Kenny and Mike review and disuss faith elements spotted in Guillermo del Toro's latest film and passion project. Frankenstein stars Jacob Elordi as the Creature and, Oscar Isaac as Victor Frankenstein, and co-stars Mia Goff and Christoph Waltz. The film received 9 Oscar nominations including best Picture, Supporting Actor, Adapted Screenplay.

Frankenstein is a passion project for del Toro as he weaves elements from the Mary Shelley's novel, James Whale's original 1931 film, as well as his reinterpretation of the story.

Faith Spotted:

Humanity's temptation to play or challenge God. This tempation dates to the book of Genesis 3 where Eve and Adam were tempted to eat the fruit from the tree of the knowledge of good and evil. This desire was rooted in a mistrust of God to care for them.

For Victor Frankenstein, the drive to play or become like God was rooted in Victor's loss, grief, and pain associated with the death of his mother and the abuse and rejection from his father, and his father's inability to save his mother. He wanted to reverse his father's failure by not only saving life but restoring and recreating life. Such pain cannot be soothed by satisfying ego and pride. These motivations to create are in direct contrast to God's desire to create which was and is grounded in God's desire for love and community.

The film shows the place and purpose for processing grief and not rushing or suppressing the grief journey. Such processing can involve faith, theology as well as counseling and psychological tools. In Philippans 4 Paul speaks of peace which passes understanding, which includes peace in the midst of the pain and grief of loss of loved ones.

Victor's abuse of the creature models the abuse he suffered at the hands of his father, reflecting the cycle of abusive relationships being passed down to future generations as taught in Exodus 20 and 34.

The contrast of the music played during the process of Victor dismembering body parts to be used in the creature reflets the contrast between creation born out of love and that born out of anger and pain. Victor's comment, "It is finished" also reflects on the contrast of Christ's crucifixion which leads from death to eternal life and that of the eternal death the creature experiences in the life given from Victor.

Martin Luther's concept of simul iustus et peccator (simultaneously saint and sinner). The human and monster qualities within both Victor and the Creature reflects the saint and sinner within humanity. This concept is at the core of Luther's teaching that righteousness is a gift of grace received through Christ and received by faith. It is Christ who justifies as an act of love and grace.

The film shows the power of forgiveness to bring about transformation and true peace.

Mike and Kenny review and spot faith presented in the Academy Award nominated and latest film by director Yorgos Lanthimos. Bugonia marks another colaboration between Lanthimos and two time Best Actress winner Emma Stone, whose second Oscar was for Lanthimos's film Poor Things. Stone stars as Michelle Fuller, a powerful CEO of a pharmaceutical company. Jesse Plemons, a 2021 Best Supporting Actor nominee co-stars as conspiracy theory obsessed beekeeper Teddy Gatz. Aiden Delbis also co-stars as Teddy's autistic cousin Don. Likening her actions to Cology Collapse Disorder where healthy beehives suddenly collapse, Teddy believes Fuller is an Andromedan alien who is intent to destroy or force humanity into subserivence. Teddy convinces Don to assist him in kidnapping and holding Fuller hostage in an effort to be transported to the Andromedan spaceship.

Faith Spotted:

As with bee hives, communities, whether faith or societal, can function, grow and live for an extended period and then quickly become dysfuntional collapse and die. Typically growth happens when the wellbeing of the collective is prioritized over the needs, fears, or desires of the individual. Fracturing happens when in response to the community facing challenge or change, and individuals or portions of the community begin to act in ways that offer them comfort and assurance based on memories of past glory and success.

Teddy resembles in the description of John the Baptist who comes in from the wilderness with a new message. While John was preparing the way for the new message that was the Gospel of Christ, not every outsider with a new message is to be followed.

The patience of God not to do away with creation or humanity even though it is likely what is derserved. Although there is the flood account in Scripture, there have been other times when God has been tempted to do away with nations or communities, yet resisted the temptation. The continued rejection by humanity of God's grace, love and righteousness (desire) is a source of unimaginable pain to God. Because God's love is complete and perfect, the loss and pain God feels when we reject and retaliate are immeasureable. Yet God continues to love.

Dysfunctional communities such as cults etc. are based on and grow out of fear of real or perceived threats and challenges facing members. Such fear leads to a desire and need to seek to control or to follow those indviduals and groups who promise stability and control over that which is unknown or unstable, regardless of the cost.

The promise of the Gospel is that life does not end in death, collapse and a tomb, but rather continues through the hope and assurance of ressurection to new life.

SOME SPOILERS.

Kenny and Mike discuss the multiple Oscar nominated film by director Clint Bentley and starring Joel Edgerton, Felicity Jones, Kelly Condon, and William H Macy. Set in the early through mid 20th century, Train Dreams documents the story of Robert Grainer (Edgerton) a common man who life knows simplicity, peace and joy and as well as tragedy and loss.

Clint Bentley and production partner Greg Kwedar are nominated for an Oscar for best Adapted Screenplay. The film is also nominated for Best Song, "Train Dreams" as well as Best Cinematography and Best Picture. The film is currently on NETFLIX

Faith Spotted:

While Train Dreams is not considered a faith film, or faith based film, it is a film of faith lived out, both as individuals as well as communities of faith. The film addresses, the joy of living a simple, contented life as well as working through grief and loss. Train Dreams also demonstrates the place of community and how persons of faith are called to notice and care for those in the midst of loss and grief and offer the ministry of presence, their presence and also the presence of God.

Not mentioned in the podcast, the film also presents guilt and how one's action or inaction an follow one throughout one's life.