FIR #509: Does Corporate Content Need Copyright Protection?

When bad actors use AI tools to clone a musician's voice and upload synthetic versions of their songs, they can then file copyright claims against the original artist's content — and win, at least initially. That's because the systems platforms use to validate copyright claims are automated and configured to treat whoever files first as the rightful holder. The result: musicians like Murphy Campbell, a folk artist from North Carolina, lose both revenue and control of their own creative identity.

The same mechanism works just as well against any organization that publishes audio or video content online. In this midweek episode, Shel Holtz and Neville Hobson break down how the scam works, why it matters to communicators, and what you should be doing right now — before an incident forces your hand.

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