In this episode, host Tim Cynova dives back into the world of shared and distributed leadership with three leaders of Bridge Live Arts, a Bay Area-based nonprofit dedicated to equity-driven live art. He's joined by Cherie Hill, Hope Mohr, and Rebecca Fitton as they unpack the unique journey of implementing a distributed leadership model at BLA as it transitioned from Hope Mohr Dance.

The team shares the origins of the distributed leadership model, how their particular model works, how engaging with community informs and evolves the model, some of their “ahas” and lessons learned along the way, and where to from here.

Episode Highlights

• 03:50 Understanding Bridge Live Arts
• 05:27 The Journey to Shared Leadership
• 08:20 Implementing Distributed Leadership
• 14:45 Challenges and Assumptions in Shared Leadership
• 19:47 Exploring Dancing Distributed Leadership
• 20:35 Initial Phases and Learnings
• 22:47 Improvisation in Shared Leadership
• 24:26 Future Directions
• 26:47 Challenges and Reflections
• 30:36 Advice for Implementing Shared Leadership

Related Resources

• The Dancing Distributed Leadership program
• Shifting Cultural Power: Case Studies and Questions in Performance by Hope Mohr
• Check out the new book Artists On Creative Administration: A Workbook from the National Center for Choreography featuring an in-depth case study of Bridge Live Arts.

GUEST BIOS

Cherie Hill (she/her) is a curator, co-director, and the Director of Arts Leadership at Bridge Live Arts (B.L.A.). She has co-curated Power Shift: Improvisation, Activism, & Community; Anti-Racism in Dance; Money in the Arts; and Transforming the Arts: Shared Leadership in Action series. In 2023, she curated Liberating Bodies: dialogue and movement workshops with Black Diaspora dance artists. She co-presents on distributed leadership, advocates for equity and inclusion, and is a choreographer, dance educator, and Assistant Professor in Dance Studies at CSU San Marcos. Cherie collaborated with B.L.A. former co-directors Hope Mohr and Karla Quintero to lead HMD/the Bridge Project, an organization with a hierarchical model to Bridge Live Arts, a model based on Distributed Leadership. Cherie is a researcher and has published articles in Gender Forum, the Sacred Dance Guild Journal, Dance Education in Practice, Stance On Dance, In Dance, and most recently co-authored "Embodying Equity-Driven Change: A Journey from Hierarchy to Shared Leadership" for Artists on Creative Administration: A Workbook from the National Center for Choreography. Cherie presents at national and international conferences and has held multiple residencies, including choreographic residencies with Footloose Productions, Milk Bar Richmond, the David Brower Center, and CounterPulse’s Performing Diaspora. She holds a BA degree in Dance and Performance Studies and African American Studies and an MFA in Dance, Performance, and Choreography with graduate certificates in Women and Gender Studies and Somatics. Cherie is a mother of two incredible sons and lives in Luiseño-speaking Payomkawichum homeland/Temecula Valley, CA, with her life-long partner.

Hope Mohr (she/her) is a multidisciplinary artist and arts advocate. She has woven art and activism for decades as a choreographer, curator, and writer. After a...