Nat King Cole's transition from a respected jazz pianist to a mainstream icon was a perfect storm of technical brilliance, a groundbreaking vocal style, and a persona that radiated "suave sophistication." While jazz purists sometimes lamented his move toward pop, it was his ability to blend jazz's complexity with pop's accessibility that made him a household name. He delivered hit after hit with a penchant for candidates (or entries from) the Great American Songbook. With this in mind, we’ll take this week’s show in an direction that honors the songs he became most famous for…from Bobby Troup’s Route 66 to Billy Strayhorn’s Lush Life…covered by others including some rocking tributes, some ballads in the style of country and bluesy soul numbers from Marvin Gaye and Sam Cooke. We don’t stop there. Join Dave Stroud for another celebration from a hundred years of America’s music

This week’s episode finds the heart of rock ‘n roll; that recipe of a rhythm and blues with just the right pinch of just about everything else. Chuck Berry’s legacy stands as one of the most important stories in rock ‘n roll’s 75 or so years. His music, particularly in those early years, was covered ad nauseum but it was always done best in an artist’s own voice. Why? Because the music speaks for itself. We’ll share music from Sleepy Labeef to Nina Simone, Linda Ronstadt to Peter Gammons (!), and Conway Twitty to the late, great John Hammond. Covers include You Never Can Tell, Sweet Little Sixteen, Nadine, and No Money down with another dozen, all honoring the King (or is it the Prime Minister) of Rock ‘n Roll whose 100th birthday will be celebrated later this year.

We’re going to take another journey through those dusty, neon-lit archives of Western swing, a genre that famously thumbed its nose at musical boundaries. While the “King” Bob Wills and his Texas Playboys rightly claim the throne, the true soul of the movement lives in the smaller, rowdier units that blurred the lines between Appalachian fiddling, big band jazz, and low-down blues. For our listeners, we’re looking past the “San Antonio Rose” to the grit of the lower Great Plains. We’ll be digging into the deep-cut recordings that highlight the genre’s technical audacity, exploring a sound that kept the dance halls jumping through the Depression proving that Western swing was always much more than just “hillbilly jazz”—it was a revolution you could dance to.