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Film at Lincoln Center Podcast

Film at Lincoln Center Podcast

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The Film at Lincoln Center Podcast is a weekly podcast that features in-depth conversations with filmmakers, actors, critics, and more.All rights reserved Arte
Episodios
  • #647 - Adrian Chiarella, Joe Bird, and Stacy Clausen on Leviticus

    #647 - Adrian Chiarella, Joe Bird, and Stacy Clausen on Leviticus
    Apr 10 2026
    This week we’re excited to present a conversation with the team behind the opening night selection of this year’s New Directors/New Films. Presented by Film at Lincoln Center and The Museum of Modern Art, the 55th edition of New Directors/New Films takes place April 8-19, with many filmmakers scheduled to attend in person. Get tickets at newdirectors.org The following conversation features Leviticus director Adrian Chiarella and lead actors Joe Bird and Stacy Clausen, moderated by New Directors/New Films selection committee member Madeline Whittle. Sundance favorite Leviticus expounds daringly on the horror-movie truism that sexual desire makes you vulnerable—notably, to gruesome death. Named for the book of the Old Testament used to justify homophobia, the wrenching and terrifying feature debut from Adrian Chiarella begins with Naim (Joe Bird) and Ryan (Stacy Clausen) breaking into an abandoned mill, their matey horseplay soon surrendering to its powerful homoerotic subtext. Fans of Heated Rivalry will appreciate how Chiarella draws out the intuitive connections that form beneath the show of machismo that the young men take pains to maintain for their traditional community—in this case, the provincial Australian town where Naim’s mother (Mia Wasikowska in a complex, calibrated performance) has relocated them, dragging him along to a local church’s praise meetings in search of fellowship. Gothic iconography lurks in Chiarella’s oppressive and foreboding widescreen compositions, and soon, after Ryan and another boy are subjected to a disturbing exorcism intended to cure them of their urges, the community’s queer youths, already picked on, begin to be picked off by a spectral killer that appears to them in the form of their forbidden love objects. Ingeniously complicating the deep interrelation between teen sexuality and slasher movie iconography, and staging his set pieces with chilling precision, Chiarella announces himself as a new Aussie horror auteur to stand alongside Jennifer Kent and the Philippous.
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    26 m
  • #646 - Christian Petzold on Barbara

    #646 - Christian Petzold on Barbara
    Apr 3 2026
    This week we’re excited to present a recent conversation with acclaimed German filmmaker Christian Petzold as he discusses the NYFF50 selection Barbara (2012) in a conversation moderated by NYFF Artistic Director Dennis Lim. Make sure to catch Petzold’s latest feature, the NYFF63 selection Miroirs No. 3 currently playing at Film at Lincoln Center. Get tickets at filmlinc.org/miroirs Set in 1980, Barbara, the first chapter of Christian Petzold’s trilogy “Love in Times of Oppressive Systems,” centers around a doctor—played by the incomparable Nina Hoss, in her fifth film with the director—exiled to a small town from East Berlin as punishment for applying for an exit visa from the GDR. Planning to flee for Denmark with her boyfriend, Barbara remains icy and withdrawn around her colleagues, particularly with the lead physician, who is hiding a secret of his own. With her patients, however, the guarded doctor is kind, warm, and protective, even risking her own safety for one of her charges. Masterfully controlled and totally absorbing, this Cold War thriller expertly details the costs of telling and withholding the truth.
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    39 m
  • #645 - Sergei Loznitsa on Two Prosecutors

    #645 - Sergei Loznitsa on Two Prosecutors
    Mar 29 2026
    This week we’re excited to present a conversation from the 63rd New York Film Festival with Two Prosecutors director Sergei Loznitsa, moderated by NYFF Artistic Director Dennis Lim. An NYFF63 Main Slate selection, Two Prosecutors is currently in select theaters, courtesy of Janus Films. The latest film from the great Ukrainian director Sergei Loznitsa is a scalpel-precise tale of the horrors of totalitarian bureaucracy. Adapting a novel by Soviet writer and political prisoner Georgy Demidov, set in the Soviet Union in 1937, Loznitsa follows the attempts of an idealistic government-appointed prosecutor to expose the mistreatment of a dissident Bolshevik writer who has been jailed and tortured without evidence of wrongdoing. As he gradually comes to realize, the lack of cause for the man’s imprisonment is hardly unique under Stalin’s regime, and the neophyte lawyer may be putting himself in danger by exposing his own moral righteousness. Loznitsa constructs his story with a patient yet unmistakable sense of mounting dread, focusing on the devastating minutiae that allows fascism to function in our world. The 63rd New York Film Festival is presented in partnership with Rolex.
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    18 m
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