Every Single Sci-Fi Film Ever* Podcast Por Ayesha Khan arte de portada

Every Single Sci-Fi Film Ever*

Every Single Sci-Fi Film Ever*

De: Ayesha Khan
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The Every Single Sci-Fi Film Ever* podcast looks back at more than a century of films, beginning in 1902 and working towards the future. Each episode focuses on a film, director or theme and brings in experts to discuss the history, politics, and influences. Join sci-fi enthusiast Ayesha Khan as she travels through time and space, encounters aliens, and battles authoritarian regimes all from the comfort of your home planet. Released every two weeks*Almost Hosted on Acast. See acast.com/privacy for more information.© 2025 Every Single Sci-Fi Film Ever* Arte
Episodios
  • The 10th Victim: Italy's 1965 Pop Art Dystopia
    Apr 12 2026

    As always there are spoilers ahead!

    You can follow the podcast on social media on Threads, Instagram and Bluesky.

    If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm

    Apologies in advance for my butchering of Italian pronunciation during this episode.

    Although we mentioned in the Planet of the Vampires episode the copycat nature of Italian cinema in the 1960s, The 10th Victim by Elio Petri does not fit that mould. The film has a definite style that may offer commentary on Italian film, comics and culture but looks to set a new mould for films coming out of Italy. Cultural change in Europe and America in the 1960s came in many different flavours and with different driving forces. My excellent guests help to unravel the cultural context of this stylish cult classic.

    Stephen Gundle is a Professor of Film and Television at the University of Warwick. He has a special interest in Italian cultural history.

    Leon Hunt is a retired Senior Lecturer of Screen Studies at Brunel University with a special interest in Italian Genre Cinema.

    Chapters

    00:00 Introduction.

    01:17 Collectively written script

    04:02 Italy in the 1960s

    05:19 Marcello Mastroianni Commedia all'Italiana and global fame

    09:33 Echoes of La Dolce Vita

    15:02 Style over substance?

    17:03 Gender roles

    20:38 The violence of man

    23:28 The gun bra, design and pop art

    26:17 Comic book culture in Italy

    32:46 Religion and belief systems

    36:55 Changing Italian culture: American influence, economic growth and celebrity worship

    45:52 Legacy

    51:07 Recommendations for the listener

    Recommendations:

    Danger Diabolik (1968) directed by Mario Bava

    Modesty Blaise (1966) directed by Jospeh Losey

    La Dolce Vita (1960) directed by Federico Fellini

    NEXT EPISODE!

    You have two weeks to find and watch Seconds (1966) by John Frankenheimer as we finally head into 1966! The film is available to rent or buy on Apple TV in the UK, and for free on Kanopy in the US. You can check the JustWatch website for details of where it's available in your region. (Waves frantically at new global listeners!)

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    55 m
  • Star Trek: Woke Since 1966
    Mar 29 2026

    As always there are spoilers ahead!

    You can follow the podcast on social media on Threads, Instagram and Bluesky.

    If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm

    Despite a failed pilot Star Trek made it to TV in 1966. Creator, Gene Roddenberry's vision of a future that was beyond the contemporary struggles of civil rights and racism and global Cold War tensions but very much aligned with the style of the 1960s. As a diverse crew faced alien planets and tackled ethical questions audience numbers dwindled and cancellation loomed. The show was finally axed in 1969 but a growing fanbase aided by syndication meant what could have been a small part of TV history actually became a huge phenomena.

    My amazing Trekkie guests discuss the origins of my favourite franchise.

    Julian Chambliss is a scholar and a professor at Michigan State University. He has taught Star Trek as part of his Media Race and Culture classes.

    Carey Millsap-Spears is a professor of communications/literature at Moraine Valley Community College. She has written extensively about Star Trek including the 2023 book Star Trek Discovery and the Female Gothic.

    Chapters:

    00:00 Intro

    01:36 Gene Roddenberry's pitch and the pilot episode

    04:29 A new kind of frontier

    08:34 The fans

    11:06 Woke and the 1960s

    17:26 The gothic in Star Trek

    20:39 Captain Kirk as Casanova?

    26:09 That kiss and Uhura

    30:42 Utopia!

    36:47 Propaganda

    39:24 The Alien others

    44:08 Technology, NASA and Nichelle Nichols

    47:29 The Next Generation

    51:52 Why do we love Star Trek?

    54:32 Recommendations

    Recommendations

    The Centre Seat: 55 Years of Star Trek (2021)

    StarTrek II: The Wrath of Khan

    NEXT EPISODE!

    You have two weeks to find and watch The 10th Victim (1965) by Elio Petri. Another Italian film (like last episode's Planet of the Vampires) but a very different feel. Although coupld contend with Mario Bava's Danger Diabolik (1968) for the most 60s film ever made! The film is available to rent online in many places. You can check the JustWatch website for details of what it's available in your region.

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    56 m
  • Planet of the Vampires 1965: Mario Bava's Budget Beauty
    Mar 15 2026

    As always there are spoilers ahead!

    You can follow the podcast on social media on Threads, Instagram and Bluesky.

    If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm

    Planet of the Vampires was directed by Mario Bava and released in 1965. American International Pictures had made money with Italian films such as Black Sunday (1960) but would often need to oversee many changes to make the films suitable for an American audience. Their solution was to provide a script and co-produce a film so they could control the content.

    The film had a small budget of around $200,000 and although it definitely has its fair share of Schlock, Bava had a reputation for doing a lot on a small budget.

    My guests unravel why Mario Bava's reputation and love for this film continue to grow.

    Scott Higgins is Professor of Film at Wesleyan University as well as being the Curator of the Wesleyan Cinema Archives.

    Russ Hunter is an Assistant Professor in Film & Television Studies at Northumbria University. He has a special interest in Italian genre cinema.

    Scott says Eugenio Bava (Mario's Father) invented the Schüfftan process before Eugen Schüfftan after whom it was named. You can read more about this here: https://dcairns.wordpress.com/tag/schufftan-process/

    Chapters

    00:00 Introduction

    01:46 AIP involvement

    04:14 Italian cinema in 1965

    09:01 Dubbing

    14:31 Names changes and US appeal

    17:28 Mario Bava

    21:51 Scott's love for this film

    27:12 Bava and Barry

    29:22 Special Effects and the Schüfftan process

    33:39 Production and Set Design

    35:21 Style over coherence

    38:33 The alien

    41:35 Influences and origins

    43:40 Vampires in name

    44:20 Legacy

    49:06 Recommendations

    Recommendations:

    The Green Slime (1968) by Kinji Fukasaku

    Tu Vuo' Fa' L'americano by Renato Carosone

    Danger: Diabolik (1968) by Mario Bava

    Mario Bava: All the Colors of the Dark by Tim Lucas

    NEXT EPISODE:

    As we approach 1966 on the podcast it is time to talk about my favourite franchise which will be 60 years old this September! A little detour into the beginnings of Star Trek in two week's time.

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    56 m
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