What makes one product more sustainable than another? It’s a question that anyone concerned with their impact on the planet must confront. How do we choose the right couch, coffee machine, flooring, tiles, or curtain wall system—so that we’re doing the most good for both people and the environment?

That’s the question Lisa Gralnek has been working to answer.

Gralnek is the U.S. Managing Director and Global Head of Sustainability and Impact at the iF Design Awards—one of the largest and most prestigious design award programs in the world. This year, 131 jurors evaluated nearly 11,000 entries from 66 countries, judging everything from appliances to automobiles, furnishings to buildings.

For the first time, sustainability accounted for 20 percent of the score for every submission. So how does an international awards program assess sustainability across such diverse design disciplines, regions, and product categories?

Listen to this episode of Deep Green, as METROPOLIS editor in chief Avi Rajagopal sits down with Gralnek to discuss how the iF Design Awards are tackling this challenge.

This season of Deep Green is produced in partnership with Mannington Commercial.

Resources

iF DESIGN AWARDS

Sustainability and the iF DESIGN AWARDS

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If there’s one defining trend in American architecture over the last decade, it’s the rediscovery of wood as a construction material. Mass timber buildings—made from large wooden panels, columns, and beams—are rising across North America, with developers racing to construct the tallest wooden tower. A new contender, the 32-story Edison in Milwaukee, just broke ground and is set to claim the title of the tallest mass timber building in the Western Hemisphere.

But why are American developers, architects, and builders all timberstruck? There are the carbon emissions—wood pulls down carbon dioxide from the atmosphere as trees grow, so these buildings are a tool in the fight against climate change. Plus, they are quick to construct and can be cheaper to build. So should we start building everything out of wood?

In this episode of Deep Green, METROPOLIS editor in chief Avi Rajagopal speaks with two experts to unpack the potential of mass timber. First, Columbia University professor and author Lindsey Wikstrom discusses how architecture and construction need to evolve to fully embrace timber-based design. Then, DLR Group principal Stephen Cavanaugh shares insights from his extensive experience designing over three million square feet of mass timber buildings, as part of the largest collection of mass timber buildings in North America.

Join us as we dive deep into the thinking behind and the practice of mass timber architecture.

This season of Deep Green is produced in partnership with Mannington Commercial.

Resources:

Designing the Forest and other Mass Timber Futures

Finding a Future for Mass Timber in Hospitality

DLR Group: Hines T3 Partnership

Episode art: Photo by Creative Sources Photography/Rion Rizzo, courtesy DLR Group

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Buildings account for 40 percent of the world’s carbon emissions. If you’re an architect, or a frequent listener to this podcast, you already know that. But in their new book, Build Like It’s the End of the World, Sandeep Ahuja and Patrick Chopson frame buildings and carbon emissions in a way that might change how you think about it:

“Buildings offer some of the most cost-efficient ways of reducing carbon emissions and combatting climate change. This is because, unlike carbon capture or more efficient cars, buildings have a lot of room for improvement in their design and construction, which is often not even simulated or cost optimized.”

Ahuja and Chopson are the cofounders of Cove, an AI-powered consulting and technology platform that helps building designers and owners do just that—optimize buildings for both lower carbon emissions and lower costs. Every year, architects across the U.S. report their progress on reducing carbon emissions to the AIA, and Cove is the #1 tool they use to measure their impact. The goal? A 70 percent reduction in the building industry’s emissions by 2030.

In this episode of Deep Green: Deep Cut, METROPOLIS editor in chief Avinash Rajagopal sits down with Ahuja and Chopson as they break down how Cove works, why they think we ignore cost and profit to our own peril, and how AI will be critical to the future of climate action.

This season of Deep Green is produced in partnership with Mannington Commercial.

Resources:

cove

Build Like It’s the End of the World

Three Technologies Are Changing how We Design for Climate

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Biophilic design might be trending on social media, but it’s far more than an aesthetic—it’s a transformative approach to creating spaces that make us happier, calmer, and healthier. In this episode of Deep Green: Deep Cut, METROPOLIS editor in chief Avinash Rajagopal dives into the science and philosophy behind biophilic design with Bill Browning, founder of Terrapin Bright Green, and Catie Ryan, director of projects at the firm. These leading voices in biophilic design share their insights on the profound impact of creating spaces that connect us to nature.

As Terrapin Bright Green marks the 10th anniversary of its 14 Patterns of Biophilic Design, Browning and Ryan reflect on how their research has shaped the field, including the introduction of a new pattern: “Awe.” They share how these principles deliver measurable outcomes in projects like the reimagined Portland International Airport, where stress-filled spaces became calming, passenger-friendly environments under the terminal’s nine-acre roof. Tune in to learn how biophilic strategies—from nature-inspired fractals to immersive natural elements—are improving well-being, reducing stress, and redefining the built environment.

This season of Deep Green is produced in partnership with Mannington Commercial.

Resources:

Moshe Safdie: The Future of Urban Density

What Is and Is Not Biophilic Design?

14 Patterns of Biophilic Design

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this bonus episode of Deep Green, host Avi Rajagopal reflects on the thought-provoking questions that have defined the show (Can bio-based plastics truly save the planet? Is recycling our hope for the future?) as he offers a glimpse into the exciting upcoming season, Deep Green: Deep Cut Edition.

Listen and revisit standout moments from past episodes with some of the smartest people in design. And get ready for more fascinating discussions as Rajagopal sits down with sustainability visionaries and trailblazers to dive even deeper into how we can make buildings better for the planet—and for all of us—in the season ahead.

This season of Deep Green is produced in partnership with Mannington Commercial.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Enjoy Sense of Space by Turf now available on all podcast platforms.

An architect and designer are on a journey to help their community understand the nuances of designing for the built environment. Join Ella Hazard and Faraz Shah through questions and conversations while they explore all the stuff we interact with as designers, architects, and people.

Please enjoy the following episode: What are the elements of a vibe?

Is “vibe” something we can curate, or is it best when it occurs organically? Faraz and Ella unpack some SAT words to describe how our bodies respond to spaces and ways to design for all senses. By better understanding ourselves and our senses, can we learn how to integrate this approach into the creation of a “vibe”?

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us live from NeoCon 2024 as we dive into the transformative world of sustainable textiles with our special guests, Dean Lindsley, VP of Pallas Textiles, and Geraldine Blanchot, founder of Limn and Loom. This episode explores the groundbreaking textile collection "In Good Company," which embodies a new paradigm of responsible manufacturing, industry collaboration, and broader societal impact.

Dean and Geraldine share the inspiring story behind "In Good Company," revealing how it represents not just a collection but a movement towards sustainability in the design industry. Discover the innovative use of Sequel, an upcycled marine plastic yarn, and the philanthropic efforts tied to the Sequel Foundation, aimed at oceanic conservation.

We also delve into the technical and creative challenges faced in developing this collection, the significance of collaboration across the supply chain, and the broader market applications of these sophisticated, tactile textiles. From corporate workplaces to hospitality and healthcare, learn how specifying these materials can lead to impactful change.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What is Office Furniture’s Role When it Comes to Climate Impact? In 2018, Americans threw out 12.1 million tons of furniture—and nearly 80 percent of that ended up in landfills. And the problem may not be where you think it is. Fast-furniture folks get a bad rap, right? It turns out that's not the biggest problem with furniture. Eight million or so of that 12.1 million tons of waste furniture was office furniture. There’s also growing research around the role of furniture in the impact of climate change on buildings. Over the life of a building, the renovations that happen—changing out the lights, furniture, carpet, etc.—on the inside of the building account for about half of the embodied carbon emissions of the building over its life. And out of that half, another half, so nearly 25 percent of the embodied carbon emissions in any building, is furniture. The good news? Research also shows that furniture might have the highest potential for us to lower the carbon emissions of interiors. In today’s episode, editor-in-chief of METROPOLIS Avi Rajagopal is going to talk to leaders in the furniture industry—KI (Jason Lazarz and Angela Allen), Allstee (Jason Hagadorn), and Steelcase (Katie Pace)—about their work responding to a changing society, a changing workplace market, but also increasing demands and a greater focus on furniture when it comes to climate impact.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.