https://gresham.ac.uk

Twitter: https://twitter.com/greshamcollege

Facebook: https://facebook.com/greshamcollege

Instagram: https://instagram.com/greshamcollege

Support the show

Watch the Q&A session here: https://youtu.be/3B58-fA2b-4

"Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings." — Kandinsky

How do we ‘see’ music, or ‘hear’ images? From Newton’s colour scales assigning tones to the rainbow, artists and composers have long explored the deep connections between sound and vision.

Kandinsky’s Compositions and Improvisations; Klee’s polyphonic paintings, and Scriabin’s synaesthetic craft all reveal the scintillating interplay of visual and sonic art. This lecture traces their co-evolution and shared language, from spectral composers to technological translations of light into rhythm and melody, uncovering the hidden spectrum where music and colour intertwine.

This lecture was recorded by Milton Mermikides on the 14th of January 2026 at LSO St Luke’s, London

Milton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career.
He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.
Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium.


The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-light-colour

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Website: https://gresham.ac.uk
X: https://x.com/GreshamCollege
Facebook: https://facebook.com/greshamcollege
Instagram: https://instagram.com/greshamcollege
Bluesky: https://bsky.app/profile/greshamcollege.bsky.social
TikTok: https://www.tiktok.com/@greshamcollege
Support Us:

Support the show

ChatGPT, the AI chatbot developed by OpenAI, was the fastest growing app in history. But this achievement, as sudden and remarkable as it might seem, was simply the most recent chapter in a fascinating story that has been unfolding for almost seven decades. This lecture explores the full history of the relationship between AI and work, and how economists have tried to make sense of it. It’s a journey that begins with a remarkable gathering of minds in a non-descript mathematics department at Dartmouth University in 1956 and ends with the technological convulsions that we see around us today.

This lecture was recorded by Daniel Susskind on the 13th of January 2026 at Bernard’s Inn Hall, London

Dr Daniel Susskind is a writer and economist. He explores the impact of technology, and particularly AI, on work and society. He is a Research Professor at King’s College London, a Senior Research Associate at the Institute for Ethics in AI at Oxford University, a Digital Fellow at the Stanford Digital Economy Lab, and an Associate Member of the Economics Department at Oxford University.

His new book, Growth: A Reckoning (2024), was chosen by President Obama as one of his ‘Favourite Books of 2024’ and was a runner-up for the Financial Times Business Book of the Year 2024. He is also the author of A World Without Work (2020), described by The New York Times as "required reading for any potential presidential candidate thinking about the economy of the future” and a runner-up for the Financial Times Business Book of the Year 2020, and co-author of the best-selling book, The Future of the Professions (2015). His TED Talk, on the future of work, has been viewed more than 1.6 million times. He is currently working on his next book, What Should Our Children Do? How to Flourish in the Age of AI.

Previously he worked in various roles in the British Government – in the Prime Minister’s Strategy Unit, in the Policy Unit in 10 Downing Street, and in the Cabinet Office. He was a Kennedy Scholar at Harvard University

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/economics-ai

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Website: https://gresham.ac.uk

X: https://x.com/GreshamCollege

Facebook: https://facebook.com/greshamcollege

Instagram: https://instagram.com/greshamcollege

Bluesky: https://bsky.app/profile/greshamcollege.bsky.social

TikTok: https://www.tiktok.com/@greshamcollege

Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Support the show

One of the first executive orders issued by President Trump in January was EO 14164 designed to “restore the death penalty”, though actually aimed at far more (including making the prison conditions of those commuted by Biden reflect the “monstrosity” of their crimes). We will explore what this means for the 2,400 people on America’s death row, at the same time as reviewing the rising levels of innocent people being executed – my own ‘Post Mortem Project’ indicating that as many as 13 percent of those killed since 1976 have strong innocence cases.

This lecture was recorded by Clive Stafford-Smith on the 4th of December 2025 at Bernard’s Inn Hall, London

Clive Stafford Smith JD OBE is a dual UK-US national, the founder and director of the Justice League a non-profit human rights training centre focused on fostering the next generation of advocates.

He was the Senior Prefect at Radley College, where he studied maths and science; then a Morehead Scholar at the University of North Carolina (Chapel Hill), where he took a degree in Politics; and a Stone Merit Scholar each of his three years at Columbia Law School, graduating in 1984.

He previously founded and directed the legal action charities Louisiana Capital Assistance Center (1993 in New Orleans) and Reprieve (1999 in London). Since 1984 he has tried many capital cases, and helped to represent over 400 people facing execution in the US and elsewhere. He also brought the first challenge to Guantánamo Bay, where he has secured the release of 85 detainees, and continues to assist the remaining 30. In all five of the cases he has helped bring to the U.S. Supreme Court the petitioner has prevailed.

He has recently taken on the case of Aafia Siddiqui, the woman who has most suffered from the US rendition-to-torture program – abducted with her three children. He continues to work on capital cases in the US, including a Post-Mortem Project where he is investigating the claims of innocence of 184 people executed since 1977.

Clive has published a number of books including Bad Men (2008, describing work in Guantánamo) and Injustice (2012, on the capital case of Kris Maharaj), both of which were short-listed for the Orwell Prize; and most recently The Far Side of the Moon (2023), deconstructing the parallel lives of his father and a client Larry Lonchar, both of whom were labelled Bipolar. He has many other publications, including manuals for the defence of capital cases, and law review articles about aspects of capital defence. He has worked on many films and documentaries, starting with Fourteen Days In May (1987), recently ranked as one of the top BBC documentaries of all time.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/trump-death

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Website: https://gresham.ac.uk

X: https://x.com/GreshamCollege

Facebook: https://facebook.com/greshamcollege

Instagram: https://instagram.com/greshamcollege

Bluesky: https://bsky.app/profile/greshamcollege.bsky.social

TikTok: https://www.tiktok.com/@greshamcollege

Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Support the show

During the fifty years since the launch of the Viking spacecraft to Mars, our view of the red planet has changed from hostile desert to a world which was once covered in water, and which may just possibly sustain life. Lavishly illustrated with the latest images from the fleet of spacecraft that have explored our neighbour, this lecture considers how Mars’ fate, like that of Earth, was set in the Solar System’s first billion years, and the chaotic environment the process of planet formation produced.

This lecture was recorded by Chris Lintott on the 3rd of December 2025 at Conway Hall, London

Professor Chris Lintott is a Professor of Astrophysics at the University of Oxford, and a Research Fellow at New College.

Having been educated at Magdalene College, Cambridge and University College London, his research now ranges from understanding how galaxies form and evolve, to using machine learning to find the most unusual things in the Universe, to predicting the properties of visiting interstellar asteroids. He was the founder of the Zooniverse citizen science platform, which provides opportunities for more than two million online volunteers to contribute to scientific research, and which was the topic of his first book, 'The Crowd and the Cosmos’. His latest book is ‘Our Accidental Universe’.

Professor Lintott is best known for presenting the BBC's long-running Sky at Night program, and as an accomplished lecturer. Away from work, he cooks, suffers through being a fan of Torquay United and Somerset cricket, and spends time with a rescued lurcher, Mr Max. He can often be found at the helm of Oxford’s science comedy night, ‘Huh, That’s Funny’.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/mars-love

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Website: https://gresham.ac.uk
X: https://x.com/GreshamCollege
Facebook: https://facebook.com/greshamcollege
Instagram: https://instagram.com/greshamcollege
Bluesky: https://bsky.app/profile/greshamcollege.bsky.social
TikTok: https://www.tiktok.com/@greshamcollege
Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Support the show

This lecture looks at the 'surreal' art of the Early Netherlandish painter Jheronimus Bosch within its historical and cultural context. Although Bosch’s terrifying visions of sin, death, and the hereafter may appear surreal today, especially his highly imaginative depictions of devils, they were tied to the religious attitudes and moralising texts of the period, such as the Ars moriendi, the Dance of Death, and Everyman. It is in this context that one should examine Bosch’s Haywain Triptych, Garden of Earthly Delights, and other works.

This lecture was recorded by Dr Sophie Oosterwijk FSA on the 10th of December 2025 at Barnard’s Inn Hall, London.

Sophie is Vice President of The Church Monuments Society and was for many years editor of its journal Church Monuments. Born in Gouda (Netherlands), she is a recognised specialist in Early Netherlandish and Dutch art. After studying English at Leiden and Medieval Studies at York, she obtained two doctorates in Art History (Leicester) and English Literature (Leiden). She previously taught art history at the Universities of Leicester, Manchester and St Andrews.

Since her return to the Netherlands, Sophie has been working as a freelance researcher and guest lecturer for the University of Cambridge, The Arts Society (formerly NADFAS), and other organisations. She has published widely, especially on death, the danse macabre and commemorative art. Her latest book, a co-edited volume entitled Writing, Dancing and Performing Death across Late Medieval Europe, is due to be published by Brill in 2025.

The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/hieronymus

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/

Website: https://gresham.ac.uk
Twitter: https://twitter.com/greshamcollege
Facebook: https://facebook.com/greshamcollege
Instagram: https://instagram.com/greshamcollege

Support the show

Hecate started as the ruling goddess of the Asian region of Caria, and got taken over by the Greeks as the only one able to operate in every realm of the cosmos. This then gave her special responsibility for travellers, doorways and restless ghosts. That slowly darkened her image, so that she became associated with the night, the moon, and magicians. By the Roman period, she was the goddess of sorcery par excellence, invoked for all sorts of enchantments, good or bad. In the late ancient worlds this also turned her into a saviour figure, enabling humans directly to contact the divine. This lecture traces that colourful journey.

This lecture was recorded by Robin May on the 26th of November 2025 at Bernard’s Inn Hall, London

Professor Hutton is Professor of History at the University of Bristol. He took degrees at Cambridge and then Oxford Universities, and was a fellow of Magdalen College, Oxford. He is now a Fellow of the British Academy, the Royal Historical Society, the Society of Antiquaries and the Learned Society of Wales, and has won awards for teaching and research.

He has lectured all over the world, authored twenty books and ninety-six essays, appeared in or presented scores of television and radio programmes, and sits on the editorial boards of six journals concerned with the history of religion and magic.

He is currently working on the third volume of his biography of Oliver Cromwell.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/goddess-hecate

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Website: https://gresham.ac.uk

X: https://x.com/GreshamCollege

Facebook: https://facebook.com/greshamcollege

Instagram: https://instagram.com/greshamcollege

Bluesky: https://bsky.app/profile/greshamcollege.bsky.social

TikTok: https://www.tiktok.com/@greshamcollege

Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Support the show