Doctor Who: Tin Dog Podcast Podcast Por Tin-Dog@hotmail.co.uk arte de portada

Doctor Who: Tin Dog Podcast

Doctor Who: Tin Dog Podcast

De: Tin-Dog@hotmail.co.uk
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tin-dog@hotmail.co.uk The Tin Dog welcomes you to sit back and listen to his rants and ramblings about all that is best in modern SF and Television. Via the gift of the new fangled Podcast over the tinterweb. As you can probably guess Tin Dog mostly talks about Doctor Who, Torchwood and Sarah Jane Smith but that wont stop him talking about any other subject you suggest. Hailing from a non specific part of the northeast of England, Tin Dog is male and in his mid 30s. A life long fan of almost all TV SF. His semi-autistic tendencies combined with his total lack of social skills have helped him find a place in the heart of British SF Fandom. Even as a child the Tin Dogs mother told him that she can trace his love of SF TV back to his rhythmic kicking, while still in the womb, along to the beat of the Avengers theme music. From Gabriel Chase to Totters Lane, from the Bad Wolf Satellite to the back streets of the Cardiff, Tin Dog will give you his thoughts on the wonderful Whoniverse. Daleks and Cybermen and TARDIS ES Oh My If you enjoy these Tin Dog Podcasts please remember to tell your friends and leave an email tin-dog@hotmail.co.ukTin-Dog@hotmail.co.uk Arte Biografías y Memorias Ciencias Sociales
Episodios
  • TDP 1462: For Your Consideration 22 Atlantis - The Lost Empire
    Apr 13 2026
    https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the ...
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    58 m
  • TDP 1461: 15A. Doctor Who: The Fourth Doctor Adventures Series 15: The Ministry of Death REVIEW
    Apr 5 2026
    https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 This title was released in March 2026. It will be exclusively available to buy from the Big Finish website until 30 April 2026, and on general sale after this date. Summoned back to Earth by the Space-Time telegraph, the Doctor and Sarah Jane find themselves assisting their old friends at UNIT not once but twice. But exactly how willing will a Time Lord be to be stuck in a single place once more? 15.1 The Ministry of Death by Robert Valentine (4 parts) When the Brigadier uses the Space-Time Telegraph to summon the Doctor and Sarah Jane from their travels, they know it'll be for something unusual. But neither could expect something quite this strange. An electronics expert has died after being struck by lightning. But how could this possibly happen in his office? And that's only the first death they discover. A wild scheme is underway. A case of twisted science and revenge. That's about to hit closer to home than they could possibly anticipate. 15.2 The Inhuman Empire by Phil Mulryne (2 parts) Sarah is contacted by an old friend who knows her predilection for 'rum goings on', asking her to investigate unusual activities at the National Museum. Sarah agrees to look into it, with the Doctor tagging along - but they soon discover things are worse than they thought. Because the Museum is host to alien activity - very familiar aliens at that. And if they don't stop these relic hunters quickly, then humanity itself might not survive. Brigadier Alistair Lethbridge-Stewart © Haisman & Lincoln and used under licence. With thanks to Hannah Haisman and Candy Jar Please note: the collector's edition CD box set is strictly limited to 1,500 copies and will not be re-pressed. Recorded on: 23 and 27 October, 3,10, 16 and 30 November, and 14 December 2020 Recorded at: The Soundhouse and Remote Recoding Producer David Richardson said: "Now this is my era! I was 12 years old when the Fourth Doctor, Sarah Jane and Harry were flying out into the universe, and those years remain some of my most treasured Doctor Who memories. "How brilliant that, at last, 15 seasons into The Fourth Doctor Adventures, we can bring those characters back together again for new stories. This season has been sitting 'in the can' for a while now - we made it at the height of lockdown, and it proved the most joyous diversion from bleak times. Imaginative, brilliant escapism - just what Doctor Who should be." The Ministry of Death writer Robert Valentine added: "There is a certain magic to these lead characters of the Fourth Doctor, Sarah, Harry and the Brig. The Fourth Doctor is a far less clubbable personality than the Third Doctor was, and he's this chaotic force who wants to leave, and the Brig is a force of order who wants him to stay. "And stuck between them are Sarah and Harry, who are a very different couple of characters, who nevertheless get on extremely well. But Harry is a throwback to an earlier time, not unlike John Steed in The Avengers, and Sarah is a thoroughly contemporary woman who's bang up to date for the 1970s. Or is it the 1980s?" Actor Christopher Naylor described The Ministry of Death: "It has a real adventure serial feel to it. It moves at a good pace and it's very reminiscent of those early stories in Tom's tenure, like Robot. You can imagine those very brightly lit sets and the jeeps zooming all over the place and lots of colour separation overlay of actors and creatures getting bigger." Sadie Miller, who plays Sarah Jane Smith, agreed: "It's a really fun adventure. It reminds me of Roger Corman movies - that sort of creature feature element, which I absolutely adore, and a gothic spooky element to the sci-fi, with a mad scientist character, which I've always really enjoyed as a viewer and as a listener."
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    12 m
  • TDP 1460: 5.3. Star Cops: Conflict: Prisoner and Escort REVIEW
    Mar 29 2026
    https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Alice Okoro returns to the Moon having escorted a prisoner, Mitchell Kane, from a Mars waystation. He has confessed to committing a murder on the Red Planet, but Nathan suspects he isn't telling the whole truth. Is Kane the killer? If not, who is? And why would he admit to a murder he hasn't committed? The answer to those questions brings shocking consequences. Recorded on: 5-7 November 2024 Recorded at: The Soundhouse Writer Roland Moore said: "The Star Cops characters are so well drawn, originally by Chris Boucher and then from what script editor Andrew Smith and the rest of the team have done. They've been played so consistently over the years, so getting back into writing for them is quite easy. And, I had great fun with the two guest characters. Mitchell Kane is a man totally out of his depth, and it's fun to see him unravel - Homer Todiwala's portrayal of Mitchell was a joy to hear." Director Helen Goldwyn added: "Mitchell is quite a character, brilliantly played by Homer. He's a really interesting personality type, and it's great to see his evolution. Also joining us on this episode is the fabulous Hannah Bristow, who I had the pleasure of working with in a show the year before; I knew that she had such a distinctive voice and such a naturalistic style, so it was great to come across the role of Samantha and be able to offer that to Hannah." David Calder (Nathan Spring) Trevor Cooper (Inspector Colin Devis) Linda Newton (Chief Superintendent Pal Kenzy) Hannah Bristow (Samantha Curran) Lynsey Murrell (Inspector Alice Okoro) Philip Olivier (Inspector Paul Bailey) Homer Todiwala (Mitchell Kane)
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    7 m
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