Cyberpunk Cinema Podcast Por Anthony La Pira arte de portada

Cyberpunk Cinema

Cyberpunk Cinema

De: Anthony La Pira
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Cyberpunk Cinema is the definitive dive into the dark future of science fiction. I will be breaking-down one film per week that best represents the thematic signatures of cyberpunk. So, do me a favor - it's time to access your cranial jacks, boot up your Ono Sendai Cyberspace 7, and slap on your damn mirrorshades! Join me as I take you through the matrix that is Cyberpunk Cinema! © 2025 Cyberpunk Cinema Arte
Episodios
  • EP48 - Kamikaze '89 (1982)
    Sep 25 2025

    Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.\

    In this week’s episode, I will be breaking-down the 1982 West German cult cyberpunk film KAMIKAZE 89 – directed by Wolf German; written by Wolf German and Robert Katz; based on the novel by Per Wahloo called Murder on the 31st Floor; soundtrack by Tangerine Dream founder Edgar Froese; starring Rainer Werner Fassbinder, Gunther Kaufmann, and Franco Nero.

    In a totalitarian society of the future, in which the government controls all facets of the press, a homicide detective investigates a string of bombings, and finds out more than he bargained for.

    The poster logline for Kamikaze 89 is – “Ninety-Six Hours to Crack His Last Case…His Time’s Already Up.” Lieutenant Jansen (played by the sweaty and portly Fassbinder) must unravel the mystery of murder, bomb threats, counter-revolutionaries, and the multi-national media conglomerate that governs their daily lives. It’s set over 4 crackling days as we accompany Jansen on his quest to keep his perfect case record intact!

    So, do me a favor – it’s time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!

    • Anthony's IG - https://www.instagram.com/stormgiantproductions
    • Cyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinema
    • Signal Fragment SoundCloud - https://soundcloud.com/signalfragment

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    1 h y 7 m
  • EP47 - Liquid Sky (1982)
    Sep 10 2025

    Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.

    In this week’s episode, I will be breaking-down the 1982 midnight-movie cult-classic gender-fluid cyberpunk-adjacent LIQUID SKY – directed by Slava Tsukerman; written by Slava Tsukerman, Nina V. Kerova, & Anne Carlisle; starring Anne Carlisle, Paula E. Sheppard, Susan Doukas, and Otto van Wernherr.

    A small, heroin-seeking UFO lands on a Manhattan roof, observes a bizarre, drug addicted fashion model, and sucks endorphin from her sexual encounters’ brains.

    Liquid Sky is a neon fever dream set against the backdrop of an Empire State Building monolith that resembles a plunging heroin syringe. It’s a bisexual, transgender, gender-fluid cyber-fashion show that also features an alien takeover of a protagonist that grants her the curse of killing people during sex. It’s death by orgasm, circa 1982 NYC new wave art scene, where cocaine is plentiful, night clubs are jumping, and a heroin called Liquid Sky is all the rage. Welcome to the near future, where style and fashion pave the way for stardom on rags like Midnite Magazine, a precursor to the Screamsheet adverts that dominate Cyberpunk 2020. This film was listed as one of the inspirations for the game by Mike Pondsmith, and it’s a necessary addition to the Cyberpunk Cinema canon!

    So, do me a favor – it’s time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!

    • Anthony's IG - https://www.instagram.com/stormgiantproductions
    • Cyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinema
    • Signal Fragment SoundCloud - https://soundcloud.com/signalfragment

    Send us a text

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    1 h y 3 m
  • EP46 - Burst City (1982)
    Aug 27 2025

    Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.

    In this week’s episode, I will be breaking-down the 1982 landmark esoteric cyberpunk rock musical BURST CITY – directed by Shogo Ishii; written by Jugatsu Toi.

    Punk rock gangs and music groups clash with one another and the brutal police force in a futuristic Tokyo setting.

    Burst City is a visceral, wild, kinetic, and aggressive film that attempts (and succeeds) to encapsulate the essence of the subculture of punk rock. The film is a frantic landscape of a post-apocalyptic dystopia mixed with nuclear power plant concerns in Neo Tokyo mixed with Japan’s vibrant punk rock scene. It is pure orchestrated madness that reflects the frustration of the artists of the subculture of that particular era combined with the industrialization of society set against the backdrop of a bleak, lawless future. The film is literally BURSTING with a kinetic/manic energy that has never been duplicated in cinema. You will not see anything like this. You just have to witness it in all its glory.

    So, do me a favor – it’s time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!

    • Anthony's IG - https://www.instagram.com/stormgiantproductions
    • Cyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinema
    • Signal Fragment SoundCloud - https://soundcloud.com/signalfragment

    Send us a text

    Más Menos
    1 h y 2 m
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