In May 2024, Yevgenia Berkovich and Svetlana Petrichuk, the director and writer of an experimental play, became the first Russian artists since Soviet times to be put on trial for the content of their work. It was a show trial. Like all show trials its outcome was preordained. But when professional actors took the stand, it turned it into a different kind of show—one that put the spotlight on a radical ideology that has gripped the Russian state.

In a bonus episode of our Next Year in Moscow series, The Economist’s Russia editor Arkady Ostrovsky presents a dramatisation of that trial to find out why the Russian state needed to make an example of a fringe production and, more importantly, its director.

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Mohammed bin Salman, Saudi Arabia’s crown prince, is a huge video-game fan. Now his hobby is becoming a multi-billion-dollar industry for the kingdom, which is acquiring some of the world’s biggest gaming firms. How Finnish icebreakers became a focus for polar power politics. And the NBA plays its first basketball game on Chinese soil in six years.

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Donald Trump has brokered an agreement between Israel’s government and Hamas. It’s a momentous breakthrough. Our correspondent analyses what comes next. We launch “The Economist Insider”, our new TV show for subscribers, where senior editors debate the news. And, do red-light masks actually work? Jason tries one…

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