In the second half of this two-part reflection, the story deepens: how a forgotten inventor’s hand-operated windshield wiper reshaped the way we navigate storms, yet their name slipped from the record. From Alabama’s fields to New York’s streets, this episode traces the overlooked legacy of resilience, empathy, and mechanical brilliance.

Through archival storytelling, immersive narration, and evocative sound design, we explore invention, innovation, and the cultural silence that erases pioneers from history. It’s a meditation on visibility and recognition—who gets remembered, who gets erased, and why their contributions still matter today.

Part 2 of Wiped Away continues the thread with clarity, resonance, and justice-driven storytelling.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.

A visionary from the Deep South reimagined how we move through storms—yet history left their name behind. This immersive monologue traces a journey from Alabama’s fields to New York’s frozen streets, where a fleeting moment of empathy sparked a mechanical breakthrough: the first hand-operated windshield wiper. A design born of clarity, resilience, and quiet brilliance.

Through archival storytelling, poetic narration, and evocative sound design, this episode explores invention, legacy, and the cost of being ahead of one’s time. It’s a meditation on visibility—what we see, what we ignore, and who gets remembered.

This is Part 1 of a two-part reflection. The thread continues in Wiped Away: Part 2 – Thursday Thread.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.

A denied a medal. A name erased from the record. A legacy carried not in trophies, but in footsteps.

This second chapter continues the first-person monologue of a trailblazer who raced not for glory, but for dignity. From segregated streets to international arenas, from quiet heartbreak to thunderous ovation, this is the story of what it means to endure—and to be seen.

Set against echoes of archival static and reverent silence, the voice returns with clarity and grace, tracing the aftershocks of a life lived in motion. Mentorship becomes memory. Memory becomes movement.

This is not a comeback. It’s a reclamation.

A final tribute to resilience, recognition, and the unfinished race of remembrance.

This is The Fastest Man You Never Knew: Part 2 – Thursday Thread.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.

A child gifted a bicycle. A racer banned from the track. A champion who outran hatred, exhaustion, and history itself.

This first-person monologue traces the arc of a forgotten pioneer—raised between two worlds, propelled by grace and grit, and tested in ways few could endure. From childhood wonder to six-day endurance trials, from whispered prayers to public triumphs, this is a story of motion: physical, emotional, ancestral.

Set against ambient textures and subtle strings, the voice invites listeners into a life shaped by mentorship, resilience, and the quiet force of memory. Before the headlines. Before the icons. There was this.

A poetic tribute to perseverance, legacy, and the power of remembering.

This is Part 1 of a two-part reflection. The thread continues in The Fastest Man you Never Knew: Part 2 – Thursday Thread.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.

A knock at the door. A silence too long. A memory that refuses to fade.

This Thursday Thread picks up where the vigil left off—tracing the breath between survival and surrender, between what was lost and what still lingers. It follows the healer’s path beyond prairie and petition, into the quiet rooms where history was rewritten not with fanfare, but with presence.

Here, we listen for the echoes that remain: in the rustle of paper, the hush of snow, the whispered names of those never counted. This is the second half of a story stitched from grief, grit, and grace—a continuation not of facts, but of feeling.

This is not a conclusion. It’s a continuation. A bridge. A breath held—and finally released.

This is Part 2 of a two-part reflection.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.

A bedside vigil. A breath withheld. A doctor who never came. This Monday monologue traces the journey of a healer whose life began in silence and injustice—but whose footsteps echoed across 450 miles of prairie, carrying medicine, memory, and the weight of a people’s survival.

From a childhood shaped by grief and resilience to a legacy built on horseback and handwritten letters to Congress, this voice speaks not only of healing bodies—but of stitching together a severed history. Through wind, snow, and systemic neglect, one soul dared to ask: If not me, then who?

This is not a biography. It’s a reckoning. A love letter. A final echo.

This is Part 1 of a two-part reflection. The thread continues in The Breath Between the Worlds: Part 2 – Thursday Thread.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.

In this Thursday Thread from Echoes in the First Person, the curtain lifts—but not for applause. The voice that once echoed unnamed now steps forward, revealing a life lived in the margins and a legacy that refuses silence.

Part 2 completes our two-part meditation on Black performance, historical memory, and the quiet defiance of first-person testimony. Where Monday’s Monologue lingered in anonymity, Thursday’s Thread offers revelation—not as spectacle, but as reclamation.

Through restrained sound design and poetic narration, this episode honors the artist behind the echo. It’s a reckoning with absence, a tribute to presence, and a final bow that asks: what does it mean to be remembered?

This is not an ending. It’s an invocation.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside.

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.

In this debut Monday Monologue from Echoes in the First Person, a performer steps into history’s blind spot. Their voice—unclaimed, unnamed—echoes through minimalist sound design and poetic storytelling, revealing a legacy shaped by erasure and resilience.

Curtain Without Applause is a sonic meditation on Black performance, historical memory, and the quiet power of first-person narrative. The speaker’s identity remains unrevealed until Thursday’s Thread, allowing listeners to dwell in the tension between presence and anonymity.

This episode blends archival imagination, emotional storytelling, and advocacy-driven audio to honor lives that history left behind. It’s not biography—it’s testimony. A sanctuary of sound where justice whispers and legacy lingers.

This is Part 1 of a two-part reflection. The thread continues in Curtain Without Applause: Part 2 – Thursday Thread.

Credits:

Echoes in the First Person is a collective effort.

Deep thanks to Scott A. Jennings, our masterful sound mixer. Original composition by Ayla M. Charness, who shapes our sonic world as both sound designer and composer. Theme music by Soundside

Produced by Michael Washington Brown, with care and intention.

Share the Echo If this episode resonated with you, please share it. Pass it on. Let these echoes reach someone who needs them.

Echoes Ethos When History Speaks, We listen.

Explore more www.echoesinthefirstperson.com

Stories that honor, voices that endure Subscribe—and let the echoes find you.